Dead in the Water is the 6th in the Daisy Dalrymple series. In this book, Daisy and Alec are officially engaged, and he’s actually got to face her family — thankfully, her more likeable aunt, and not more time with her strict and old-fashioned mother! Of course, as usual, Daisy quickly falls over a fraught situation, expects murder, and eventually gets it. The same formula is in place here as usual: a crime is committed, and by the time Alec investigates, Daisy’s picked someone to champion. In this case, it’s actually someone she doesn’t even like, who she feels deserves better than he’s been getting all the same.
It’s little things like that (Daisy not liking the person she champions) that help bring some variety to the series; if it was always the exact same kind of person, it’d quickly get tedious, but there’s always just enough variation that it works. For me, and so far, at least. Daisy herself is a worthy sort of heroine: not totally unflappable, but practical and trying to keep her head; a girl who works for her living when she doesn’t have to (except of course, she considers that she does have to, valuing the work); someone with a sense of justice. Alec, too, is a basically decent guy, doing his best to find the culprits and put aside personal feelings. And their relationship is sweet, too.
It didn’t blow me out of the water (heh), but again it’s a fun entry in a series that’s working for me.
Since last week, I’ve picked out my colour palette (such as it is — my wife was involved, and she loves a riot of colour) and ordered the yarn! So I thought I’d update on the chosen colour palette. Here’s an image with some colour swatches to give you a better idea:
Graphic showing the colours I’ve chosen for my blanket and what each one means (click to embiggen)
In other words, looking at the table below, for each square I’m going to make the centres out of a colour chosen based on the genre of the book (table A) and then a round in a colour chosen based on the source of the book (table B). If the book covers two genres, I’ll do two rounds for the first genre and two rounds for the second genre.
Table A: Genres and Colours
Table B: Genre and Colour
Acquired this year
Library, ARC, borrowed, etc
So a book that’s a Mystery/Romance, bought back in 2014, will get two rounds in Claret and two in Bright Pink, followed by a round or two (I haven’t decided yet, it will depend on the size when made) in Bottle. That will have a border in Cream, which will also attach it to the next square. I need to look up how to join with crochet in a blanket, but that shouldn’t take too much effort!
Good morning, folks! It’s been a somewhat busy week, aka I’ve still been catching up from the holiday and just being kinda lazy, so there hasn’t been much activity. I have bought my first two books of 2019 though, and got my first request via Netgalley.
Received to review:
Books read this week:
Number of books in: 2
Number of books read: 4
Number of books from the backlog read: 3
Library books: 0
Bought in 2019: 1
This is a mostly textbookish sort of primer on the Mycenaeans: a bit more up to date than the Penguin classic on the Greeks I read recently, by Kitto, but not necessarily in line with the latest ideas as I remember them either. He relies quite heavily on Homer as a historical source; although I know there is certainly some historicity in Homer (the descriptions of armour and other artefacts are often correct in Homer for when we think the Trojan War occurred, rather than for when the epic was written down, suggesting that it does have a good deal of content from being originally composed nearer in time to the actual events), it’s also full of Gods and magic — not usually considered key markers of accurate history writing.
It was basically what I expected from something of a rather textbooky nature, though: dry at times, expanding on some not-necessarily-interesting (to the casual reader, anyway) points, and generally taking a long time to get where it was going. I wouldn’t say it’s a bad book, but I wouldn’t particularly recommend it to those without a deep interest in the details.
While clicking around on Twitter, as you do, I learned about an awesome project some other book nerds are doing. (Full credit: I heard about it from a booktuber, Claire Rosseau.) I’m not much into Instagram or Youtube or whatever, so if there’s a linkup anywhere for web bloggers, someone gimme it and I’ll be right over like a shot.
Anyway, what is this awesome project? A book blanket! Basically, for every book I read in 2019, I crochet a motif to be part of a blanket. Each motif’s colours will be dictated by the book I just read (so for example, if I just read a fantasy book, I’d make a purple square). At the end, I should have a massive blanket of around 250 motifs, if I read roughly the same amount I read last year. It’s going to be epic! (And unlike some of my other blanket projects, it’s very deliberately piecemeal, and so I should be able to do it in little bits as I go along.)
And of course, I’ll blog about every step of the project. When I have an update, I’ll post about it as my discussion post for the week (and when I don’t have any news, which will be most of the time, I’ll think of something else, or post a book review instead). I’ll probably do a couple more of these in January covering my decision process, though, because here I get to combine crochet and books, and that’s pretty awesome.
So! What have I decided so far? I’ve decided that I’ll use acrylic yarn. Any wool-mix is out for me, due to sensitive skin: I can just about work with wool-mixes without problems, but they irritate my skin a lot. Cotton is nice, but could get expensive, and can also be really stiff — not what you want in a big snuggly floppy blanket. So acrylic is my decision: generally hard-wearing, easy to wash, and not too expensive either. And I think I’ll go for DK for the yarn weight; smaller is fiddlier, and there’s a lot more variety available in DK. Chunky yarn is a love of mine, but with 200 motifs, it’d come out too big.
How am I going to join them? Having laboriously sewn a blanket together at the end — a small blanket, at that — I’m going to crochet them together with white yarn. That will give each of them a border, look nice, and can be done as I go along. So I’ll need an extra skein of yarn in white.
To LoveKnitting.com! Having worked with it before and looking at the huge colour selection, I think I’m going to go for Stylecraft Special DK. I’ll probably try and keep the whole thing in the same brand of yarn, to ensure that as much is kept similar as possible, but it shouldn’t matter too much as long as the material and the weight are the same for all the motifs.
Posts to come: colours! Motif type! Maybe a tutorial video or step by step post in which I show you how to make the motif if you want to give it a try!
It strikes me, reading these books now, that just as Tolkien tried to write ‘a mythology for England’, so did Cooper try to write ‘a mythology for Britain’. This book is addressed rather insularly to the British reader — the Old Ones are ‘as old as this land’, not ‘as old as Britain’: the reader is assumed to be British. However, and this is a relief for me, the reader is rarely if ever assumed to be a child or to belong to a particular era or group of people. Cooper is more subtle in her editorial than Tolkien or Lewis (given here as examples because both of them speak directly to the reader a good deal).
All the same, it’s a mythology for Britain, or even of Britain (don’t get Tolkien scholars arguing too much about which he said and what he meant): even in the most juvenile of the books, Over Sea, Under Stone, there’s a good deal about invaders assimilating and becoming British, about the power of the British character. It’s explicit, oddly enough, when Will’s father speaks to Merriman: “You’re not English, are you?” And Will is surprised to notice hostility in his usually mild father’s eyes. (And I was surprised to note that he said English; I shouldn’t have been, given the historical gulf between Welsh and English, but I thought this series in particular would be better about that, given the setting of the fourth and fifth books, and the narrative importance of King Arthur and his very Welsh son.)
Perhaps a modern liberal writer would be inclined to paint the Dark not as the invader, but the insider who refuses to change. Not the waves of invaders (or migrants, or refugees, depending on how you view them) but those who insist upon Englishness as an inherent good that can be corrupted and ruined by contact with the non-English… Mind you, Cooper covers that angle too, in Silver on the Tree, so I’m getting ahead of myself.
Putting the insularity of the book aside, The Dark is Rising is the first in the series to give a real idea of what’s going on. It’s here that the mythology takes shape: the Light versus the Dark, the role that Merriman (and now Will, and the other Old Ones we’re introduced to) has to play, and some of the tangled British legends that contribute — Herne the Hunter, the anonymous king given a partially Viking ship burial (suggested by Drout as being the son of Scyld Scefing, from Beowulf), Merlin…
It’s also the first to evoke and try to portray more adult emotions. Instead of being purely focused on children, this book has an odd half-life. Sometimes Will is a child (and behaves as such, forgivably — his moment of jubilation when the Dark are drawn back, which leads to the Lady having to expend her power, is a lovely touch in my opinion) and sometimes he’s much older than his years, understanding of the nature of people, time, religion… So you have both his delight in snow on his birthday, and his lonely understanding that he is now set utterly apart from his family, from everyone he has ever loved. The story of Merriman and Hawkin is full of love and regret, and is not a simple story of betrayal and forgiveness: there is much going on between the two that a younger reader can simply ignore, but the older reader can savour as a more complex layer on top of the adventure story.
There are also some beautiful set-pieces in this book: some of the descriptions of awe and delight in the magic of the Light, but also the moments of being part of a family, the warmth of Will’s family Christmas.
It’s worn better than Over Sea, Under Stone because there is a lot more to consider, but all the same, I think I need to set it aside for a couple more years now so I can come back to it fresh. That I will come back, I have no doubt.
Hello folks! It’s been a slow week and I’m only just properly getting back to my posting schedule, but there have been some posts and there has been a new book! Technically I took back a book I already had and got a new book as a swap. I’m super interested in this one since I spent my Christmas prep time learning a new fabric-based craft for people’s gifts… Actually, first, let me show off said gifts! (Click to embiggen!)
The first pic is finished and framed ones; the second pic contains some of the other pieces I finished, and shows them drying on the radiator before being pressed and framed! (Thank you, wife, for making the pressing and framing part happen.)
So here’s the new book:
Books read this week:
Reviews posted this week:
–Death Wears a Mask, by Ashley Weaver. Not bad, but mostly just kinda lukewarm brain candy — and the romantic entanglement between the main character and her playboy husband is wearing on me. 2/5 stars
–Over Sea, Under Stone, by Susan Cooper. The weakest of the series, and probably could’ve done without rereading this one, though Cooper’s deft touch with characterisation is still a joy. 3/5 stars
–The Last Ten Books.A book tag with mostly interesting questions!
–Game of Books 2019.My points-based ‘game’ that gives equal credit for many short books or one long book, while encouraging me to read my backlog too!
–WWW Wednesday.An update on what I’ve been reading recently.
–2018 Stats.A look back at my year in books!
Out and about:
–NEAT science: ‘Neanderthal diets.‘ How do we know what Neanderthals ate? This post goes through one of the ways!
A belated happy new year to all of you! 2018 was a heck of a year which saw me completing a degree (for the third time), moving in with my wife permanently in the UK, and getting a new job (jobs, even!). Perhaps not surprisingly, I’ve read less this year on an average books-per-day basis than ever since I started tracking. Last year I did some neat graphs using this site, so let’s go again! You can click each graph to see it larger; last year’s stats are here.
Total read: 245
Number of rereads: 45
Total page count: 73,891 (+17,005 from last year)
Most-read genre per month:
May: SF & Fantasy (tied)
August: Fantasy & Mystery (tied)
Number of ratings:
Five stars: 21
Four stars: 124
Three stars: 75
Two stars: 23
One star: 2
First book read: The Unbelievable Gwenpool: Believe It (Christopher Hastings)
Last book read: Greenwitch (Susan Cooper) First book bought: The Hidden People (Alison Littlewood)
Last book bought: The Golden Thread (Kasia St Clair)
So pretty much no surprises here, and only minor changes year-on-year. The biggest changes have been in my consumption of science non-fiction (down this year) and mysteries (up this year). I’ve done a little more rereading, and maybe a little more reading from my backlog. Game of Books and the number of books I read are actually more closely related to each other this year, but despite reading fewer books overall, I read way more pages this year. So, Game of Books has been a success!
Overall I read less this year, of course, but I can report that the value (mostly based either on what I paid for the book, or RRP) of the books I read was way in excess of what I actually spent on books this year, so I’ve been making good use of libraries and my backlog!
At one point, I read The Dark is Rising trilogy at Christmas every year, lining up the timeline of The Dark is Rising itself with the season, as the most obviously timed event in the books. I still maintain that it’s a good series: Cooper did some clever things with mythology and history. I recently read an article by Michael D.C. Drout, ‘Reading the Signs of the Light’, which made that very clear (though that essay is more focused on the second book of the series onwards than on this one). Cooper also has a very deft touch with character: the children behave like real children, with their bursts of moodiness, sibling rivalries, etc.
The main issue, really, is that I’ve read these books too much. Everything is all too familiar — though there are scenes that bring back the old dread and excitement even so, like Barney’s journey alone into the cave under the rocks, and Simon’s chase scene when he escapes with the map. This is the most juvenile of the books, and has worn the least well, all the same. It’s focused on the story from the point of view of the children, without a real idea of the seriousness and significance of the quest.
Death Wears a Mask is another competent cozy-ish mystery in the same vein as the first, with the side plot of Amory’s playboy husband being, well, a playboy. There’s a fair bit of relationship drama here, where he gets into compromising situations and she refuses to quite believe he’s faithful to her. Plenty of misunderstandings on her side, while he’s actually mostly perfect (cares about her, acts wild but is faithful, etc). Spare me. I hope the oh-no-is-he-cheating drama is over as of this book, because yeesh.
The mystery itself was somewhat predictable, as was the resolution of the relationship drama. The attraction remains that it’s just a really easy and fast read, without being too involving emotionally or too full of guts and gore. A mild pleasure rather than something that bowled me over in any fashion.
Actually, I’m so lukewarm on this and only a little warmer on the following book (which I’ve already read — I’m just behind on actually writing up my reviews) that I wonder why I’m continuing with the series when I have so many lovely things to read.