I got Signal to Noise from Netgalley, presumably for whatever release is current or about to happen. It’s not great, reading it on screen: the resolution wasn’t great, and I think it probably looks better as a bunch of two-page spreads.
Nonetheless, it tells a powerful story, and it’s a very thoughtful one: this isn’t a graphic novel in the sense of comics with superheroes and over-powered fight scenes, bulging muscles, etc. This is a meditation on art and death, and consequently life. I’m not the greatest fan of Dave McKean’s art here, but it worked for this particular story.
Not super-exciting, but more made for slow reflection.
Avengers: The Children’s Crusade, Allan Heinberg, Jim Cheung, Olivier Coipel, Alan Davis
Children’s Crusade is pretty awesome. It’s not exactly a pure Young Avengers comic — it’s definitely a crossover comic — but it does feature quite a lot of Billy being awesome, supported by the other Young Avengers, and a fair bit of Teddy being awesome. It also features their first (I think) on-page kiss, and is generally more blatant about their relationship than the other comics so far. There’s some awesome dialogue, and some lovely funny geeky bits about Billy and Teddy.
It also pulls in the X-Men, the Avengers, backlash from House of M, and features quite a few characters we know and love (or hate).
It’s also not without consequences, as even the Young Avengers lose people from their line-up.
On the other hand, I can see some other people’s problems with it: it seems to go back on some previous Marvel events and erase their consequences, and it really is one gigantic squabble between various superhero groups, with the teenage Young Avengers coming out as maybe the most mature.
I first heard of Alison Bechdel through fandom and the Bechdel test. This is a simple way of evaluating the gender bias of a film:
1. It has to have at least two women in it,
2. who talk to each other,
3. about something besides a man.
Because it’s simple, it’s not always true. (Do Natasha Romanov, Pepper Potts and Maria Hill talk to each other in Avengers? No. Are they all female characters worth watching and identifying with? Yes.) But quite often, it is. (Sorry, Supernatural, but really. Really.)
I actually came round to reading anything of Alison Bechdel’s — beyond that simple strip that gave us those rules — through my comics and graphic novels course. I was only very vaguely aware that Alison Bechdel identifies as a lesbian, and not at all aware of her family story. Fun Home is essentially a memoir in comic form, though.
I enjoyed the literary allusions quite a lot, and I liked the art style as well. It’s not immensely ornate or anything like that, but it has feeling and personality. To say it has warmth is a bit of a stretch when you’re talking something that deals with such heavy topics and which has such an emotionally distant family at its heart, but you can feel for the characters. Fun Home feels like it was a catharsis for Bechdel, putting into words and images things she’d always felt and not voiced, making parallels that were helpful for her, figuring out links — even engaging in a bit of wishful thinking.
It’s interesting how, in my experience of reading this book, there were three levels of acceptance of gay people: not at all (Bruce Bechdel), as part of the women’s movement (Alison Bechdel) and as part of life (me). It opens a little window on what might have been my life. Not everything that Bruce Bechdel did could be excused, and I don’t want to assume too much about Alison Bechdel’s feelings, but I do feel lucky not to be trapped like Bruce and even Alison.
My coming out experiences with my parents…
ME: Mum, I’m bisexual and I’m dating Lisa.
MUM: Don’t cut your hair! You know sexuality is a continuum, right? I don’t want you to label yourself just because of something you’re feeling right now.
[Some years later]
ME: Dad, if you haven’t noticed that me and Lisa are dating, you’re possibly a bit stupid.
DAD: I didn’t.
ME: Oh. Well, we are.
I do still needle my mum about the stereotyping behind “don’t cut your hair” (it was my pride and joy at the time, waist length and thick and a little bit curly — and I’ve since cut my hair pretty short, and she likes it), but… thank goodness for my family and the fact that there was no one walking in front of a bread truck.
What did you recently finish reading? Reza Aslan’s Zealot was the last thing I finished, and before that it was Fables vol. 3: Storybook Love, by Bill Willingham et al. I’m really ambivalent about the Fables series, somehow: I’m interested and I want to see where it goes, but when I read other people’s criticism, I can’t help but agree. It uses some tired old tropes, and the stories often feel banal. Still, there’s something in the sheer interest of watching characters from fables navigate the “real” world, and in recognising them and guessing ahead how their unique properties will affect the story.
What are you currently reading?
I’m mostly trying to work on ARCs that I still owe reviews for, so I’m currently reading David Hoffman’s Seven Markets. The structure is a little awkward, but it remains to be seen whether that ends up working for the story or not. I still have my “book prescription” to read, too, Christine Ingham’s Panic Attacks; I think I’ve barely started it. There’s a lot of other books I’m technically partway through… Oh, I did start The Unexpected Mrs Pollifax, by Dorothy Gilman, which is fun enough but not really keeping my attention.
What do you think you’ll read next?
I think I’ll be trying to finish Seven Forges (James A. Moore), from my ARCs list. Although I just got a couple of new ones, and I’m very tempted by Strange Chemistry’s The Almost Girl (Amalie Howard)…
I think it might be none. I got the latest issue of Young Avengers in the last week, I’m sure, but other than that, I really think it might be none. My most recent ARCs were The Almost Girl, The Cormorant (Chuck Wendig), Iron Wolves (Andy Remic), and Shadowplay (Laura Lam).