Killing Is My Business, Adam Christopher

Killing is My Business is very much in the same vein as the first book: Raymond Electromatic is one of the world’s last robots, originally designed as a private investigator, and co-opted by his partner Ada to become a hitman. He has a little limitation: he can only remember the past 24 hours, along with the background information that’s hard-coded and gives him his skills.

The feel is very Chandler-esque, and the story slips by quickly. The one frustrating thing for some people might be the fact that some things are obvious to the reader before they’re obvious to the narrator, due to the gaps in his memory. Personally, I thought that was well-handled, but if all you care about is getting to the answer then you might feel like shrieking a bit.

I’ve never read the third book, and I’m looking forward to it now; the ending of this book does some really nice setup for the truth to come out.

Rating: 4/5

Made to Kill, Adam Christopher

If you like Raymond Chandler’s work and you like SF/F, then this is the fusion you’re looking for! It was a reread for me, and I remembered liking it very much, but not the details of the plot. Adam Christopher manages to pastiche Chandler’s style pretty well: he doesn’t manage to coin as many phrases, and there’s nothing to beat ‘shop-worn Galahad’ and other pithy descriptions in the way that Chandler excelled at… but nonetheless it captures the style and pace of a Chandler story.

Mind you, this isn’t a Philip Marlowe retelling, or something like that. It’s basically “what if Chandler wrote science fiction?” — meaning the main character is a robot. Raymond Electromatic was created as a detective, but after the intervention and tweaks by Ada, who runs the agency, he’s a hitman. Those detection skills come in handy, though, when someone actually shows up at the office with a bag full of gold bars and a pretty face, asking him to kill someone. Ada and Ray don’t normally get jobs like that… but the gold is pretty hard to resist.

What unfolds is a detective story that unfolds in a pretty classic way. There’s a good helping of pulp in this, and that makes it a joyful romp — as long as you aren’t expecting it to be too serious. It’s meant to be fun, and for me it works.

Rating: 4/5

Killing Is My Business, Adam Christopher

Received to review via Netgalley; publication date 25th July 2017

I’ve enjoyed the other books and stories in this series a lot, and this is no exception. Take a Raymond Chandler-esque world, and apply one robot trained as a PI who has been somewhat repurposed as an assassin. Add the complication that he runs on limited tapes of memory — 24 hours at a time, no more storage than that. Add his AI handler, Ada, who very clearly has her own agenda — one which doesn’t always align with what their creators envisioned for them.

And, in this book, add the mafia.

I started it when I couldn’t sleep, and finished it an hour and a half later, without stopping once. Adam Christopher writes crisply, precisely; there’s no dead patches where you feel like you can put the book down, because if you did, well; something interesting might happen while you aren’t looking. I love the way Christopher uses Ray’s limitations to create parts of the mystery. This isn’t just a book with a detective/assassin who happens to be a robot; the fact that Ray’s a robot is vital to the whole thing.

Raymond Chandler’s probably rolling in his grave at the comparison, given he had no great opinion of sci-fi, but I’m not going to worry too much about giving him an unquiet rest.

Rating: 4/5

Brisk Money, Adam Christopher

I’ve gone about things a bit backwards, because I only read Brisk Money after already having read Made to Kill (and Standard Hollywood Depravity, too). So the twist in this tale was one I already knew. It’s still a fun short story; good set up for the later stories, and a good pastiche of Chandler’s general style — if not quite his flair at coining a phrase. It doesn’t take itself too seriously: honestly, all through it you can feel that the author is having fun. It’s Chandler-esque sci-fi, where Chandler called sci-fi fiction crap, and Christopher takes obvious joy in using the noir setting and bending it to take account of a robot detective.

I can’t promise it’ll blow your mind, but if a noir detective robot story appeals, then I can pretty much guarantee you’re going to have fun. It’s well-structured, too, which is also a delight to me in a short story.

Rating: 4/5

Standard Hollywood Depravity, Adam Christopher

Received to review via Netgalley, publication date 7th March 2017

Just like Made to Kill and Brisk Money, this is an entertaining story — imagine Chandler’s noir detectives, that kind of world, but add in one robot detective-become-assassin and his profit-orientated handler (actually a computer). It’s full of references and hat-tips to Chandler’s era, and though it doesn’t have Chandler’s flair with words (few people do), it’s well written and goes down easy. It’s also reasonably clear of sexism, racism, and Chandler’s other such vices.

This story in particular involves Raymond getting tangled up in the antics of various criminal cartels, and all that sort of thing implies. Bullets and assumptions fly, garnering a possibility of some grudges being held against Raymond and Ada, his handler — and we end the story with Ada and Raymond in a pretty good position. All ready for the next novel, since this is marked as 1.5 in the series on Goodreads?

In any case, this is readable whether or not you’ve read Made to Kill and the short story Brisk Money, but it is worth reading those for extra background and a better understanding of Raymond, his capabilities, and his limitations. The ARC version I read bundled in Brisk Money, so you could comfortable skip to that and read it first before going back to read Standard Hollywood Depravity.

Meanwhile, I never seem to have reviewed Brisk Money itself, and the release of this novella seems like a prime opportunity to do so — so watch out for that review coming sometime soon as well.

Rating: 4/5