Tag: SF/F

Review – The Forgotten Beasts of Eld

Posted December 31, 2014 by in Reviews / 6 Comments

Cover of The Forgotten Beasts of Eld by Patricia McKillipThe Forgotten Beasts of Eld, Patricia A. McKillip

Somehow, from the midst of feeling dreadful because of this cold, I realised that what I really wanted to read was something by Patricia McKillip. It’s so strange how I disliked the first book of hers I read; I feel like I appreciate her work more with each book I do read. And this one… it’s fairytale-like, mythic — a review on GR said ‘parable like’, and yes: that too. It’s full of epic fantasy elements but the real struggle is between taking revenge and being true to who you really are and those you love. (The phrase “being true to yourself” sounds annoyingly cliché, but I can’t think of another way to put that without quoting the whole book.)

McKillip’s writing is gorgeous, and works well with the character she’s chosen — a girl who has not been loved, does not know how to love; who hasn’t been among people to be drawn into loves and hatreds. And in the course of the book she does learn, and she struggles with it… There’s a coolness to the book, like a mountain stream; an aloofness that you can get with distance from something, but toward everything. I can understand why some people disliked it for that very thing, but for me it perfectly matched the subject.

I like high fantasy, but since so much of it draws from the same well as Tolkien, there’s something all too real about it sometimes. This book, the character of Sybel, are closer to real magic for me, in the same way that the contemplative parts of Ursula Le Guin’s Earthsea books (the sleeping man with the thistle growing by his hand…) come closer to real magic for me than all the magic rings and restless shades in the world.

And one last thing to love: I adore the way that the relationship between Coren and Sybel works out. That it has to be worked on, from both sides, that it’s not always matched.

Rating: 4/5

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Review – Always Coming Home

Posted December 26, 2014 by in Reviews / 0 Comments

Cover of Always Coming Home by Ursula Le GuinAlways Coming Home, Ursula Le Guin
Review from January 22nd, 2011

I expected to take a long time over Always Coming Home. In a way, I wish I had: there’s a lot in it, and a lot to reward a slower, careful reading — this time I went plunging through it for the narrative, such as it was, enjoying the layers of understanding that came to me, imagining and figuring out what I didn’t know. I didn’t read the “Back of the Book” section, this time: another time, I think I will. I just wanted to fly through it, this time, total immersion in a culture that does not exist.

Always Coming Home is a collection of stories, of fake-histories, of poems and plays and things that do not neatly fit into our genres, belonging to a culture that does not exist. The first note says it best, “The people in this book might be going to have lived a long, long time from now in Northern Carolina.” It seems to be the story almost of the Native peoples, and then it begins to mention computers and other technologies of our day… The way the world came to be this way isn’t really seen clearly, only seen in its effects on the people. It’s very interesting to read this way: interesting, and frustrating, because like real history, it doesn’t always show you the bits you most want to see.

Ursula Le Guin’s writing is beautiful, as always, and easy to read and understand despite the invented words and concepts. I sort of imagine this as the way she might build up any culture, in any book, through the scraps of their literature and histories that come to her… It’s quite a nice thought, actually.

I didn’t read the “Back of the Book” section, preferring to keep things vaguer, not spelled out. I will probably read it one day, but not now.

Though I greatly enjoyed this, I don’t know if I’d dare recommend it to anyone. For me it required some patience with the original idea, which turned into delight as Ursula Le Guin once more captured my heart. For others, who didn’t find Earthsea compelling, it’d be dry as dust, I think. And as with many books, but particularly with those that are a bit different, someone might find they love it, when they have never loved Le Guin’s work before — or that they hate it, when they’ve always loved her work.

Rating: 5/5

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Review – The Melancholy of Mechagirl

Posted December 20, 2014 by in Reviews / 0 Comments

Cover of The Melancholy of Mechagirl by Catherynne M. ValenteThe Melancholy of Mechagirl, Catherynne M. Valente

The Melancholy of Mechagirl is a selection of Valente’s stories and poetry. As usual with Valente, I have the problem that I love her writing, but not always the substance. The poetry was too busy being strings of pretty words that I didn’t really get the sense out of it; some of the short stories felt so ornate they felt like they were more for show than to really be handled. I know this is my preference here — other people dig through Valente’s prose happily — and I even like it because of that ornateness, in some ways. If I want to see someone being magical with words, I’ll open up one of Valente’s books and find it.

That’s not to say that she’s bad at characters and plot, per se. These stories often draw on folklore, particularly Japanese folklore, and collected like this it’s also apparent that they’re deeply rooted in Valente’s own life, as well. Her time in Japan affected her deeply, and every story holds its footprints. Some of these are really cleverly done, and for plot, ‘Silently and Very Fast’ is great. I love her story of an AI slowly learning about the world, the family and the AI wrapped around each other. Elefsis works as a character, and that ending works really well.

Finally, the title definitely captures the predominant feeling of this collection. ‘Melancholy.’ That’s not to say it’s depressing to read, but it definitely feels written in the minor key (if you’ll let me mix my metaphors).

Rating: 4/5

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Stacking the Shelves

Posted December 20, 2014 by in General / 23 Comments

Setting this up very much in advance, so goodness knows what it’ll look like by the time I’m done…

Gifts

Cover of The Unquiet Grave by Katherine Lampe Cover of She Moved Through the Fair by Katherine Lampe Cover of A Maid in Bedlam by Katherine Lampe Cover of The Parting Glass by Katherine Lampe

Yep, someone sent me Smashwords codes for all these. <3 I’m looking forward to trying them. I actually got them last week, but I didn’t remember in time to include them in that StS post.

Comics

Spider-woman #2 Ms Marvel Captain Marvel 50th Anniversary

Oh dear, all three out on the same day now? I got these covers from the Marvel site before the release, hence the lack of text (I think?).

SantaThing

Cover of Ex-Machina: The First Hundred Days Cover of The Name of the Wind by Patrick Rothfuss Cover of Planetary vol 1 by Warren Ellis Cover of The Goblin Emperor by Katherine Addison

I love taking part in the Secret Santa on LibraryThing; the person who had me to choose for clearly ‘got’ me as a reader, given how much I love Addison’s The Goblin Emperor. So good to have a dead tree version — and that’s an excuse to reread it, right? Right? …No? Anyway, I’m looking forward to reading the comics, too! I’m not as sure about The Name of the Wind; on the one hand, I’ve been recced it several times, on the other, some people I trust really disliked it. Still, prime excuse to try it!

Bought

Cover of The Missing Ink by Philip Hensher

I bought this for my mother a while back, but she hasn’t had chance to read it. (She’s nuts about fountain pens; it seemed perfect.) But I saw this copy today in The Works for £3, and I thought… well, why not? I was meaning to borrow it after Mum anyway.

What’s anyone else been getting?

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Review – Stardust

Posted December 19, 2014 by in Reviews / 8 Comments

Cover of the Illustrated Stardust, by Neil Gaiman and Charles VessStardust, Neil Gaiman, Charles Vess
Review from April 17th, 2009

I just finished rereading Stardust, this time in the illustrated edition. The art is all by Charles Vess, and it’s gorgeous. He has his own style, but the art is all accessible and pretty. I particularly liked the illustration of Tristan and Yvaine kissing, on page 202, and the design of Lady Una. I like the way he’s portrayed all of the characters, really. It brings them to life in a lovely way, and the art is arranged nicely — not distracting from the story, but adding to it.

I’ve always loved the book, and the movie is the movie I watch when I need comfort, so rereading was a happy occasion. I forgot how different the book and the movie are — the movie is definitely an adaptation. Not that it’s a bad thing: the way things happen in the book simply wouldn’t translate to the screen.

The best things about Stardust, the book, are the tone in general and Yvaine’s voice. The tone is kind of dryly humorous, gently mocking the fairytales it comes from and improves on, with fun conversations and great lines. Yvaine herself is awesome, with her grumpy sharpness and her angry obligation and her not-at-all-saccharine love. Compared to the movie, the realisation scenes are maybe a bit dry, and I wish there had been more with the boat in the sky, as in the movie, but all in all, I do love the book so much, and I think it’s one of my comfort-books the same as the movie is my comfort-movie.

Perhaps my favourite part of all is the note Tristan and Yvaine leave, though: “Unexpectedly detained by the world.”

Rating: 5/5

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Review – Etiquette & Espionage

Posted December 18, 2014 by in Reviews / 8 Comments

Cover of Etiquette & Espionage by Gail CarrigerEtiquette & Espionage, Gail Carriger

I read Soulless a while ago, and liked it enough that I had a vague intention of reading more, but not so much I was in a hurry. Likewise, I only really picked up Etiquette & Espionage because I know that Carriger’s work is pretty fun, and it was in a 3 for £5 deal in the Works. And then it languished on my to read pile for… well, just over a year. But I was feeling a bit bleh about the other books I had lying around, so I decided to just go for it and try this — and I promptly read it in one go.

It’s not a book I love like I loved, say, The Goblin Emperor. It’s more like frothy fun. It works well for that, though: 19th century sensibilities in a steampunk alternate history, girls learning to be spies, and a sprinkling of adventure. I liked Sophronia; she’s not perfect, but she tries to be decent, she doesn’t have prejudices, she does her best for the people around her, and she lets nothing get in the way of her curiosity. I guess the best term might be ‘spirited’, which does make me sound like some faintly disapproving adult…

It’s fun, and I’d definitely recommend it to teens who want a bit of adventure and supernatural stuff, without accompanying sparkles or plagiarism. (Sorry, they’re easy targets.)

Rating: 3/5

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Review – Seaward

Posted December 17, 2014 by in Reviews / 6 Comments

Cover of Seaward by Susan CooperSeaward, Susan Cooper

I’ve been meaning to reread this one for a while. It was lovely to go back to it. It’s a bit more mature than The Dark is Rising, I think; certainly, there’s a physicality between Cally and West that isn’t even hinted at in The Dark is Rising. The first time I read it I said that this book ends perfectly, “neither too early nor too late”, and I still feel that way. It’s enough to have the promise of Cally and West’s future, at the end of the book; I don’t need to read about it, and that would take away from the bittersweetness of the story.

I didn’t like this as much as the first time I read it, I think; I still enjoyed it, found it interesting, loved the creativity, but this time I was asking more questions, picking more holes. Why was this element taken from Welsh legends, and not that? When is it set — it feels unrooted, which might make for universality, but it makes it hard to imagine how Cally and West will find each other again, how to read their absence, their changes — and where do Cally and West come from?

It’s beautifully written, though, and full of lovely things: gorgeous passages, enchanting creatures (Peth!), mysteries and metaphors. I do still love it, and I also appreciate that unlike The Dark is Rising, it’s a personal journey, not an all-out fight against absolute evil. The absolutism of the Dark and the Light in those books is completely absent here, with the dichotomy drawn between Life and Death instead, and with both wearing kindly faces and less kind. It’s a journey for Cally and West, one in which they’re frightened, have enemies and allies, but it isn’t moving toward some apocalyptic endpoint, some make-it-or-break-it scene where a few decide the futures of the many.

I’m not sure the new cover does the book any favours, in that sense; the traditional fantasy elements here are the least important.

Rating: 4/5

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Review – The Zombie Survival Guide

Posted December 16, 2014 by in Reviews / 2 Comments

Cover of The Zombie Survival Guide by Max BrooksThe Zombie Survival Guide, Max Brooks

If I were more secure in my ability to be humorous and keep it up throughout the review, doubtless I’d review this book with the same serious tone it takes: this theory about zombies is intriguing, this one is confirmed by personal experience, this one is ridiculous, etc. Since I’m not particularly funny, I’ll refrain. It takes a deft touch to do it at any length, and I don’t think Max Brooks really succeeds here. It becomes just a boring catalogue of things — some of it is interesting, like various ideas on how to defend different types of buildings, different ways to arm yourself for best effect, etc. But because it’s modelled very closely on the survival guide genre, it remains mostly interesting to that crowd. I’d be interested to see a survivalist’s reaction to this book, actually.

Now, I’m not going to deny I have a zombie survival plan. It goes like this: “Find my dad as soon as possible. Ensure he is armed and we have food, water, and a stock of books. Let Dad protect me. Survive.” And yes, I’m that confident: my dad would survive a zombie uprising, and he’d put a bullet through my head before he’d allow me to turn into a mindless zombie. Draw whatever conclusions about my family you wish from that…

There’s some joke here about me getting into a mindless rage because I don’t have enough books vs. turning into a zombie and how you tell the difference, but I suck at humour, we’ve established this.

Anyway, the best part of this is the section of historical records of outbreaks, and that only where they’re more creative. By a certain point, they become repetitive, and the conspiracy theories are obvious without the point needing to be laboured. I’m sure there must be real records that you could use as evidence for past zombie uprisings, but I don’t know if Max Brooks incorporated any – that would require having the give-a-shit to look up each incident he mentions, and I don’t have it.

Rating: 2/5

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Top Ten Tuesday

Posted December 16, 2014 by in General / 12 Comments

This week’s theme from The Broke and the Bookish is “Top Ten Books I Read in 2014”. This one you can probably predict if you follow this blog, but I won’t leave you guessing. Also, links don’t show up on my theme very well, so I’ll just say now that all the titles are links to the reviews I wrote earlier in the year.

Cover of The Goblin Emperor by Katherine Addison Cover of The King of Elfland's Daughter by Lord Dunsany Cover of We Have Always Fought by Kameron Hurley Cover of My Real Children by Jo Walton Cover of The Movement by Gail Simone

  1. The Goblin EmperorKatherine Addison. Yep, you probably predicted this one. I just loved it to bits — I’d have happily gone back to page one and started all over again right away. I don’t think it’s for everyone, but it was pretty perfect for me.
  2. The King of Elf-land’s DaughterLord Dunsany. This is definitely not new to a lot of people, but it was new to me. I think I’d read one of Dunsany’s short story collections before, but not this one. It’s a lovely mythic/fairytale-like world. In style and the like, it’s not like the more typical modern fantasy, but that doesn’t put me off at all.
  3. We Have Always FoughtKameron Hurley. I haven’t read any of Hurley’s fiction yet; she may even be a writer who appeals to me more as a commentator than as a creator, since I did start God’s War at one point and put it down again. But I loved this collection of her essays. She very much deserved her Hugo.
  4. My Real ChildrenJo Walton. Again, probably predictable. I loved the characters in this — the sheer range of them, the ways small circumstances could change them. It was quite upsetting on a personal level because of the mentions of dementia, but the fact that it had the power to upset me only made me like it more.
  5. The Movement: Class WarfareGail Simone. I think this is a pretty timely comic. This sums it up, from my review: “[T]his is a group of young people getting together against injustice. Not supervillains: injustice. Crooked cops who beat poor people and POC because they can. The whole system of privilege and disprivilege. It’s a team of heroes for the Occupy Movement, for the 99%, for the disenfranchised.”
  6. Cuckoo SongFrances Hardinge. Read this all in one go on a train journey and resented every interruption. There’s a great atmosphere to this book.
  7. Behind the Shock MachineGina Perry. I’ve always been fascinated by Stanley Milgram’s experiments, and this was a great way of delving into them — looking at it not from Milgram’s point of view, not looking at the results, but at the people he used in this experiment.
  8. What Makes This Book So GreatJo Walton. This is kinda cheating, in that it’s a book chock full of the books Jo Walton likes. Not limited to a top ten, of course, but I have a feeling it could furnish the whole contents of this list.
  9. SpilloverDavid Quammen. Fascinating stuff, with some very obvious conclusions that apparently still need to be said. We are destroying habitats, forcing animals closer together and closer to us: we’re creating the perfect situation for a pandemic. It’s going to happen again, as it’s happened before, and we’ve just got to hope it isn’t something exotic and deadly. Even the flu is bad enough when it sweeps the world.
  10. The Broken LandIan McDonald. This is the only book in this list I didn’t give five stars. But it’s stayed on my mind the whole time, and the issues it examines aren’t temporary ones that’re about to go away.

Cover of Cuckoo Song by Frances Hardinge Cover of Behind the Shock Machine by Gina Perry Cover of What Makes This Book So Great by Jo Walton Cover of Spillover by David Quamnem Cover of The Broken Land by Ian McDonald

This is gonna be a really interesting week to check out other people’s lists; I’m looking forward to this! Make sure you link me to your list if you comment. I’ll always visit and comment back.

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Review – Legion

Posted December 15, 2014 by in Reviews / 4 Comments

Cover of Legion by Brandon SandersonLegion, Brandon Sanderson

I reread this novella to remind myself of the character(s) and the exact events in it in preparation for reading Legion: Skin Deep. I remember loving it a lot the first time; this time, maybe because I was already familiar with the character of Stephen Leeds, it didn’t work quite as well for me. I ended up focusing more on the plot, which is relatively silly — someone compared it to Dan Brown, and actually, I can kind of see that. The plot itself isn’t that important, though; it’s how the characters deal with the problems, and how Stephen’s multiple aspects work together and how they manage to affect the real world. I think the refreshing part is that Sanderson doesn’t try to fool us any with going back and forth on whether the Aspects are real; he starts off right away with the premise that they’re not.

I’m not totally sure that Sanderson got the diagnosis for Stephen right, though. There’s nothing wrong with Stephen’s perceptions, he just parcels them out between his ‘Aspects’ and deals with everything in that fragmentary way — he talks about being schizophrenic, and yet he still knows where to draw the line between reality and his delusions. Despite the fact that he says he doesn’t have a multiple personality disorder, that seems nearer to the mark to me.

Anyway, looking forward to the sequel, although it worries me slightly that people mention it going deeper into science-y stuff. As you can see from my doubts about Sanderson’s medical research, I’m not convinced by his attempts to pin this down too firmly. He’s famous for his fantasy worlds, and deservedly so; I’m happy with contemporary fantasy, and yet very similar science fiction that doesn’t adhere to what we understand of science drives me bonkers.

Rating: 4/5

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