The Telling, Ursula Le Guin
It’s been a long time since I read this — longer than I thought, in fact, and I’ve come to the conclusion I must have read it originally as a very young teen. I’m not sure how well I really took it on board, then: I wasn’t as much into the kind of cerebral, considering, anthropological fiction that Ursula Le Guin did so beautifully. Granted, I was excited about Sutty being a lesbian, and I found aspects of the world interesting, but I really wasn’t ready to enter into the spirit of the teaching. I was more worried about the man who walked up into thin air than about the tradition he was part of — which fortunately, the POV character never does lose sight of.
Now, well, the love of books and the desire to save a lost language and lost ways of being hits a lot closer to home. (Partially through knowing, for example, about the Welsh Not and the Treachery of the Blue Books — knowing that Welsh history, language and culture have been lost through the feeling that they were not civilised, not focused toward advancement.) I’d completely forgotten the ending and what Yara does to reconcile his conflicting loyalties, but now I’m not sure I can get the image out of my head.
It’s beautifully written — of course, it’s Le Guin — and though Sutty as a character is a bit passive at times, when you know what you’re in for there’s a lot of beauty in Le Guin’s work, in the quiet spaces around her words (“to hear, one must be silent”, after all) that let the imagination breathe.
