Captain Marvel and the Carol Corps, Kelly Sue DeConnick, Kelly Thompson, David Lopez, Laura Braga
This is… actually quite a disappointing volume. I mean, okay, the Banshees (or Carol Corps) are pretty badass, of course, but it’s a tie-in to Secret Wars? I think? And it’s really not clear what the background is. I don’t read most event comics, and when I do it’s just for the characters I love and follow. Sometimes a skilled writer manages to keep things comprehensible, and sometimes not — for a Captain Marvel fan, most of this makes no sense… and has no impact on the character. It’s not clear what the significance of any of it is.
To add to that feeling of it being a rip-off, there’s four issues here which are new… and the final issue is Captain Marvel #17, which I already own, in context, in the proper TPB. Here it’s completely random and doesn’t continue or add to the story of the Carol Corps arc at all. Worse, it’s the Felipe Andrade art — so it looks (to me anyway) absolutely terrible.
I do love Kelly Sue’s take on Captain Marvel in general, but… skip this one.
Bitch Planet: Extraordinary Machine, Kelly Sue DeConnick, Valentine DeLandro
I originally received this to review, but because it’s very much designed to have double spreads and to be read across two pages, it just wasn’t readable that way. Fortunately, I’d preordered the TPB anyway. The problem is, I really don’t know what to think of it. I love the diversity of the characters, but I found myself only really knowing two or three of them for sure, each time they appeared. Part of that was the art and part of that is, hey, this is a women’s prison with a lot of inmates, and this is only five issues of the comic. There’s not really enough space to be properly introduced to everybody.
Despite the fact that I love the idea, and I love the trend of people getting the NC tattoos and how much it has spoken to many women, I don’t know if I actually like the product. But maybe it isn’t about liking — I do value the book. I like that it’s in your face and violent and, well, non-compliant. I like that it features a really overweight woman as a heroine who isn’t prepared to change to be somebody else’s ideal. I like that it offends and concerns ‘men’s rights activists’.
So maybe not my thing, but that doesn’t make it a bad comic.
Captain Marvel: Alis Volat Propriis, Kelly Sue DeConnick, Warren Ellis, David Lopez
There’s still some great banter in this book, and it’s a lot less silly than the previous volume felt. Unfortunately, the Black Vortex issue is pretty disconnected and random — I would’ve been interested to see more of Carol’s involvement in that storyline, and it is interesting to see her choosing not to go cosmic — but as it is, it feels clumsy, especially with all the exposition explaining what the Black Vortex even is.
The final issue is the most important, probably the most emotionally hard-hitting of this run. I love the people who support Carol in it — even if it took me a minute to realise that Steve was Steve — and the story is sweet (though I still don’t actually know much about Carol even knows Tracy). It’s a fitting return to Earth for Carol, in many ways.
I do wish Marvel wouldn’t run so many events, though. I’m not actually interested in the majority, definitely not as single issues, and it really disrupts ongoing stories with individual characters. The crossover events are going to stop being special if they keep happening all the time, and we’ve had so many lately, it seems.
Captain Marvel: Stay Fly, Kelly Sue DeConnick, Marcio Takara, David Lopez
If you’re not a fan of Captain Marvel, this issue probably isn’t going to make you into one. The three storylines are relatively light, though there is some sweet stuff — parts where Spider-woman, Rhodey, Kit, Tic and Chewie all appear. One of the storylines focuses on Chewie, in fact, with Rocket Raccoon along for the ride. There’s also a nice bit with Tracy, continuing the theme of her relationship with Carol.
A lot of this is funny/silly, and I love Takara’s art style. But it’s not any kind of gamechanger for Captain Marvel or Kelly Sue’s writing. It’s just fun.
I continued my very good behaviour this week by not buying anything. I did grab the trade of Thor: Goddess of Thunder, but I already has the single issues, so I’m counting it as a gift for my partner, who I will be with by this evening! Whoop. So I just have comics this week, including the new Carol Corps one from Kelly Sue, which I nearly missed but for a random tweet about it.
Nope, there are no female heroes in comics, nope, don’t know what you’re talking about…
Captain Marvel: Higher, Further, Faster, More, Kelly Sue DeConnick, David Lopez
It’s no secret that I love Captain Marvel, so it’s probably not a surprise that I adored this, too. I love Carol and her stubborn determination to do what’s right, and the fact that she tries to do things that Captain America would approve of. I love her relationship with Rhodey (“I’m never gonna be the one who holds you down”!) and his acceptance of what she needs to do. I love the fact that she takes her cat into space with her, and I love her dumb banter in a fight.
I liked that this ties in with Guardians of the Galaxy, too — not in too obtrusive a way; you only need to know a couple of basic facts about the Guardians, mostly about Peter Quill and his father — so that we’ve got a sense of a whole universe, not just Earth’s problems.
Lopez isn’t my favourite artist for Captain Marvel, but the art is pretty good: clear, expressive, colourful.
A somewhat acquisitive week for me! But at least I’m keeping from requesting loads of ARCs, given I have a challenge to meet that means reading 55 of them already… (Yes, that’s not even all my backlog. Just 30% of it. I am awful.)
The first three, well, I planned to get them anyway, since I’m enjoying both series. The Tanya Huff I’ve been eyeing for ages. And One Night in Sixes is a bookclub read, if I recall rightly.
Looks like a tie-in event for Captain Marvel? Might not be so fond of that… And I am getting tired of seeing Carol looking terrified/helpless on covers. Spider-woman looks fun, though.
How’s everyone else doing? Up to anything interesting?
This week’s Top Ten Tuesday is ‘ten books I’d love to read with my book club’. I am a member of an awesome group for SF/F, so that’s easy — except that we’re quite particular about the sorts of books we end up reading for discussion. So hmmmm.
The Goblin Emperor, Katherine Addison. This is kind of cheating, because we are discussing it. And actually, I’m supposed to be leading it.
Mélusine, Sarah Monette. Because it’s so different to The Goblin Emperor! (It’s the same author under a pen name.) And it’s a bit more dark than I’d normally go for; I need some impetus to get on and read it.
Century Rain, Alastair Reynolds. Or really anything by Reynolds; I used to like his work a lot, though I haven’t read any in a long time, and Century Rain was my favourite.
Lock In, John Scalzi. We’re planning to read this anyway, but it does sound fascinating. We normally enjoy Scalzi, and this sounds like there’s a fair amount to chew over here.
Captain Marvel: In Pursuit of Flight, Kelly Sue DeConnick. Because hey, I love this series and I want to share it. And talk about how it could be even better and all the places we wanna see Carol go.
Just about anything by Octavia Butler. I think we’ve probably already discussed some of Butler’s work, but it’s all great to talk about (and sometimes problematic, too, in ways that would make it even more interesting to bat it back and forth).
The Unreal and the Real: Collected Stories, Ursula Le Guin. It’s most often Le Guin’s short stories that I find I want to discuss and pick apart to make sure I really understand them.
The Just City, Jo Walton. And we probably will, since we’re big fans of Jo.
Under the Skin, Michael Faber. I’ve been convinced to buy it, so let’s discuss it. I think someone in the group actually suggested this one, too.
Anything by Ian McDonald. I think they might’ve discussed one of his books without me at some point, but I’ve read a couple of his older ones that’re really interesting too.
What about you guys? Any reading groups online to recommend?
This week, I have been super restrained. No, I really mean it!
I didn’t even request Brood — I’m not sure why Bookbridr sent me it, because it sounds like it might be a bit too gory for me. Maybe I clicked something by accident? But I’m glad to have an ARC of The Wicked + The Divine; I actually have a pre-order for the TPB anyway, but now I get to read it sooner.
I’m guessing I’m going to see a lot of Foxglove Summer around in the next couple weeks; it just came out on Thursday. I’m excited! And Do No Harm was something I spotted in the bookshop and ended up getting with what I had left of a book token: it’s all about brain surgery, which both icks me out and fascinates me. I can’t see myself as a brain surgeon, but neurology is fascinating…
Captain Marvel #9! I’m not caught up at the moment, but hey, it’s nice to support the Carol Corps.
I’m having a bit of a hard time with this book. I didn’t find it as confusing as many other people seemed to, but I do feel that there wasn’t much to grab hold of. It felt like set-up, something that might’ve been better as a flashback in an established comic, because you get the feeling that the important stuff is yet to come. And worse, you don’t get much of a grasp on character — it’s like a myth in that sense, but there’s also the Wild West vibe and other stuff going on that makes me feel like it should be more than something pretty and mythic. I mean, we know what Deathface Ginny is by the end of this, but we have no freaking idea who she is. Allegiances and relationships and characters are all unclear.
Visually, it’s a stunning comic. I’m not a great fan of Emma Rios, usually; I really didn’t like the work she did on Captain Marvel. This worked better for me, though, and there’s some amazing pages here. They can be a bit crowded, though — full of panels, and very little script and explanation.
Overall I think it’s a cool idea and a cool team — I am a fan of Kelly Sue, and Rios’ style does look good here! — but I think it needed to be tightened up, pruned, written differently. I don’t know if I’ll read more of Pretty Deadly; I think I might look for like-minded reviews and see what they’re saying when there’s another TPB out. Deathface Ginny could be really, really cool, but there’s so little of substance here.