As always with Charles’ work, this book is entertaining, sometimes funny, and an almost distressingly quick read. I wanted more! Not that the story isn’t complete: that isn’t it. It’s just that I ended up wanting to spend more time with the characters: not just Crane and Stephen, though the tension between them and their back-and-forth is undeniably fun, but Crane’s man Merrick as well. Crane is the remaining scion of a dissolute family; Merrick has been with him since he was banished to China, and is as faithful to him as a hound. They’ve been through all kinds of adventures before Crane is ever cursed, so he trusts Crane and wants to save him from the curse. Stephen Day, a magician who says he can help Crane, hates him on principle due to the depredations of his father and brother.
Of course, Stephen quickly finds out he’s wrong to assume the present Lord Crane is the same as his family, and he finds himself drawn into Crane’s orbit as he struggles to figure out the magic that surrounds him and unwind the hatred and dark magic that seems to be choking Crane and his estate. As an additional draw, Crane turns out to be the descendant of a powerful magician, one all English practitioners know of. Also, surprise surprise, he’s physically attracted to Crane. (If you know Charles’ work, this shouldn’t be a surprise at all — nor is it a spoiler that they get together.)
The background story is pretty dark and icky, and there’s one awful scene — well-written, but horrible to read — in which another magician forces Crane to choke on his own cut hair. All’s well that ends well, though, with plenty of room for more stories. Which I know exist, so I’ll be off in search of those now.
Obviously not one for people who aren’t into LGBT romances, but a fun fantasy-mystery for those who are. There are sex scenes, which didn’t seem to be absolutely necessary for the plot, but did add to character development.