I continued my very good behaviour this week by not buying anything. I did grab the trade of Thor: Goddess of Thunder, but I already has the single issues, so I’m counting it as a gift for my partner, who I will be with by this evening! Whoop. So I just have comics this week, including the new Carol Corps one from Kelly Sue, which I nearly missed but for a random tweet about it.
Nope, there are no female heroes in comics, nope, don’t know what you’re talking about…
Company of Liars, Karen Maitland
Review from 22nd April, 2012
I picked up Company of Liars as my fifth book of the readathon, last night, and read half of it in one go. Unfortunately, I couldn’t stay up, but I can definitely say this for it: it could distract me from the pain of gallstones when high doses of anti-spasmodics and opiates could not. I think how much it entertains you will depend on how much you buy into the characters: I was prepared to fall for most of them, and to pity those I didn’t adore, so I got swept up in their story. It’s a relatively slow-paced story, I suppose: the actual threat doesn’t come into the open until almost the end.
There are clues throughout as to what is going to happen, not just what will happen next, but what will unfold throughout the rest of the story. Some of the hints are fairly large; most readers will probably guess ahead of the plot, but it was the pleasure of fitting everything together that kept my interest — this and that I already knew, but what significance it could have…
There are criticisms in other reviews about the range of characters and how well they took each other’s secrets: there’s little shock and outrage at a character who is gay or characters who commit incest. I felt… it is a little anachronistic, but it also worked for me because all the characters have secrets they dare not reveal, and all of them have weaknesses laid bare to the others in their group. They need each other, and can’t afford to have the group fall apart.
I can understand those who found it too slow paced, and those who felt the clues were too obvious. I was a little exasperated by the anagram of one character’s name which hid their identity. That felt clumsy. Still, I bought into the characters and I badly wanted them to do well, and I bought into untangling the mystery. I enjoyed it a lot.
Rating: 4/5
Karen Memory, Elizabeth Bear
I was in such a hurry to read this when it came out that I bought it on release day, started reading and — promptly got distracted, because I’d been reading it at clinic and then I didn’t go to clinic for a few weeks, and lost the thread, etc, etc. So I started it again today, and devoured it all in one go. I love the colloquial narration, which manages to skirt the line between feeling genuine and being annoying really well. I love the casual way characters of all colours and persuasions are a part of the story, and the way Karen describes the world around her, taking some things for granted and explaining others. For those with pet peeves about narrators, I promise there’s a reason for Karen to be telling the story the way she is, though that isn’t made explicit until the end.
Speaking of explicit, you’ve got to admire the way Bear manages to come up with euphemisms so that a story about “soiled doves” isn’t actually explicit at all, and bar some of the language, isn’t more than a PG rating.
When I started reading it, I had no idea it would actually be a lesbian love story, with a happy ending. But Priya and Karen are so darn adorable it’s worth saying up front: they never get beyond some kissing and holding hands, it’s all making eyes and getting fluttery feelings and figuring out how the heck to tell someone you care without making a mess of it. It works really well, without ever being a big crisis or the most important thing about the whole plot.
Which is a point: if you’re reading this for the steampunk, or the LGBT, or the Wild West, and you’re not so interested in the other aspects… it’s probably one to skip. It’s all of those things and a mystery story, but it’s all those things together, and not focusing just on any one thread. In fact, the mystery/thriller aspect is more prominent than the rest; the rest is background, colouring the story and shaping it, but not foregrounded as such.
I’m gonna need a hard copy of this at some point, because I just love the cover art. But my first priority is getting my sister a copy, ’cause I’m pretty sure she’ll love this one.
Rating: 5/5
A Court of Thorns and Roses, Sarah J. Maas
I originally received this to review, but I bought a copy in the end anyway. I was actually a little bit nervous about doing so, as Throne of Glass didn’t wow me the way it did so many other people, but in fact I liked this even more. The writing style is slightly more mature — as is the romance content, actually, but that doesn’t matter much to me — and it engages with fairytales/folktales I love. There’s a bit of Beauty and the Beast (with some of the now-traditional elements like the library making an appearance in a slightly different way), a bit of Tam Lin, some fae lore in general, and something that’s just for this book. I enjoyed the way it pulled in those elements, made those references, but made its own story.
Every time I thought I’d figured out what I thought about a character, there’d be another aspect revealed: Alis’ forthrightness, Lucien’s slow coming to terms with Feyre’s presence, Rhysand’s character… it was very satisfying to have the characters developing/changing/growing all the way through.
Feyre herself is really cool. She’s capable, strong, but only because she has to be. She taught herself to hunt, to swim, to protect her family. She’s not Celaena 2.0; she has different interests, a whole different focus. I enjoyed that the book was pretty sex-positive and reasonable about that kind of thing: no random fits of horrible jealousy over things which don’t mean that much, no implication that all previous relationships were wrong…
I’m not sure what I hope for with other books. I’d like to see how Elain and Nesta are getting on; I’d like to see how Feyre goes forward from the end of this book; I’d be equally happy following Rhysand or Lucien… I’m looking forward to it, regardless — and that little bit more eager to get onto reading Crown of Midnight, too.
Rating: 4/5
Blameless, Gail Carriger
Hm. I wish Conall had been made to grovel rather more than this, after his reaction in the last book; I especially wish that his horrible comments to Alexia weren’t just stupidity and were actually driven by a real fear of betrayal. That would make me feel less annoyed if he had some foundation for the way he treated her. Gah. Still, this book does allow Genevieve, Floote and Professor Lyall to shine. And get up to hijinks.
The series continues to be absurd, fun, and relatively inconsequential, with some surprisingly sweet moments — Biffy and Lord Akeldama, ach, right in my feels; Vieve’s caring for Alexia — and some things that can’t help but make you laugh. I mean, for example, this bit:
Alexia found herself surrounded and embraced by a room of such unmitigated welcome and personality that it was akin to being yelled at by plum pudding.
Just. What? And yet it makes sense somehow, in the absurd and over the top context of the Parasol Protectorate (words which were finally used in this book).
Conall still needs to grovel.
Rating: 3/5
This week’s prompt is “Top Ten Most Anticipated Releases For the Rest of 2015”. These ones are always difficult for me, because I don’t always have that clear a view on what’s due out. I’ve been keeping half an eye on it recently, so here’s a bash at it.
Looking forward to seeing what other people have their eyes on. And I’m sure I’ve forgotten something…
The Deadly Sisterhood, Leonie Frieda
I’ve been wanting to read this one for a while, given how epic Caterina Sforza is in the Assassin’s Creed games. I have read a biography of Caterina herself (Tigress of Forli, by Elizabeth Lev), so I didn’t read this so much for her as for the other women in its pages. I found it a little disorganised, really; it isn’t neatly divided into eight sections, and it’s sometimes hard to see exactly which woman is the key player. And Frieda is claiming to deal with women as key players in Renaissance Italy, and yet Clarice Orsini is exactly what the back blurb says these women are not, a “passive bystander”.
In fact, there’s a whole section that’s primarily about Lorenzo de’ Medici and the Pazzi Conspiracy. Which, shrug. Not what I’m here for, actually.
It’s a readable enough book, but there’s oddly judgemental bits about the women’s weight or appearance, or indeed intelligence if they’re not one of the precious women we’re supposed to view as a sisterhood, and it’s not very well proofread at all. Without looking for it, I found four typos in casual reading. Gah.
Rating: 3/5
Lirael, Garth Nix
As much as I love Sabriel (both the book and the character!), I was reluctant to read this again. Lirael’s role in the library is awesome, but both she and Sameth are rather too prone to self-pity to stand up well beside Sabriel’s example. Which is part of the whole point, that Sameth’s grown up in his parents’ shadows, but still. While Sameth has serious problems to deal with, he’s also selfish, doesn’t think things through properly, and would do a lot better if he’d open his mouth and let words come out. Sabriel and Touchstone might have a firm idea of their duty is, but I’m pretty sure that they would also understand that Sameth’s sickened fear would actually make a very bad Abhorsen.
Communication, communication, communication. My pet peeve in real life and in fiction, alas.
Lirael is more engaging, despite her bouts of self-pity. They’re more understandable, and she has the Disreputable Dog to put a stop to it as well. Her life in the Clayr’s glacier, her work in the library, her abilities with Charter marks and her explorations, all of those things are fascinating. And the Dog herself, too.
It’s difficult, because I do love this world, but Nix seems to have created a uniquely frustrating character/situation, perfectly balanced to annoy the heck out of me. I think I liked Abhorsen better, so I’m hopeful about that and Clariel, but it was disappointing how much of a struggle this was to reread.
Rating: 3/5
Changeless, Gail Carriger
Well!
This series continues to be fun, rather absurd, sometimes witty. The pack dynamics are interesting, etc, and this book features characters I already met in the Finishing School series. It’s a little odd to see them as adults, but I rather like seeing Sidheag again, and especially Vieve. I loved the part she had to play and the way queerness is just a part of this world, sex is not dreadfully horrifying (because as most people know, the Victorians weren’t actually, well, Victorian about it), and the way roles in society change because of the supernatural set is quite interesting. (Also interesting where it does not change, but instead fashions and such of the period are explained by the supernatural set’s presence.)
On the other hand, the end of the book just irritates the living daylights out of me. Everyone is entirely unreasonable, nobody bothers to think oh hey, maybe things are different with a preternatural than a human, and any love or trust between Conall and Alexia is just chucked out the window. I hope to goodness that this doesn’t get smoothed over with some nibbling and bodice ripping; I care enough about the characters to be outraged, so I hope Carriger keeps faith with readers and deals with this plotline in a way that does them justice.
Like Soulless and the Finishing School books, it’s fun and easy to read, and while I’m not wildly in love or unable to do without the thought of these books in my life, they’re enjoyable and a little bit addictive for me. Blameless is within arm’s reach right now, and I might just go with that impulse.
Rating: 3/5
I’ve been very, very restrained this week, which I suppose makes up for other weeks! Just one ARC, The Killing Kind, and one issue of a comic.
See, Mum? Lisa? This is proof I am starving for lack of books.
Don’t look at me like that.