Tag: book reviews

Review – The Pumpkin Spice Café

Posted November 26, 2024 by Nicky in Reviews / 0 Comments

Review – The Pumpkin Spice Café

The Pumpkin Spice Café

by Laurie Gilmore

Genres: Romance
Pages: 357
Rating: one-star
Synopsis:

When Jeanie’s aunt gifts her the beloved Pumpkin Spice Café in the small town of Dream Harbour, Jeanie jumps at the chance for a fresh start away from her very dull desk job.

Logan is a local farmer who avoids Dream Harbour’s gossip at all costs. But Jeanie’s arrival disrupts Logan’s routine and he wants nothing to do with the irritatingly upbeat new girl, except that he finds himself inexplicably drawn to her.

Will Jeanie’s happy-go-lucky attitude win over the grumpy-but-gorgeous Logan, or has this city girl found the one person in town who won’t fall for her charm, or her pumpkin spice lattes…

Laurie Gilmore’s The Pumpkin Spice Café just… isn’t very good? The characters feel flat, even though they’re given quirks and identifying features: the way they see each other doesn’t match up at all with how they’re thinking and feeling and describing themselves, but not in a way that feels like “whoa, yeah, this person has self-esteem issues”. Jeanie acts neurotic and terrified of everything (and her internal monologue tells us that she is), and Logan reads “perky and cute”. It feels like two paper cutouts being pressed together, “Now kiss!”

The insta-love doesn’t help.

It mostly feels like someone wanting to write a small town romance and then making really, really sure that we know we’re in a small, quirky town. It’s small! And quirky! Don’t you know that it’s small and quirky? Look at how small and quirky it is!

There are several sex scenes, which I completely skimmed because they didn’t really advance characterisation much, and I did not believe at all in the chemistry between them, because I kept being told how much chemistry there was.

Some reviews are saying it’s a Hallmark movie in book form, and yeah, I see that.

Rating: 1/5

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Review – Feeding the Monster

Posted November 25, 2024 by Nicky in Reviews / 4 Comments

Review – Feeding the Monster

Feeding the Monster: Why Horror Has a Hold On Us

by Anna Bogutskaya

Genres: Horror, Non-fiction
Pages: 288
Rating: four-stars
Synopsis:

Zombies want brains. Vampires want blood. Cannibals want human flesh. All monsters need feeding.

Horror has been embraced by mainstream pop culture more than ever before, with horror characters and aesthetics infecting TV, music videos and even TikTok trends. Yet even with the commercial and critical success of The Babadook, Hereditary, Get Out, The Haunting of Hill House, Yellowjackets and countless other horror films and TV series over the last few years, loving the genre still prompts the question: what’s wrong with you? Implying, of course, that there is something not quite right about the people who make and consume it. In Feeding the Monster, Anna Bogutskaya dispels this notion once and for all by examining how horror responds to and fuels our feelings of fear, anxiety, pain, hunger and power.

I’m not a horror fan, myself, but four years studying English literature plus a lot of innate curiosity means I was interested to read reflections on horror as a genre anyway, when I spotted Anna Bogutskaya’s Feeding the Monster in the library.

I was a little worried it would reference a lot of horror films that I know nothing about and thus be impossible to follow; though it does reference a lot of horror films, it usually gives enough context to follow the point. It’s not just a list of horror films that fit a certain theme, but a dissection of why certain themes are attractive (and horrifying, of course, at the same time): the chapter on cannibalism in particular, and the way it discussed the potential romanticism and eroticism of cannibalism, was very good.

There’s a lot of focus on women in horror: it’s fairly common to consider horror inherently misogynistic, but it’s rarely that simple, and Bogutskaya discusses that quite a bit — along with Black, queer and trans horror, too, though there’s less space devoted to this.

It probably is a better read if you’re more of a horror fan than I am, and know a bit more about the horror films being referenced. It gives you more of a chance to come up with counterpoints or enhance the argument for yourself with your own examples. Still, I found it an interesting read all the same.

Rating: 4/5

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Review – The British Museum

Posted November 24, 2024 by Nicky in Reviews / 4 Comments

Review – The British Museum

The British Museum: Storehouse of Civilizations

by James Hamilton

Genres: History
Pages: 224
Rating: four-stars
Synopsis:

James Hamilton explores the establishment of the Museum in the 1750s (from the bequest to the nation of the collections of Sir Hans Sloane); the chosen site of its location; the cultural context in which it came into being; the subsequent development, expansion and diversification of the Museum, both as a collection and as a building, from the early 19th to the 21st century; the controversy occasioned by some of its acquisitions; and the legacy and influence of the Museum nationally and globally.

A product and symbol of the 18th-century Enlightenment, the British Museum is as iconic an expression of that cultural tendency as Johnson's Dictionary, the French Encyclopedie and Linnaean plant classification. Its collections embody the raw material of empiricism - the bringing together of things to enable the widest intellectual experiment to take place.

A concise history of one of the world's greatest and most comprehensive museum collections, from its founding in 1753.

James Hamilton’s The British Museum: Storehouse of Civilizations definitely isn’t the place to go for a critique of the British Museum’s collection practices. It does briefly mention some of the controversies, but mostly it’s a paean to the vision of the whole endeavour, fascinated with how the institution has developed.

And… to be fair, I found it equally fascinating: I didn’t expect to be so interested in the phases of building of the museum, but it really tracks with the way the collections increased, the splitting off of various things like the Natural History Museum and eventually the British Library. Hamilton manages to avoid it sounding too dry, and there are lots of colour photographs and additions which add well to the text (even if I don’t, personally, usually find them very enlightening).

A surprisingly quick read overall, and fascinating. It explicitly discusses (and reproduces) some of the founding tenets and principles, including the ones which are cited in arguments about refusing to return objects etc, so it’s also an interesting primer for discussion of repatriation and decolonisation, even if Hamilton doesn’t dig into that in this book.

Rating: 4/5

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Review – Cold Snap

Posted November 22, 2024 by Nicky in Reviews / 0 Comments

Review – Cold Snap

Cold Snap

by Lindy Ryan

Genres: Horror
Pages: 144
Rating: two-stars
Synopsis:

A grieving mother and son hope to survive Christmas in a remote mountain cabin, in this chilling novella of dread, isolation and sinister spirits lurking in the frozen woods. Perfect for fans of The Only Good Indians, The Shining and The Babadook.

Two weeks ago, Christine Sinclaire’s husband slipped off the roof while hanging Christmas lights and fell to his death on the front lawn. Desperate to escape her guilt and her grief, Christine packs up her fifteen-year-old son and the family cat and flees to the cabin they’d reserved deep in the remote Pennsylvania Wilds to wait out the holidays.

It isn’t long before Christine begins to hear strange noises coming from the forest. When she spots a horned figure watching from between frozen branches, Christine assumes it’s just a forest animal—a moose, maybe, since the property manager warned her about them, said they’d stomp a body so deep into the snow nobody’d find it ’til spring. But moose don’t walk upright like the shadowy figure does. They don’t call Christine’s name with her dead husband’s voice.

A haunting examination of the horrors of grief and the hunger of guilt, perfect for readers of Stephen King, Christina Henry, and Chuck Wendig.

Lindy Ryan’s Cold Snap is a horror novella that doesn’t really give many answers, revolving around a shocked and grieving mother (Christine) and her attempt to connect with her equally shocked son (Billy) after her husband’s death. They go away to a remote cabin for Christmas, as her husband (Derek) had originally planned, but Christine is hearing voices, seeing constant intrusive visions of Derek’s death.

There is a creepy atmosphere to the story, helped along by the sense of unreality Christine falls. As a portrayal of PTSD and its repetitive patterns is really well done, in my opinion, and that might be the best part.

The reason I didn’t rate it higher is that I didn’t really feel the creepiness of the actual spirit/monster/whatever it is. I rather liked the final page, though it leaves things very ambiguous, but I think Christine’s fragmented experiences actually sapped the sense of threat. It’s hard to tell what’s supposed to be real; sometimes that can enhance the weirdness, but here it was just hard to tell what was happening.

Rating: 2/5

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Review – Murder at the British Museum

Posted November 21, 2024 by Nicky in Reviews / 2 Comments

Review – Murder at the British Museum

Murder at the British Museum

by Jim Eldridge

Genres: Crime, Historical Fiction, Mystery
Pages: 320
Series: Museum Mysteries #2
Rating: three-stars
Synopsis:

1894. A well-respected academic is found dead in a gentlemen's convenience cubicle at the British Museum, the stall locked from the inside. Professor Lance Pickering had been due to give a talk promoting the museum's new 'Age of King Arthur' exhibition when he was stabbed repeatedly in the chest. Having forged a strong reputation working alongside the inimitable Inspector Abberline on the Jack the Ripper case, Daniel Wilson is called in to solve the mystery of the locked cubicle murder, and he brings his expertise and archaeologist Abigail Fenton with him.

But it isn't long before the museum becomes the site of another fatality and the pair face mounting pressure to deliver results. With enquiries compounded by persistent journalists, local vandals and a fanatical society, Wilson and Fenton face a race against time to salvage the reputation of the museum and catch a murderer desperate for revenge.

Murder at the British Museum follows on from the first book in Jim Eldridge’s series of mysteries based in museums, following the characters Daniel Wilson (retired cop, now private investigator) and Abigail Fenton (archaeologist, now also a private investigator) as they tackle another murder in a museum. There’s a lot of tension in this book between the private investigators and the police, since Daniel’s now working alongside people he knew in the force, but it isn’t just one-dimensional: Inspector Feather is friendly and helpful, and unlike in the previous book, the narrative follows the police as well part of the time, which was interesting.

Overall, I found it more engaging than the previous book, with Abigail’s character feeling a touch more consistent. It’s unfortunate that for plot reasons she had to do something pretty stupid a couple of times, but there’s a couple of interesting scenes between her and Daniel (for instance her gently telling him that he mustn’t act like she’s in danger everywhere she goes, and must accept that she’ll gauge this for herself).

It’s not a series I’m going to read for the characters, I think, but it worked better for me on that front this time.

I’ll spare you any quibbles and thoughts on the subject of Arthurian scholarship, particularly as it was all from a historical rather than literary point of view (since I mostly studied it from a literary point of view). It was good enough for fiction, though I’d have expected a bit better of Abigail than to think Malory was the originator of a lot of it (she should have pointed to the Vulgate Cycle). I did think it was an interesting motive and a good use of actual scholarly arguments to set up the reason for murder.

Rating: 3/5

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Review – The Lost Words

Posted November 18, 2024 by Nicky in Reviews / 0 Comments

Review – The Lost Words

The Lost Words

by Robert Macfarlane, Jackie Morris

Genres: Poetry
Pages: 112
Rating: four-stars
Synopsis:

In 2007, when a new edition of the Oxford Junior Dictionary -- widely used in schools around the world -- was published, a sharp-eyed reader soon noticed that around forty common words concerning nature had been dropped. Apparently they were no longer being used enough by children to merit their place in the dictionary. The list of these "lost words" included acorn, adder, bluebell, dandelion, fern, heron, kingfisher, newt, otter, and willow. Among the words taking their place were attachment, blog, broadband, bullet-point, cut-and-paste, and voice-mail. The news of these substitutions -- the outdoor and natural being displaced by the indoor and virtual -- became seen by many as a powerful sign of the growing gulf between childhood and the natural world.

Ten years later, Robert Macfarlane and Jackie Morris set out to make a "spell book" that will conjure back twenty of these lost words, and the beings they name, from acorn to wren. By the magic of word and paint, they sought to summon these words again into the voices, stories, and dreams of children and adults alike, and to celebrate the wonder and importance of everyday nature. The Lost Words is that book -- a work that has already cast its extraordinary spell on hundreds of thousands of people and begun a grass-roots movement to re-wild childhood across Britain, Europe, and North America.

Like The Lost Spells, The Lost Words is a collection of poetry by Robert Macfarlane, illustrated by Jackie Morris. This one is specifically aimed at children, and tries to bring a little magic back to how we relate to wild creatures, and save some of the words children don’t seem to care about any more (like “conker”).

Both books feel like the poet was having fun; though I didn’t universally love the poems (sometimes a rhyme is too obvious, or a particular word just stuck out as wrong), it was a fun read. And the illustrations are, of course, gorgeous — maybe I even prefer the ones in this book a tiny bit more than the other, though the scale in the library book I borrowed helped to let me study the detail (it was huge!).

Rating: 4/5

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Review – The Mountain in the Sea

Posted November 17, 2024 by Nicky in Reviews / 4 Comments

Review – The Mountain in the Sea

The Mountain in the Sea

by Ray Nayler

Genres: Science Fiction
Pages: 456
Rating: four-stars
Synopsis:

There are creatures in the water of Con Dao.
To the locals, they’re monsters.
To the corporate owners of the island, an opportunity.
To the team of three sent to study them, a revelation.

Their minds are unlike ours.
Their bodies are malleable, transformable, shifting.
They can communicate.
And they want us to leave.

When pioneering marine biologist Dr. Ha Nguyen is offered the chance to travel to the remote Con Dao Archipelago to investigate a highly intelligent, dangerous octopus species, she doesn’t pause long enough to look at the fine print. DIANIMA- a transnational tech corporation best known for its groundbreaking work in artificial intelligence – has purchased the islands, evacuated their population and sealed the archipelago off from the world so that Nguyen can focus on her research.

But the stakes are high: the octopuses hold the key to unprecedented breakthroughs in extrahuman intelligence and there are vast fortunes to be made by whoever can take advantage of their advancements. And no one has yet asked the octopuses what they think. And what they might do about it.

Lately, I’ve had a lot of trouble getting immersed in books like I (think I) used to. I’ll read 50 pages and feel like it’s been forever; read 10 pages and get distracted by wondering if that email I’m waiting for has come in; a 500 page book is just daunting because it seems like it’ll take forever. And I know, I know, it’s all the fragmentation caused by mobile phones, etc, etc — but while I was reading Ray Nayler’s The Mountain in the Sea, I wasn’t paying any mind to that. My brain was quiet and I was totally focused on the story; I say this by way of introduction because I think it bears saying when a book cuts across that fidgeting and demands attention.

There are essentially three threads to the story, which twine together but never quite meet: there’s Ha Nguyen, a scientist, who is brought to a remote island owned by a company called DIANIMA in order to study octopus behaviour that appears potentially much more intelligent than baseline; there’s Rustem, a hacker with a unique way of thinking, who is given a fascinating task to hack into an extremely complex artificial intelligence in order to use it as a weapon; and there’s Eiko, a captive aboard an AI-controlled fishing ship, forced to clean and sort the catch with no sign of escape.

Of the three stories, Dr Ha’s is the most fascinating, and I admit it could be a little annoying to switch to Eiko or Rustem. Ultimately, I’m not sure their stories were entirely necessary: I admire the overall effect, the details that the other two stories lent to Dr Ha’s, and the satisfying click as things came together, but Eiko’s story didn’t lend a lot to it (and his mind palace is overdescribed for something so ultimately useless to the plot — though I think in terms of themes, it does add to the overall inquiry into how thought works).

Despite how much I liked the reading experience, I think there are still things the book could’ve dug into deeper. Evrim’s cognition is important to this question of intelligence, and yet it’s rather brushed under the rug by Ha, who readily declares them to be human all of a sudden, based on the fact that they can interact with humans on human terms. I’m not sure I agree with that definition, or the simplification of it all. There were tantalising bits of inquiry here about artificial intelligence as well as alien (octopus) intelligence, but it feels like it didn’t quite go deep enough; perhaps Eiko’s thread should’ve been reduced in order to give more space for that.

The same goes for the octopus cognition, really: sometimes Ha comes to conclusions rapidly based on fairly little evidence. Is something built of human skulls necessarily an altar? Does it necessarily mean that they’re worshipping humans or trying to appease them? Are you sure it’s not a war trophy?

That makes the book sound unsatisfying, and I don’t think it is: personally, I found it fascinating and riveting. There’s just so much space to expand, as well.

Rating: 4/5

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Review – The Secret Life of the Owl

Posted November 15, 2024 by Nicky in Reviews / 0 Comments

Review – The Secret Life of the Owl

The Secret Life of the Owl

by John Lewis-Stempel

Genres: Non-fiction, Science
Pages: 88
Rating: three-stars
Synopsis:

‘Dusk is filling the valley. It is the time of the gloaming, the owl-light.
Out in the wood, the resident tawny has started calling, Hoo-hoo-hoo-h-o-o-o.’

There is something about owls. They feature in every major culture from the Stone Age onwards. They are creatures of the night, and thus of magic. They are the birds of ill-tidings, the avian messengers from the Other Side. But owls – with the sapient flatness of their faces, their big, round eyes, their paternal expressions – are also reassuringly familiar. We see them as wise, like Athena’s owl, and loyal, like Harry Potter's Hedwig. Human-like, in other words. No other species has so captivated us.

In The Secret Life of the Owl, John Lewis-Stempel explores the legends and history of the owl. And in vivid, lyrical prose, he celebrates all the realities of this magnificent creature, whose natural powers are as fantastic as any myth.

John Lewis-Stempel’s The Secret Life of the Owl is a bit of a miscellany covering all things owl, mostly focused on owls in the UK. It’s a quick read, less than 90 pages, and includes profiles of the owls that live in or visit the UK, and a bit of an examination of how owls fit into our landscape — both how we react to them, and how other British birds react to them. As such, there are a few poems quoted throughout, in and amongst the facts and figures, and a couple of black-and-white illustrations.

It did feel a little disorganised to me, like Lewis-Stempel was just pouring out anything he could think of about owls. The enthusiasm is endearing, as is the description of his personal fascination with owls, and his interactions with them. Even though it felt a bit badly organised, it was in the way that information can be disorganised when someone is passionately telling you about a pet topic, which I didn’t really mind.

I don’t feel like I knew a lot about owls before reading, other than some vague bits that filter through popular culture, plus a lifetime of living with intelligent people who watch and discuss documentaries and read this kind of book. I learned a few new things from this book, though I don’t know how much I’ll retain — either way, it was fun.

Rating: 3/5

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Review – Rope’s End, Rogue’s End

Posted November 14, 2024 by Nicky in Reviews / 2 Comments

Review – Rope’s End, Rogue’s End

Rope's End, Rogue's End

by E.C.R. Lorac

Genres: Crime, Mystery
Pages: 249
Rating: three-stars
Synopsis:

Wulfstane Manor, a rambling old country house with many unused rooms, winding staircases, and a maze of cellars, had been bequeathed to Veronica Mallowood and her brother Martin. The last time the large family of Mallowoods had all foregathered under the ancestral roof was on the occasion of their father's funeral, and there had been one of those unholy rows which not infrequently follow the reading of a will. That was some years ago, and as Veronica found it increasingly difficult to go on paying for the upkeep of Wulfstane, she summoned another family conference -- a conference in which Death took a hand.

Rope's End, Rogue's End is, of course, an Inspector MacDonald case, in which that popular detective plays a brilliant part.

Rope’s End, Rogue’s End isn’t one of my favourite E.C.R. Lorac books so far, though when I say that you always need to take into account that I think she was a really great writer. A three-star rating for an E.C.R. Lorac book is always relative (for me) to what I know her best books can be. In this case, she didn’t really exercise her talent for likeable characters, with everyone in the Mallowood family being difficult and argumentative, their relationships always rocky.

What I did think about a lot is that E.C.R. Lorac was careful not to pigeon-hole herself. She doesn’t have a particular character “type” that always turns out to be the villain. There are similarities between the situation in this book and that in Accident by Design — but the similarities are fairly superficial, and not a guide as to whodunnit in this particular story.

As usual, Lorac’s ability to evoke a sense of place does shine through in the portrayal of Wulfstane Manor, though again, it’s not a copy/paste by any means: while several of the characters adore the house, and Macdonald is certainly impressed by it, it doesn’t feel like a happy house, and the sense of wear and dilapidation is what comes through most strongly.

The mystery itself, I worked out the basics of fairly quickly, but figuring out exactly how everything was done was something else.

The main thing marring the experience here is that the Kindle edition is very badly edited. My guess is that OCR was used, but the system didn’t recognise various bits of punctuation (colons and dashes), meaning that sentences don’t always make a whole lot of sense.

Rating: 3/5

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Review – Arch-Conspirator

Posted November 13, 2024 by Nicky in Reviews / 0 Comments

Review – Arch-Conspirator

Arch-Conspirator

by Veronica Roth

Genres: Science Fiction
Pages: 137
Rating: three-stars
Synopsis:

Outside the last city on Earth, the planet is a wasteland. Without the genes of the fallen, humanity will end.

Antigone's parents have been murdered, leaving her father's throne vacant. Passing into the Archive should be cause for celebration, but with her militant uncle Kreon rising to claim her father's vacant throne, all Antigone feels is rage. When he welcomes her and her siblings into his mansion, Antigone sees it for what it really is: a gilded cage, where she is a captive as well as a guest.

But her uncle will soon learn that no cage is unbreakable. And neither is he.

Veronica Roth’s Arch-Conspirator is a sci-fi dystopian take on Sophocles’ Antigone, which follows the steps of the plot fairly closely (inasfar as it can given the different setting). The basics are there: the two sisters, the two brothers, the tainted birth (though for a different reason here), the betrothal to Haemon, and the struggle of wills with Kreon.

However, a lot of the background is missing: Oedipus didn’t commit any great sin here (he seems to have been a democratic leader), and it isn’t really about the themes of Greek tragedy. Tiresias is entirely missing, and the concept of offending the gods likewise, so all in all it’s not quite a retelling of Antigone, but something which uses the basic shape of the story to say something else.

I enjoyed reading it and puzzling over how it was adapting the original story, and I don’t necessarily think it needs to engage with the same themes as the original in order to be interesting. Still, in some ways I think it’d have benefitted by departing further from the source material, to explore what it was really going for.

Rating: 3/5

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