The Theft of the Iron Dogs

by E.C.R. Lorac

Genres: Crime, Mystery
Pages: 284
Series: British Library Crime Classics
Rating:

Synopsis:

While hot on the heels of serial coupon-racketeer Gordon Ginner, Chief Inspector MacDonald of Scotland Yard receives word of an intriguing incident up in Lancashire – the summer cottage of local farmer Giles Hoggett has been broken into, with an assortment of seemingly random items missing which include a complete reel of salmon line, a large sack, and two iron dogs from his fireplace.

What first appears to Insp. MacDonald as a simple break-in quickly spirals into a mystery of contested land grabs for fishing between farmers, made all the more enticing to MacDonald when a body is then found in the river – the body of Gordon Ginner. It’s up to Insp. MacDonald, aided by the locals of Lunesdale, to determine who broke into Hoggett’s cottage, where his irons dogs have gone, and how Ginner met his watery end.

For my money, E.C.R. Lorac is one of the finest classic crime writers. She writes compelling mysteries with an amazing sense of place and setting, and characters who are enjoyable, if sometimes idealised. There’s a sense with her books that the mysteries arise out of place and personality, rather than coming up with a mystery and then inventing a setting to fit around it, which is probably true if Martin Edwards’ introductions about Lorac and her love for Lunesdale are true.

The Theft of the Iron Dogs returns to Lunesdale, in fact, and the mystery is only unravelled because the people of the area have habits, patterns and expectations which aren’t obvious to people from outside the area, meaning the cover-up of the crime isn’t as perfect as the perpetrator thinks. The story features Macdonald, of course, Lorac’s series detective, with his usual conscientiousness and care, and his sense of compassion for the people affected by his investigations.

It’s a slow one, country-paced, in a way that feels right for the place and the story. I really enjoyed this one, and though the crime itself is not terribly “cosy” (is any crime?), the overall feel is a pretty cosy, lower-stakes kind of story.

Rating: 4/5

Post After Post-Mortem

by E.C.R. Lorac

Genres: Crime, Mystery
Pages: 300
Series: British Library Crime Classics
Rating:

Synopsis:

The Surrays and their five children form a prolific writing machine, with scores of treatises, reviews and crime thrillers published under their family name. Following a rare convergence of the whole household at their Oxfordshire home, Ruth – middle sister who writes ‘books which are just books’ – decides to spend some weeks there recovering from the pressures of the writing life while the rest of the brood scatter to the winds again. Their next return is heralded by the tragic news that Ruth has taken her life after an evening at the Surrays’ hosting a set of publishers and writers, one of whom is named as Ruth’s literary executor in the will she left behind.

Despite some suspicions from the family, the verdict at the inquest is suicide – but when Ruth’s brother Richard receives a letter from the deceased which was delayed in the post, he enlists the help of CID Robert Macdonald to investigate what could only be an ingeniously planned murder.

I normally love E.C.R. Lorac’s books, and I think this was a very fine example of her work… without being one that I, strictly speaking, enjoyed. She has a way of describing characters and places that can make you love them and feel their goodness — and in this book, the nastiness of murder feels particularly prominent. It’s less “good people overcome” and more “good people are overcome”, and it just hit wrong for my current mood, despite being well handled.

Those who read it should be warned that the setup has the murder being taken to be suicide at first, and that the family react accordingly, with shock and horror and the sense that the world is upended. And that isn’t the end to their sorrows.

It’s a good thing that Lorac writes such a sensitive, humane detective in MacDonald, because his sympathy also helped to make this book as powerful as it is.

In the end, the solution was also a sad one, and the whole thing just left me with a sense of melancholy. Beautifully written, perhaps among Lorac’s best — but perhaps not one that I’ll visit again.

Rating: 4/5