Unthink, Chris Paley

I received an ARC of this via Bookbridgr. I wasn’t sure what level it would be pitched at, but as a general rule, all things to do with psychology and the weird ways our brains work interest me. It turned out that this book was probably below the level I’m reading at when it comes to psychology, which is more Steven Pinker, Jonathan Haidt, Paul Bloom, etc: because I rate my personal enjoyment of a book, that’s definitely knocked down my rating. But that’s no real comment on the content, which is interesting; just a lot of it, I happened to know already.

However, if you’re looking for a book with a lot of interesting facts, explained in an accessible manner, then Unthink may well be for you. It’s presented in a very easy to read format, with little chunks rarely more than two or three pages long, each with a descriptive chapter title. Despite the simple presentation, there is also a wealth of notes in the back which go into more detail, point to sources, etc.

Rating: 3/5

21st Century Dodos, Steve Stack

Received to review. I might be a bit below the target age for this one — I remember some of these things, like cassettes and candy cigarettes and Jif, but other stuff was on its way out before I got there. I’m about to turn twenty-five, so I’d guess I’m about ten years behind some of this nostalgia stuff.

It’s not a very substantial book, but if you feel like a bit of nostalgia and an opportunity to go ‘I thought I was the only one who remembered that!’, then this might be for you.

Some of it hasn’t yet gone the way of the dodo for me: my parents get milk delivered, and I remember watching the milk float arrive on those illicit late nights I stayed up reading, sometimes. Okay, the first time it actually really freaked me out. But still. Milk float.

Rating: 2/5

The Planets, Dava Sobel

I think I expected this to be more scientific than it turned out to be, which may be a common problem judging from other reviews. It’s actually more of a historical glance at the way humanity has envisioned the galaxy, and the way our knowledge has grown over the millennia. It’s a lot literary, with bits of science and mythology thrown in. Some parts of it were lovely for that, though I wasn’t sure about the emphasis on linking the Old Testament Genesis story with the scientific facts of creation. It seems likely to alienate a lot of readers, even if it sounds pretty.

Of course, we mustn’t forget that this is also quite behind the times now: published in 2007ish, shortly after the demotion of Pluto, it has nothing to say about more recent discoveries about the moons of the outer planets, or Curiosity, or anything like that. It’s quite accessible, but not up to date, which is a pity.

Sometimes the literary interludes really got on my nerves, with Sobel putting words into people’s mouths and anthropomorphizing inanimate objects. I like literary tricks like that as much as the next person, but it just seems ridiculous when they’re giving words and complex thought to a meteorite…

Rating: 3/5

Behind the Shock Machine, Gina Perry

I’ve been interested in the Stanley Milgram experiments for a long time — the “obedience to authority” ones, more than anything else, though as Gina Perry pointed out, he did other startling and original research. For example, that idea that you’re only six degrees of separation from someone else? That was his experiment. The one about good will, testing whether people would post letters just left out, and how many would respond based on the addresses on the envelope? Also Milgram.

Anyway, my interest was piqued again more recently by Dar Williams’ song, Buzzer (lyrics), which imagine being a participant in the experiment. It doesn’t matter about the details, how closely they fit what really happened. What matters is this line: “I get it now, I’m the face/I’m the cause of war/we don’t have to blame white-coated men anymore.”

Part of Gina Perry’s focus in this book is unpacking how people felt after they were the subject in the experiments. She met some of them for research, listened to the transcripts and the follow-up interviews, spent hours with the material. And some of them really were traumatised by what happened under the experimental conditions: some of them weren’t ‘dehoaxed’ until months after their participation in the study. They didn’t know that they hadn’t really come anywhere near killing a man. Some of the ethical problems with this study are astounding, and Perry unpacks them nicely.

One of the things I think people find harder with this book is her outlook on Milgram. She started out being an enormous fan of his work: it was only when she dug deeper into it that she began to feel ambivalent, even a little horrified. I wonder if people would feel the same unequivocal admiration for Milgram if they could listen to those transcripts, all of them, and experience the way he went on with the experiments despite the distress of his subjects.

It certainly sounds from this book like Milgram’s results were nowhere near as clear-cut as he presented them. For example, everyone knows that the outcome is that “most” people would obey an authority figure to the point of killing someone — but the fact is that 65% did. That’s still the majority, but that includes people who weren’t sure if the shocks were real or not as well as people who were sure they were real, and it also includes people who protested all the way. It does show the effect of pressure by an authority figure, but the picture is a little less clear than we tend to think.

And then there’s the cherry picking of his results. For example, condition 24 showed only 10% obedience: that was people paired with people they really knew. Authority can’t overcome personal relationships. Milgram never published about condition 24. Despite being a fan of his work, Perry didn’t know anything about it until she found the records, bundled in with those of condition 23.

Given that, it’s astonishing to me that anyone defending Milgram can then claim that Perry is cherry picking her data. At the very least, she provides details of all of the conditions. She ends up with strong personal feelings about the whole situation, but she quotes both from Milgram’s private notes and his published work, showing his doubts, showing that he worried about the welfare of the subjects more than comes through in his published work. After reading one of the first major critiques of his work, he drew a little doodle and wrote beside it, “I feel bad.”

It’s true that Perry has an ideological position on Milgram, but it’s fair to say that from her account, that arises from the depth of her research. I don’t think anyone going into the impact of the experiments could avoid it; she doesn’t claim to be writing a book about the scientific principles, but about the people involved. I think she does a fairly good job of presenting various sides of all of them.

Overall, I found this really fascinating, though I do always keep in mind that non-fiction is no less ideologically charged than any kind of writing. Of course Perry has opinions, and her exploration of these and how they developed during her research are a key part of the book. It’s not the last or only word on Milgram.

Rating: 5/5