Review – How Animals Sleep

Posted July 24, 2026 by Nicky in Reviews / 0 Comments

Review – How Animals Sleep

How Animals Sleep

by Jiří Dvořák, Marie Štumpfová

Genres: Children's, Non-fiction
Pages: 40
Rating: four-stars
Synopsis:

How do animals sleep? Curious young minds will be fascinated to discover the amazing variety of ways the animals featured in this picture book sleep. Some sleep nearly all the time while others hardly at all; some sleep underwater while others standing on one leg; some sleep in snow while others in the baking hot desert. . .

How Animals Sleep invites inquiry and comparison between the animals and their sleep behaviors plus reflection on how we as humans get rest.


I don’t read a lot of kids’ books, but Jiří Dvořák’s How Animals Sleep kept drawing my eye on my library’s Comics Plus subscription, so… I decided to read it for the art at least. The art (done by Marie Stumpfova) is very cute, and though the facts about how animals sleep are terribly complex or surprising, I found the descriptions surprisingly sweet and lyrical. Here’s an example:

Mommy otter places her baby onto her belly and together the two close their eyes… Above them, stars peek through holes in their dark blanket, beneath them, their briny bed rocks them till morning.

That’s partly down to the translation by Benjamin Lovett, I’m sure, but the sentiments and ideas are from the original.

A nicely done little book. Not sure about anything like reading age (since that kind of thing is out of my usual area for reviewing books), but would recommend checking it out if you think it sounds nice.

Rating: 4/5 (“really liked it”)

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Book Blogger Hop: Fastest/Slowest

Posted July 24, 2026 by Nicky in General / 3 Comments

A banner for a "Book Blogger Hop", with a photo of a bunny wearing glasses and its paws on a book

It’s Friday, so it’s time for the Book Blogger Hop again, hosted by Billy @ Coffee Addicted Writer. I’ve made my own image from a stock photo (credit: Anna Shvets) to avoid adding images created via generative AI to my blog. Feel free to use it too if you would like!

This week’s prompt is about reading speeds:

What’s the fastest or slowest you’ve ever finished a book?

I’m not quite sure how to answer this one, honestly! I’ve read some manga and poetry collections incredibly quickly, like between 10-15 minutes, but… for a 300-page book, I’d say probably an hour and a half is about my usual. Maybe closer to an hour if it’s quite fast-paced and there’s illustrations or something — I’ve read some of my danmei collection pretty fast for that reason!

On the other end of things, it’s usually non-fiction that takes me the longest. I remember The Posthumous Papers of the Manuscripts Club took me a while in terms of hours, though I read it in quite big chunks, so I think I finished it within about two weeks.

If it’s in terms of how many sittings/how many days to finish, then one sitting is the fastest and I’ve finished many books on the same day I started them.

As for slowest… that’s more difficult. I have a semi-ongoing reread of Jonathan Strange & Mr Norrell that’s been ongoing for probably a couple of years now, but that’s because I mostly don’t pick it up, and then some days the whim hits and I’ll read 100 pages at a time.

You’d be surprised to hear though that War and Peace only took me seven days, and I’ve read the entirety of The Lord of the Rings in a single 24-hour period — in both cases, someone bet me I couldn’t do it, and I’m contrary as heck, so I did.

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Review – Find Me Where It Ends

Posted July 23, 2026 by Nicky in Reviews / 0 Comments

Review – Find Me Where It Ends

Find Me Where It Ends

by Cassandra Khaw

Genres: Fantasy
Pages: 128
Rating: three-stars
Synopsis:

Antigone can see death coming. It always takes the form of a black dog, nipping at the heels of the soon-to-be-departed.

When Antigone's own black dog appears on her doorstep, she isn't frightened. In fact, she welcomes her death inside, and it quickly becomes her closest companion. Having death at her side is almost a comfort. But it also forces Antigone to reckon with the life she's lived.

Sometimes we live best when we're dying.

I received a copy of this book for free in exchange for an honest review. This does not affect my opinion of the book or the content of my review.

It’s tough for me to review Cassandra Khaw’s Find Me Where It Ends, because the novella as a whole is probably something I shouldn’t have read. You might think that this is all a pretty obvious metaphor about suicide: someone knows they’re going to die at some point in the next few days, months or years because they met their black dog, and then they invite that dog in and pet it, welcoming it into their life.

Well… yeah, but also, it’s not a metaphor: the whole book is just plain about suicide, and the metaphor is honestly the least of it. I’m going to have to discuss suicide and mental health a bunch of times in this review in order to grapple with the novel, and though I’m trying to be fairly matter-of-fact, I’d say if you have any triggers around that… maybe you’d better not read my review, either.

So… let’s get into it. Antigone is the main character, and she meets her black dog. She knows it means she’s going to die because that always happens to women of her family: okay so far. Problem is, the dog doesn’t mean “you’re going to die tomorrow” or “you’re going to die within two weeks”. It just means “you’re going to die” — and in Antigone’s case she has conflicting information from divination, which let her know long ago that she would have a long life (though, perhaps crucially, she stopped the process of investigation before learning what would kill her).

However, she treats the arrival of her dog as a sign of absolutely impending doom, despite those two pieces of information and that… does and doesn’t make sense to me. It’s not very logical, which is why it doesn’t totally make sense. But in another sense, it’s familiar: I have anxiety, sometimes quite serious anxiety, and I can easily imagine (don’t really have to imagine) getting this one signal of death, weighing it against knowing myself to be healthy, and deciding I’m going to die and getting terrified. In this situation, I can definitely imagine myself taking the arrival of my black dog as being a sign that I was developing some long, slow, horrible illness that would lead to my death in many years after a lot of misery.

So… while I initially felt like the setup didn’t quite work for me, on reflection it does make a lot of sense. When it comes to anxiety/depression, rationality doesn’t help (at least, not without a lot of work in helping yourself apply it), because it feels less true. It might be pretty fair to say this novel is not only about suicide or depression, but also about anxiety.

The novel turns over the thought of suicide in a few ways: Antigone’s mother saw her black dog and immediately decided to commit suicide, and after the arrival of her dog, Antigone deals with a woman who is haunted by the ghost of her abusive mother, locked into a horrible cycle with her. When that woman refuses to let Antigone exorcise the ghost and then ends up killing herself, her daughter says that if her own mother comes back to haunt her, she’ll kill herself. And then, of course, Antigone decides to kill herself, held back only by a promise to a friend to try to live a few days more.

Like I said, it’s not a metaphor. The suicide part is text, and it’s throughout the whole story. The tension in the book becomes about whether Antigone will choose to live or not, with the friends and family around her reacting (sometimes in unhelpful ways) to her despair.

Thinking it over now at a distance of a few days, I think it’s well done and well written. I think the feelings Antigone has make a lot of sense, and the glimmer of hope at the end feels earned and real, if fragile. I’m still not sure I should personally have read it, because while my reactions to my fear aren’t the same as Antigone’s, the fear of uncertainty is something that strikes deep for me. It was certainly not a comfortable read.

Rating it was a struggle; I normally rate on how much I like a book, but that feels far too complicated with this novella. In the end I settled somewhere between my appreciation for the rumination Khaw’s doing here, and the craft that went into it, and my discomfort with the experience of reading it. I’d have given it 1/5 (“didn’t like it”) right after reading, but it is something that settled a little given time.

Rating: 3/5 (“liked it”)

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Review – The Wife Comes First, vol 1

Posted July 22, 2026 by Nicky in Reviews / 0 Comments

Review – The Wife Comes First, vol 1

The Wife Comes First

by Lv Ye Qian He

Genres: Fantasy, Light Novels
Pages: 396
Series: The Wife Comes First #1
Rating: four-stars
Synopsis:

As his life flashes before his eyes, self-obsessed Prince Cheng has a moment to reflect on something curious. Despite knocking at death’s door, only one person remains by his side: his all-but-abandoned prince-consort, Mu Hanzhang. Except, rather than celebrate that fact, Prince Cheng can only wonder… Why, after everything, is Mu Hanzhang still with him?

After all, Prince Cheng spent most of his life philandering and mastering political intrigue. Meanwhile, Mu Hanzhang had to discard his dreams of taking the Imperial Examination to become a minister, and was instead coerced to serve as male wife to a cruel prince!

Granted a second chance, Prince Cheng is miraculously reborn, waking up the morning after his wedding. As he does, the prince makes another vow: the wife comes first, the state second, and the husband last.

Where to start? Well first, he must kneel outside Mu Hanzhang’s bedroom door and beg to be let in, of course! Then again, after the sacrifices Mu Hanzhang’s had to make, will he even be willing to forgive his new husband?

I hadn’t heard much about Lv Ye Qian He’s The Wife Comes First before picking up volume one, but I was quickly hooked by the concept: it opens with Jing Shao’s death, with the body of his neglected but loyal first wife (his only male wife, Mu Hanzhang) in his arms, and then his awakening beside that same wife on their wedding night.

It starts in a bit of an uncomfortable place, truth be told: the wedding night didn’t actually go well, and Jing Shao injured Mu Hanzhang pretty badly. It’s not entirely clear how consensual that all was from the narrative: Mu Hanzhang doesn’t consider that he can say no, while Jing Shao was drunk… but I will say that in the rest of the novel, when Mu Hanzhang shows reluctance or says no, Jing Shao listens and does only what Mu Hanzhang is comfortable with (albeit maybe with a bit of pleading and cajoling). It’s all a bit difficult because of the setting: both of them were forced into the marriage, and it’s unclear how far either of them would’ve been able to meaningfully consent in the circumstances.

Personally, my read was that Mu Hanzhang would’ve been unlikely to give an outright no, and Jing Shao would likely have heeded it if he had — but it is ambiguous because it happens off-screen, and Jing Shao’s behaviour in hurting Mu Hanzhang (though later shown to be due to ignorance, at least in part) isn’t great, so keep all that in mind.

I would also note that there is some significant violence against women, largely off-screen, including Mu Hanzhang ordering for someone to be beaten to death for betraying him and Jing Shao. It isn’t treated as horrifying, just completely matter-of-fact — it’s almost easy to miss for how unremarkable it is. Most of the female characters are scheming and/or nasty, aside from one of Jing Shao’s servants (who works to protect Mu Hanzhang from the empress’ scheming) and Mu Hanzhang’s mother. Part of that is pretty much compelled by the plot: if only Mu Hanzhang stood by Jing Shao at the end, his other wives/concubines necessarily couldn’t stick by him… but it isn’t great.

That said, a lot of the rest is really sweet, and I actually really enjoyed it — for the number of words I’ve spent explaining these factors, they’re background to the story rather than the most prominent thing. Jing Shao quickly becomes fascinated with Mu Hanzhang, who is more reserved but quickly begins to have feelings for his husband as well, regardless of his fears around sex. The whole concept of “gentleman wives” (mandatory for the younger sons in certain families) and their gatherings is a nice touch, rather than just having Mu Hanzhang be some kind of exception. I also enjoyed that Jing Shao actually cares deeply about his elder brother, and we see their relationship grow as a result of his understanding (from his past life) that his brother cares for him.

Soo… overall, I enjoyed the relationship development and the court intrigue (and Mu Hanzhang’s scheming mind), and ended up flying through the book. I’m very curious to see how their relationship develops, and how the two of them manage to avoid the bad outcome that we see at the start, especially since Mu Hanzhang knows nothing about it (as least as far as we know, and the third person limited narrative seems to confirm that: Jing Shao is presumably the only one who got the “do-over”).

Rating: 4/5 (“really liked it”)

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WWW Wednesday

Posted July 22, 2026 by Nicky in General / 10 Comments

Cover of A Case of Fear and Favour by Sally SmithWhat have you recently finished reading?

I got an ARC of Sally Smith’s newest Gabriel Ward novel, A Case of Fear and Favour, and fairly leapt upon it. I didn’t get to dig in much until yesterday because I was finishing other books, but then I sped through it. I do love Gabriel and his fussy ways, and his slow opening up to the world. He is so fundamentally decent, and works so hard when he has a duty, even if he’s also kind of stuffy and privileged and shut away from the world.

Before that, the last thing I finished was Suzanne Palmer’s Ode to the Half-Broken, which I also liked a lot; I thought it maybe could’ve been a liiiiittle bit tighter, because with all the chasing here and there the page count really stretched out. But I enjoyed how hopeful it was, and how the protagonist grows.

Cover of City of the Sharp-Nosed Fish by Peter ParsonsWhat are you currently reading?

You know the drill: a number of books all at once! Most actively, Peter Parsons’ City of the Sharp-Nosed Fish, which is about papyri found in the rubbish heaps of Oxyrhynchos. I wish it would focus a little more on the papyri themselves, rather than reporting information we know because of them without explaining exactly where the info came from, but it’s interesting all the same.

Other than that, I’m still working on Jon Cannon’s The Stones of Britain, and I’ve just barely started Fonda Lee’s The Last Contract of Isako.

Cover of The Witch Below the Dreaming Wood by H.G. ParryWhat will you be reading next?

I just got a bunch of advance/complimentary copies from Hachette, including H.G. Parry’s The Witch Below the Dreaming Wood, which I’ve been super curious about, so chances are high I’ll dig into one of those. I did also get volume three of Lv Ye Qian He’s The Wife Comes First, which finishes the story, so I’ll probably dive straight on that tonight.

Plus… although the fourth volume of the Omniscient Reader’s Viewpoint novel doesn’t seem to be out in paperback in the UK, it is available on Kobo. I’m not sure if I want to snag the ebook to read it sooner, because there’s something about the physical format that I like — can’t put my finger on it, maybe it’s the font or the way things are laid out… so I guess we’ll see how impatient I get, on that front!

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Review – Cat + Gamer, vol 1

Posted July 21, 2026 by Nicky in Reviews / 10 Comments

Review – Cat + Gamer, vol 1

Cat + Gamer

by Wataru Nadatani

Genres: Manga
Pages: 186
Series: Cat + Gamer #1
Rating: three-stars
Synopsis:

Riko, a twenty-nine-year-old office worker with an obsession for video games, finds her quiet life upended when she takes in a stray cat in this adorable manga series!

Her coworkers can’t quite figure her out—she never talks about her personal life, she never works overtime, and she never joins them for happy hour. Is she antisocial? Nope, she’s rushing home to play video games! One day, a stray cat is found in the office parking lot, and before Riko knows it, the cat has moved in with her! Having no experience with pets, Riko uses lessons drawn from video games to guide her in cat care, while her cute companion tries to understand her behavior through a cat's worldview.

Volume one of Wataru Nadatani’s Cat + Gamer is pretty fun: an office worker who clocks off right on time and goes home to play video games at night impulsively adopts a cat. She knows little about taking care of pets, and eventually decides to view it in a gamified sort of way.

Sometimes that’s kinda cringe (rushing the cat to the vet with fleas, talking about it having a debuff), but it mostly comes out cute. I especially like the interludes between chapters, showing events from the cat’s point of view.

Overall it’s silly light fun, and a nice palate cleanser.

Rating: 3/5 (“liked it”)

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Top Ten Tuesday: Books That Live In My Head Rent-Free

Posted July 21, 2026 by Nicky in General / 40 Comments

This week’s prompt from Top Ten Tuesday is about books that live in your head rent-free, and I think there aren’t going to be many surprises here from me — many of my favourites are well-known! Let’s see.

Cover of The Goblin Emperor by Katherine Addison Cover of Grandmaster of Demonic Cultivation vol 4 by MXTX Cover of Feed by Mira Grant Cover of A Natural History of Dragons by Marie Brennan Cover of Ancillary Justice by Ann Leckie

  1. The Goblin Emperor, by Katherine Addison.
    I’ve reread this book several times and will no doubt reread it many times more: I love it a lot, and there’s so much around the edges of it that the story doesn’t cover. Some of that is covered in the Thara Celehar books, but even then, there’s so much more. I adore the characters, too.
  2. Grandmaster of Demonic Cultivation, by Mo Xiang Tong Xiu.
    The same is true of The Scum Villain’s Self-Saving System and Heaven Official’s Blessing, to be fair — all of MXTX’s characters have really stuck with me, despite and sometimes because of the stories’ flaws. In the case of Grandmaster of Demonic Cultivation, you’ve got Wei Wuxian and his manifest fuck-ups, but also characters like Lan Xichen, Jiang Cheng, Jin Ling, Wen Ning and Lan Sizhui, who have a ways to go to find happy endings out of their pasts, even as the story ends.
  3. Feed, by Mira Grant.
    I wasn’t even into horror when I read this, but it stuck with me, and especially so after I studied infectious diseases for my MSc and after the whole world went through a global pandemic (which was comparatively mild compared to what it could have been). Reading it in the wake of that is… yeah. And I’ve no doubt I’ll read the series again in future. It’s also a book that I didn’t like that much when I first read it, but which I came back to again and again.
  4. A Natural History of Dragons, by Marie Brennan.
    This another of those books that I didn’t love the first time, but I found myself drawn back — and then I loved it the second time. I’m a huge champion for this series and the way it explored a woman being a scholar in a patriarchal society, how she was still an instrument of imperialism at times when she didn’t mean to be, and how it never loses sight at the same time of the wonder of the idea of dragons being real. Also, the way the whole series slowly adds information for us until that final book…!
  5. Ancillary Justice, by Ann Leckie.
    This one always makes me think of a particular friend. I didn’t warmly love the book the first time I read it (more admired it), but over time, I’ve got such fond feelings for all the characters. Someone even did a recording of a potential tune for one of Breq’s songs, and every so often that gets stuck in my head.
  6. Chalice, by Robin McKinley.
    Another one I didn’t absolutely love at first read! Those often seem to be the ones I really end up adoring, if there’s enough to them to draw me back in to try again — I can think of a couple of other examples, even. The magic in Chalice is weird and difficult to understand at times, because the protagonist doesn’t understand it: she has to struggle to figure things out for herself, and I loved her journey (and the slow building of trust between her and the Master).
  7. The Winter King, by Bernard Cornwell.
    I think of everything on this list, this is the one I read longest ago. It was definitely a part of shaping my interest in Arthuriana, and it’s amazing how often I think about it, even if I haven’t read it in a long time. It’s a good crack at a historical, human, unmagical Arthur, and at his companions. It gave me a serious distaste for Lancelot which other books have never really shaken, even despite my studies!
  8. Ninefox Gambit, by Yoon Ha Lee.
    I can’t believe it’s this book’s 10th anniversary this year. What?! And I still haven’t got round to rereading it. I went into it concerned that I wouldn’t understand, but the math is basically just magic, and you can just accept that and let the weirdness sweep you along. When I couldn’t think of a name for my chocobo in FFXIV, I actually named it Jedao, which might be one of the weirdest “I named my pet after your character” situations I’ve heard of.
  9. Lifelode, by Jo Walton.
    I could’ve picked Farthing or Among Others as well, or even My Real Children… but Among Others was very much a book that spoke to me a lot in my late teens/early twenties, while Lifelode is something I think about more now. I wish more people had read it, so that I could say “my lifelode is learning”, and have people understand what that means. It’s an excellent fantasy, if not a very traditional one.
  10. The Hands of the Emperor, by Victoria Goddard.
    There are ways in which this is very like The Goblin Emperor, which is part of what originally drew me to this book. It’s a very different world with a very different inspiration, though, and the main protagonist is a common man (albeit one who has been elevated very high). I really want to get round to rereading it, and reading the sequel, which I was desperate for after I finished it! It’s just been too long now for me to go into it cold.

Cover of Chalice by Robin McKinley Cover of The Winter King by Bernard Cornwell Cover of Ninefox Gambit by Yoon Ha Lee Cover of Lifelode by Jo Walton Cover of The Hands of the Emperor by Victoria Goddard

So… there we go, my fairly predictable list, ahaha.

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Review – Afonydd

Posted July 20, 2026 by Nicky in Reviews / 2 Comments

Review – Afonydd

Afonydd: Poems for Welsh Rivers / Cerddi Afonydd Cymru

by Sian Northey (editor), Ness Owen (editor)

Genres: Poetry
Pages: 111
Rating: five-stars
Synopsis:

Lleisiau hanner cant o feirdd yn llifo gydag afonydd Cymru. Pob cerdd yn Gymraeg a Saesneg, wedi'i chyfieithu o'r naill iaith i'r llall.

Fifty Welsh poets speak for and with the rivers of Wales. Every poem translated Welsh to English, English to Welsh.

I really loved Afonydd. It’s a great idea for a collection, put together by Sian Northey and Ness Owen, and bringing together various Welsh (and at least one ?English) voices to write about the rivers of Wales. Each poem is presented both in Welsh and English: whichever language the poet wrote in, it’s been translated to the other. The introduction, contents, everything is all in both languages.

The dragon has two tongues, indeed; Northey and Owen have been very sensitive to that, and I think it’s a really well-done project, even before we get to the poems.

I didn’t love all of the poems, as expected in an anthology, but I did love a lot of them, and I loved sounding out the Welsh (even though I don’t understand it) and just revelling in what is, in almost all the poems, a deep love for Wales. It’s probably a good thing that when I read it I knew I’d be visiting Wales for at least a couple of days within just over a month, or I think I’d probably have cried.

It’s quite hard to find this book on StoryGraph: typing the title gets you 25 other results first, and you have to add the editors’ names to get it to come up — with books like Rick Remender’s Deadly Class vol 11: A Fond Farewell coming up before the actual book with the exact title Afonydd. There are, as I understand it, no plans to remedy that bug in the search, beyond telling me to put Welsh as a language I read in (which adds insult to injury, naturally; I don’t speak Welsh, because English imperialism was and is a whole thing — and anyway, the edition I was looking for is listed as English on the site).

So if this book tickles your fancy at all, I’ll note that it’s available on Kobo Plus and is in the National Poetry Library’s collection, and has my recommendation, and that it might be nice to make it a little bit more discoverable.

Rating: 5/5 (“loved it”)

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Fantasy with Friends: Tropes in Children’s Fantasy

Posted July 20, 2026 by Nicky in General / 4 Comments

Fantasy With Friends: A Disccusion Meme hosted by Pages Unbound

Happy Monday! Time for Fantasy with Friends: all the prompts are hosted at Pages Unbound, if you’d like to join in. This week’s prompt is about tropes in children’s fantasy:

Is there a common trope or concept you see in children’s fantasy stories that you think would be fun to see more of in adult fantasy?

I don’t actually read children’s fantasy or YA these days — at least not very often, except maaaaaybe a bit in graphic novel form — so I’m a little bit stumped here. If I think back to the tropes and concepts I loved in fantasy when I was a kid, I think a lot of it is being done in adult fantasy: I think fondly about stuff like The Worst Witch in the School, but then we have Emily Tesh playing around with a magic school in The Incandescent, and Caitlin Rozakis doing younger kids in a magic school in The Grimoire Grammar School Parent Teacher Association, for instance. Maybe I’d love a bit less dark academia and more “holy crap I’m attending a magical school/university”?

As for portal fantasy, that’s always been around, I think, and e.g. Seanan McGuire’s playing around with it a lot in Every Heart a Doorway et al, and again in Over the Woodward Wall etc. Guy Gavriel Kay’s Fionavar books are a bit dated now, but lovely; more stuff that takes portal fantasy seriously and isn’t trying to be meta with it might be nice.

I suppose Brian Jacques’ Redwall books also count as fantasy and I loved them, but the plots weren’t super unique, only the fact that they were all animals. So I guess I don’t see a lot of that and I’d kinda like to: there is stuff like The Voyages of Cinrak the Dapper and, though this is mystery rather than fantasy in every other sense, Juneau Black’s Shady Hollow books. So maybe we can see a bit more of that?

Kinda curious what other people will answer for this question, and what I’ve failed to think of!

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Review – How To Kill A Language

Posted July 19, 2026 by Nicky in Reviews / 6 Comments

Review – How To Kill A Language

How to Kill a Language

by Sophia Smith Galer

Genres: History, Non-fiction, Science, Linguistics
Pages: 272
Rating: four-stars
Synopsis:

As Sophia Smith Galer’s Nonna lay dying, she realised it wasn’t just a beloved grandmother she was losing – it was the language she spoke, too. From Northern Italy, she spoke a dialët that Sophia, like so many children and grandchildren of migrants, can understand but can’t speak. With the death of the language, Sophia would lose a culture, a history, an inheritance – a whole world.

This tragedy reaches far beyond her family. Globally we are witnessing an unprecedented mass extinction event. By the end of this century half of the world’s 7000 languages will be gone, killed by war, climate breakdown, migration, nationalism or neglect, along with the vital knowledge that they have sustained for centuries.

Smith Galer has journeyed across continents and generations to report from this disappearing world. From Ghana to Greece, Ecuador to Oman, California to the UK, she meets people experiencing this loss at first hand – but also campaigners and linguists who prove that a multilingual future is still possible. Her travels ultimately lead her back to where she began: to Italy, and the tiny mountainside village where the church bells still ring out for her Nonna.

How to Kill a Language is a vital investigation into a hidden global crisis, and a call to speak, read and write the languages of our world, before it’s too late.

Sophia Smith Galer’s How to Kill a Language digs into various language examples to discuss “linguicide”, which encompasses both deliberate/official attempts to suppress a language, and de facto suppression of a language via neglect and heavy pushing of a lingua franca. She chooses various languages to illustrate her points, including her own family’s language (of Italian origin), Ladino, Ukrainian, Dagbani, Kichwa, Hebrew, and more.

The language which haunts the whole book but never gets a chapter of its own is Welsh, which obviously I have feelings about. It’s referenced multiple times, and sometimes when it’s not referenced it’s glaring: there’s no reference to Brad y Llyfrau Gleision or the Welsh Not, and it’s only in the afterword that it gets discussed at any length at all — despite the fact that it exemplifies several of the themes she discusses.

Obviously, Welsh is my own particular axe to grind: I can hardly speak a word of it, beyond “good morning”, “thank you”, “I like books” (thanks to Duolingo, dw i’n hoffi llyfrau) and counting to ten. Even had my parents spoken Welsh, which they don’t, it simply wasn’t an option for me to learn in school due to growing up in England. Even when I went to university in Wales, I’d hear disdain for the Welsh language far too often. So the fact that Sophia Smith Galer doesn’t dedicate much time to it cuts at me when I can see how it would’ve been perfect, but your mileage will necessarily vary on that: you might feel similar about the omission of discussion of Gaelic or your own ancestral language, or feel that the points are covered by the languages that do merit a chapter…

And that’s fair. Welsh isn’t any more special than other languages; it’s just a certain kind of experience to read this as a non-Welsh speaking Welsh person (sometimes considered by other Welsh people to not really be Welsh because of it) and not have my language represented fully when it’s so vital to me, and I can see the experiences of Welsh people including my own in the issues raised about other languages.

That said, in a way that enhanced reading this book, because I do have a personal understanding of it, and found the topic interesting and vital. Sophia Smith Galer writes clearly and emotively, the depth of her research is clear, and I think it’s overall a great book — if sometimes a sad one.

It seems apropos to close here with the words of Dafydd Iwan: Er gwaetha pawb a phopeth, ry‘n ni yma o hyd.

Rating: 4/5 (“really liked it”)

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