![Review – A Hundred Doors [Michael Longley] Review – A Hundred Doors [Michael Longley]](https://breathesbooks.com/wp-content/uploads/2026/05/gl3fo9grusorsyt231of0getalqk.jpg)
A Hundred Doors
by Michael Longley
Genres: PoetryPages: 89
Rating:
Synopsis:Michael Longley has remarkable powers of reinvention. Certain themes remain constant - the natural world, war, violence, love, friendship, art, death - but they also keep changing because the forms and genres of his poetry never stand still. In A Hundred Doors a sinuous short line complements his variations on pentameter and hexameter. And Longley's interlacing of individual lyrics, so that a diverse collection seems a single poem, intensifies in the shadow of mortality.
A sequence about his grandchildren's births is counterpointed by elegies, including Longley's continuing elegy for the Great War dead. The Mayo townland, Carrigskeewaun, with its cast of leverets, otters, swans, wrens, lesser twayblade and bird's-foot trefoil, also takes on fresh guises. Longley is among Europe's foremost 'ecological' poets. Yet Carrigskeewaun is ultimately symbolic, a microcosm, a 'soul-arena'.
A Hundred Doors roams in time and space. The title-poem evokes the oldest Byzantine church in Greece: Our Lady of a Hundred Doors on the island of Paros. The remains of a Greek temple 'ache' beneath its floor. Wild orchids, which crop up in Greece and the Italian Garfagnana as well as Ireland, are among the collection's multiple 'doors'. Others are music and paintings, 'cloudberry jam from Lapland', a Shetland pony. This is work of power, precision and delicacy: poems that 'bend and magnify the daylight', poems by a master craftsman.
I picked up Michael Longley’s collection A Hundred Doors out of curiosity after reading one of his poems in Carol Rumens’ daily column in the Guardian, though it took me a while to get round to it. I quite liked it, but somehow the full collection didn’t entirely work for me.
It’s clear he was a close observer of nature, the nature just outside his door, the nature of his own landscape, and it feels like that’s part of it — it’s a landscape I don’t know or feel connected to, so I didn’t connect as well to the intimate knowledge of his little world that several of his poems are expressing.
Not my thing, overall, though there are some striking imageries and ways of putting things that will stick with me.
Rating: 2/5 (“it was okay”)




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