Category: Reviews

Review – A Taste of Blood Wine

Posted May 5, 2015 by in Reviews / 5 Comments

Cover of A Taste of Blood Wine by Freda WarringtonA Taste of Blood Wine, Freda Warrington

The copy on the front definitely captures a lot about this book. ‘Throbs with lush romanticism,’ says The Times. That’s a perfect description right there. It’s lush, gothic, romantic, and I’m not entirely sure what to make of it. I found it a compulsive read, and I found the way it treats the morality of vampirism very interesting. It doesn’t shy away from the implications of evil, parasitism, etc, but it doesn’t wholly embrace them, either: Warrington’s vampires have feelings, doubts, difficulties, according to the kind of people they are. The female lead worries about her amorality, and the book doesn’t disguise that there’s something monstrous about a love which demands this kind of sacrifice.

I found the relationships between the characters very well done: Charlotte’s relationships with her family, Karl’s with Ilona and Kristian, the ambivalent side-switching of the others. Kristian’s power over them all feels real, as does their equal and opposite desire to be free of him that locks them in a holding pattern around him. Warrington resists the urge to make things too easy: Charlotte’s family can’t cope with her eventual transformation, with the way her true self is revealed to them through what she chooses.

I liked the background of science, too: the search for understanding of what Karl and the other vampires are, of how it relates to what we know of matter, how they might relate to a GUT (grand unified theory of everything). I liked that Charlotte is a part of that search, with a scientific drive and understanding, and that it’s not just to please her father or anyone else that she thinks that way, despite the fact that her entire life is bounded by what she thinks others want of her.

And yet. I’m not sure what, at the end, makes me ambivalent. In part, it’s the amorality of it all, I think: I can appreciate the exploration of it, even the impulses behind it, but I can’t view it as a triumph of love over all. Or, I suppose it is — a triumph of love over morality, over humanity. I can’t sympathise with that central choice to become immortal and immortalise love at the price that has to be paid here — a price that’s not even paid by Karl and Charlotte, but by the people they will drive mad or kill to sustain their lives. It makes that price so very clear, makes Charlotte’s choice so clear-eyed and knowing, that it’s both better and worse than other Vampire-For-Love transformations. Better, because it acknowledges it; worst, because we’re still meant to sympathise with that destructive love.

I’m not sure if I want to read A Dance in Blood Velvet, etc. I did find this very compelling to read, and yet.

Rating: 4/5

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Review – The Man in the Queue

Posted May 4, 2015 by in Reviews / 9 Comments

Cover of The Man in the Queue by Josephine TeyThe Man in the Queue, Josephine Tey

I expected to like this a lot. Golden Age crime fiction, I’m pretty sure my mother mentioned liking it, etc, etc. But I couldn’t get past the endless racism, and the general feeling that Josephine Tey would be a men’s rights activist now. I mean, a woman on the stage overshadows her male co-stars, and yet the whole tone is not, wow, her skill and grace and so on, but that she is secretly a conniving bitch. The whole story serves to hammer home that she’s a woman who only cares about herself — with very little actual evidence, which is funny coming from a detective story. Someone else summarised it really well, and I can only quote (warning, spoilers):

So, someone who wants to kill a woman because he can’t have her is sane. Someone who wants to kill a man to save her daughter’s life is crazy. Very, very interesting, Tey. And at the end we’re asked teasingly whether there’s a villain in the story. I strongly suspect the villain we’re meant to think of is the woman the murder victim was going to kill. If she’d been nicer, she’d have appreciated that nice young man, you see, and none of this trouble would have happened.
(From Leonie’s review on Goodreads)

The description and so on can be as clever as it likes, but I couldn’t stand one more slighting reference to “the Dago”, or commentary about the “un-English crime”, or any of that. And the mystery itself… it’s obvious from the length of the book that the inspector is after the wrong man. It’s obvious from the way the man and the people around him act, too. The only excuse for going along with the thin, motiveless explanation Grant dredges up is if you’ve got a prejudice to begin with and you’re going to stick to your theory no matter what — no matter how Tey makes a song and dance about Grant being bothered by the case.

The reason Grant is wrong, well, at least you can’t blame him there. There’s virtually no clue, and nothing tied specifically to any suspect other than the red herring one. You can’t guess it directly from the information given — not a hope.

I sound really scathing, but that’s in part because I hoped I’d really enjoy this. I read it pretty much in one go: the narration is pretty compulsive, and the narrative voice is an interesting choice too. But the pretty sentences didn’t save it from how bothered I was with the outdated stuff (reliance on reading people’s faces, reliance on “national characters”, etc). Now I’ve gone looking at reviews, I can see other people who didn’t think much of this one did like her later work, so I might still be along for the ride there if I can get it from the library.

Rating: 2/5

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Review – Tropic of Serpents

Posted May 3, 2015 by in Reviews / 2 Comments

Cover of Tropic of Serpents by Marie BrennanTropic of Serpents, Marie Brennan

It’s been ages since I read A Natural History of Dragons, which meant I was playing catch-up a little with the characters and the situation. I wouldn’t suggest reading it without reading the first book, since it’s an almost continuous narrative — but if it’s just been a while, well, you’ll probably be okay. I got there pretty quickly, once I remembered who all the characters were and how they all related to each other.

As with the first book, it’s fascinating to read this version of our own history, with a female natural historian front and centre. Given the trouble the likes of Mary Anning had, I understand the context a lot better now, though I do find myself thinking that, if anything, it’s a little too easy for Isabella to get where she wants to go. Still, I already criticised the first book for being a little slow, and there are plenty such drawbacks here as well. There’s another interesting meeting with different cultures, and some of the ways that that limits Isabella — but also one surprising way it gives her more opportunities.

I read this much quicker than I read the first book. It’s not exactly “unputdownable”, because you know that Isabella must survive to be writing the memoir, but it is compelling. I especially enjoyed the strengthening of Isabella’s relationship with Tom Wilker, and the way their characters clashed and meshed through the book. Natalie is a fun addition, too: a woman who, like Isabella, wants more than society (and her family) want to give, a woman who is in fact an engineer of some skill.

I’m having a hard time picturing Isabella’s adventures coming to an end after Voyage of the Basilisk, so I’m hoping that I’m misremembering that this is a trilogy… All in all, I’ve gotta say that these books have definitely won my heart now. I might have been doubtful about the first one, but I thoroughly enjoyed the second.

Rating: 5/5

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Review – Ms Marvel: Generation Why

Posted May 2, 2015 by in Reviews / 8 Comments

Cover of Ms Marvel: Generation Why by G. Willow WilsonMs Marvel: Generation Why, G. Willow Wilson, Adrian Alphona, Jake Wyatt

I liked this more than the first volume. It felt less like it was setting the scene, and it got down to the important stuff: superhero team-ups, more self-discovery, bigger plots, etc, etc. Kamala teams up with Wolverine and (separately) Lockjaw, sent by Queen Medusa of the Inhumans to guide her somewhat. I loved the interactions with Wolverine — fangirly, cute, funny, but also serious. He’s her mentor, teaches her some important things about her powers and how to live with them, and he relies on her to help him, even to do the bulk of the fighting.

There’s still some background with Kamala’s family, but less so. It’s reduced from being the main issue to being part of the flavour of it, so that her family saying (for example) that Lockjaw is a dog and therefore impure is just… part of who Kamala is. I liked her interactions with the leader from the mosque, too: he’s a mentor figure as well, in a way.

The art is all great. I especially liked the first few issues collected here — you’ve gotta love the scene where she jumps down into the water flailing her arms and trying to shrink as fast as possible — but all of it is awesome. And there’s no gratuitous anything, either: this ain’t the black leotarded Ms Marvel, for sure.

Rating: 5/5

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Review – The Paladin

Posted May 1, 2015 by in Reviews / 0 Comments

Cover of The Paladin by C.J. CherryhThe Paladin, C.J. Cherryh
Review from 25th January, 2013

I forced myself to finish this one because it counts for my WWE Women of Genre Fiction challenge, but I wasn’t very happy about it. This isn’t a great introduction to C.J. Cherryh’s work, I think: it’s a standalone fantasy-ish alternate history-ish story, which would normally be right up my alley. It’s even a break from the medieval European fantasy that gluts the genre, based on Chinese culture and history (so far as I can tell). It has a strong female protagonist who becomes a swordswoman. And if she’d been the main character — or more accurately, the point of view character — I’d have loved it, I think.

I was encouraged to finish reading it, anyway, by Jo Walton’s positive review. I do like her point about turning the traditional story around — telling it from the female protagonist’s point of view would be the expected way to do it. I like the realism of it, the military training that is described in a way that makes you feel it, but without detail where it can slip from lack of research. I did enjoy the world, the training, Taizu’s determination, the details of caring for horses and sleeping on the ground and snatching sleep for fear of bandits.

But I didn’t find the “love story” Walton mentions nearly so compelling. From the start, Shoka thinly veils from himself and the reader that he wants to rape Taizu, and that he believes it won’t be his fault if he does. It’s all the male excuses for rape ever — “she tempted me just by existing”, “I haven’t had sex in so long I need it”, “what did she expect when she shacked up alone with a lonely guy?” (despite his promise to her that he’s not expecting her to have sex with him) — and, just, ugh. A certain amount of it I can put down to culture, and a certain amount I can see as part of a character’s journey, but I don’t feel like Shoka really made that journey. He did develop as a character somewhat, becoming part of the world again, but his attitudes to women didn’t change, only his attitude to a single woman.

Taizu is an amazing character in herself — dogged, intelligent, brave, and at the same time not perfect, struggling with herself and with Shoka and with her past. She does have a journey, going from being a farmer-girl bent on revenge to being a swordswoman who is, quite honestly, more suited to the “Way” Shoka talks about than he is. He worries about her dishonouring him, but she would never. All the dishonour comes from Shoka himself.

Anyway, once I got about two thirds of the way through, I began to enjoy it more. As Shoka begins to trust Taizu, he becomes that bit more likeable, the story that bit more dynamic, though I could’ve lived without him constantly calling her a fool or acting like she can’t take care of herself. Clearly, she can.

So, in summary, it’s worth reading for Taizu, if you like slow building stories about military training and eventual revenge. I think the closest comparison is to Across The Nightingale Floor (Lian Hearn), which I loved when I read it. But be warned: rapey!

Rating: 2/5

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Review – Sockology

Posted April 30, 2015 by in Reviews / 5 Comments

Cover of Sockology by Brenna MaloneySockology, Brenna Maloney

I read this on Scribd after browsing through the craft books (where’s the crochet hiding?!). It’s a fun sort of book, with patterns and ideas about how to cut up and reuse socks to make various creatures. I didn’t always find the results attractive, but the patterns could be fairly easily altered. As soon as you figure out how to look at a sock for how you can cut it up and change it, instead of as a sock, you’ve got it.

Not something I’m going to get into, I think — I never seem to have enough socks anyway. But I have a friend or two who might enjoy it…

Rating: 3/5

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Review – Mammoths of the Great Plains

Posted April 29, 2015 by in Reviews / 2 Comments

Cover of Mammoths of the Great Plains by Eleanor ArnasonMammoths of the Great Plains, Eleanor Arnason

I still need to read A Woman of the Iron People, which is the main work I’ve been recommended by Arnason. But I thought I’d read this on Scribd, since it was available and I find the Outspoken Authors series generally interesting. I was less interested in the interview and essay, though it’s interesting to know where Arnason comes from (in many senses!) and what her preoccupations are. I’m not sure how much general interest the essay has; certainly, if you’re not fond of non-fiction, I can’t imagine you’ll appreciate it.

The story itself is interesting: it’s alternate history, where mammoths survived into the last couple of centuries, and where humans drove them to extinction with hunting and tourism. The background of the Native American characters and customs was particularly cool, especially given the educated and successful Native American women at the heart of the story.

The contemplative tone is a bit Ursula Le Guin-ish, which I think Arnason says herself — and the structure, too, with the story within a story. It’s quite a slow narrative: not about things happening, so much as things that have happened, about the power humans have for good and bad (but usually bad) over our environment. I don’t know enough about Native American culture and belief to judge that aspect of the story: to me the ecological, intimate link with nature stuff seemed a little like an idealisation, more of the ‘noble savage’ persuasion than realism, but it doesn’t do so in a negative way and, like I said, I don’t know enough to judge.

Rating: 3/5

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Review – Third Time Lucky

Posted April 28, 2015 by in Reviews / 2 Comments

24965354Third Time Lucky, Tanya Huff

I’ve wanted to get this collection since it came out, so no surprises that I read it as soon as I got chance. I love Huff’s collections of short stories: they’re bite-sized, sure, but there’s enough there to get your teeth into. Especially in this collection, which is a group of stories about the same character/world: Magdalene, the most powerful wizard in the world. I loved that she is literally the most powerful wizard, and that Huff chose to deal with that not by making her less powerful, but by making her essentially her own worst enemy. (Which is particularly true in the last story.)

I like that Magdalene is lazy, indolent, sensual, sexual — and none of this is particularly judged by the stories in any kind of “teach her a lesson” way. She still does what needs to be done, she still cares about the people around her, and she doesn’t care to boast about her. That would take effort.

In fact, arguably the only “lesson” in these stories is that she must accept herself, whole and entire, the good with the bad. Not a bad message at all, if there’s going to be one.

Rating: 4/5

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Review – Traitor's Blade

Posted April 27, 2015 by in Reviews / 4 Comments

Cover of Traitor's Blade by Sebastien de CastellTraitor’s Blade, Sebastien de Castell

Halfway through this one, I went on Netgalley and requested an ARC of the second one. It was just so easy to read. It’s definitely a fantasy world sort of Three Musketeers story, with plenty of historic and cultural background to the story to make it interesting.

The characters worked well for me, too: okay, I’m not so fond of the womanising Brasti most of the time (especially not when he wants to loot corpses, which is totally against the Greatcoats’ customs), but the relationship between him and the others was still important. My favourite was probably Kest, though. The relationship (in flashbacks) between Falcio and his king is also an important one, and at the heart of the emotional part of the story. The group also has a bantering Gentleman Bastards flavour, if you’re a Scott Lynch fan.

In terms of plot, I called pretty much all of the twists a bit before they happened, but I looked forward to seeing exactly how it played out, so I didn’t mind. I’m interested to see what comes next, particularly with the characters who gained in importance toward the end of the book: Valiana and Aline.

One thing jarred a bit. There are powerful women, female Greatcoats, etc, and yet “you hit like a girl” is still a joke. Buh? Granted, the first time it’s used someone points out it’s idiotic, but really, is that where we need to get our humour from? Do we have to impose the gender norms of our world on fantasy ones? Sigh.

Rating: 4/5

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Review – Howl's Moving Castle

Posted April 26, 2015 by in Reviews / 9 Comments

Cover of Howl's Moving Castle by Diana Wynne JonesHowl’s Moving Castle, Diana Wynne Jones

I don’t know how many times I’ve read this now, but it’s probably my favourite of Diana Wynne Jones’ work. I actually saw the Studio Ghibli adaptation first: it’s very different in some ways, but it still captures some of the ideas and tone. The thing I really loved, though, coming to the book after the film, was discovering all the Welsh background. The ‘saucepan song’, Howl’s family, his Welsh Rugby shirt, even some of the things he says — “there’s a welcome in the valleys”! As well as the Welsh background, there’s just a lot more in the book: Sophie’s sisters, her aunt Fanny, a different view of Howl…

And Sophie is a fun protagonist: capable, pretty, not stuck up, capable of making mistakes, admitting she’s wrong, and being really ratty about it. She’s not perfect, by any means — which is fortunate, because neither is Howl. Both of them have a lot to put up with, in fact! And yet it doesn’t go too far, either: most people have something redeeming about them. For a while we think of Sophie’s Aunt Fanny as rather exploitative and unfair; a wicked stepmother, in fact. But there’s another side to the story, and Jones makes sure we know it.

Then of course there’s the tone. It’s light, silly, and yet you come to care about the characters easily because they make you smile, and because sometimes you can see right through them to their real motivations. Like people, really. I love all the references to traditional folk tale structures, too, like Sophie thinking she’ll never come to much because she’s the eldest of three.

Rating: 5/5

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