Tag: book reviews

Review – The Eerie Silence

Posted November 30, 2014 by in Reviews / 0 Comments

Cover of The Eerie Silence by Paul DaviesThe Eerie Silence, Paul Davies

Paul Davies does a really good job here of illustrating the issues of SETI’s lack of success, and Fermi’s Paradox. He goes into the science and philosophy of it in depth, explaining all the terms and generally making it crystal clear. What amazes me is that he’s still somewhat optimistic about finding intelligent life elsewhere in the universe, given all the things he says in this book — I’m now almost completely sure that even if intelligent life has arisen elsewhere (and that’s still a big if) that we’ll have trouble finding it because of the issue of the sheer amount of time and space involved.

Not that I don’t think the search is worth doing. Even if we’ll never manage to communicate with intelligent life elsewhere in the universe, we might find signs of it, and understand more about how life begins. There’s so much we can learn along the way, and maybe the idea that we may not be unique will keep us a little bit more humble.

Or not.

Rating: 4/5

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Review – The Wicked + The Divine

Posted November 29, 2014 by in Reviews / 6 Comments

Cover of The Wicked + The Divine by Jamie McKelvie and Kieron GillenThe Wicked + The Divine, Kieron Gillen, Jamie McKelvie, Matt Wilson

The Wicked + The Divine is really gorgeously illustrated and coloured. I want to give it a million stars just because it looks so consistently good. Everything is clear, clean, sharp: it’s very characteristically McKelvie’s work (as the script is pretty characteristic of Kieron Gillen, I think) and that’s definitely a good thing. I think I got sucked into this via the art, first and foremost.

In terms of plotting and characters, there’s interesting stuff going on, but there are tons of unanswered questions. Unlike some other reviewers, I don’t expect to get all the answers in the first five issue TPB; we wouldn’t get that in a novel, so why here? There is a lot I want to know, about the whys and wherefores of the gods’ reincarnations, what their aims are, why they love attention… I’m half-expecting something American Gods-y, in that sense, where the worship and adulation they get as pop idols fuels them in some way. I don’t know, though; I’m looking forward to finding out.

The relationship between Laura and Luci is central to the story, and it mostly works for me. I think the intensity of the bond doesn’t entirely feel natural there… but there are explanations: Laura’s hunger to be close to the gods, rebellion against her parents, hero worship and I-want-to-be-you.

I’m looking forward to seeing where this is going, anyway; it looks like it’s going to be a fun ride.

Rating: 4/5

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Review – The Hero and the Crown

Posted November 28, 2014 by in Reviews / 2 Comments

Cover of The Hero and the Crown by Robin McKinleyThe Hero and the Crown, Robin McKinley

Wow, I don’t know why I didn’t really like The Hero and the Crown very much on the first go round. It’s full of all the kinds of things I love: love stories that aren’t just simple love-at-first-sight or we-grew-up-together-and-now-we’re-in-love, but something more complicated that that; a world with a history and a future, outside of what we’ve got; a heroine who works through flaws and barriers to become a hero. And the last sentences — ach! Lovely.

It’s not some straightforward children’s story in which a heroine goes forth and slays a dragon. That happens, but it happens as part of a longer journey: the dragon isn’t the end, but only really the beginning of Aerin’s journey. It doesn’t solve all her issues and let her go home unscathed, unchanged, to a court that’s suddenly ready to accept her. Aerin’s story is harder than that.

Looking at my old review/notes on this, I was disappointed by the worldbuilding — which I think is funny, because though it’s subtle, there’s plenty here. The surka, the crown, old heroes, Luthe’s background, why the animals follow Aerin: there’s so much that doesn’t get elucidated, but remains there for you to turn over and wonder at. McKinley doesn’t give you all the answers about her world in one go, and I doubt that The Blue Sword will answer all of it either. Maybe you have to do a little more work to really appreciate the history of the world, because McKinley does nothing so clumsy as sit you in a history lesson with Aerin to learn about it.

Overall, given the subtlety of parts of this and the wistfulness of the love stories, I’m not entirely sure how I’d have taken this as a child. It may be a prime example of a story that works on two levels: Aerin waving her sword around for younger readers, winning the day with her prowess, while the older readers might taste more of the bittersweetness of her immortality and her twin-nature.

Rating; 4/5

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Review – You Are Here

Posted November 27, 2014 by in Reviews / 2 Comments

Cover of You Are Here by Chris HadfieldYou Are Here, Chris Hadfield

You Are Here is a gorgeous book, a collection of photographs taken by Chris Hadfield during his time on the ISS. He shows us Earth in all its variety: the densely inhabited cities lighting up the night, the marks we’ve left on the landscape, and then also the stretches of empty desert, the glorious geologic features of mountains and volcanoes, the places where meteorites have impacted. It’s much better than looking at the photos on a computer, as he says in the introduction: it seems so much sharper and clearer, the colours truer.

There’s not much by way of editorial content here — some explanations of what you’re looking at, short inset paragraphs with Hadfield’s comments, but mostly the photographs speak for themselves.

Rating: 5/5

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Review – The Atrocity Archive

Posted November 26, 2014 by in Reviews / 0 Comments

Cover of The Atrocity Archives by Charles StrossThe Atrocity Archive, Charles Stross

I keep trying Stross’ work, because I’ve read other novels of his and I know that there are some elements which interest me, some things which I do keep turning the pages for. I was actually more interested in The Atrocity Archive and “The Concrete Jungle” than I have been in most of his other books, which is a start, but I’m afraid a lot of it went over my head (not geeky enough) and some of it went under (fart jokes).

All in all, the alternate history conjured up here is interesting, though I can’t really talk about the mathematics, geometry, etc, because I can’t write down my own phone number without transposing a digit or two. That somewhat hobbles the story, because I think there’s humour and worldbuilding there that I just. don’t. get. Which is unfortunately how Stross has made me feel before.

I don’t think I’ll be reading any more of this series, though I quest on in my attempt to find a Stross book I genuinely enjoy. It seems like he has cool ideas, and it’s not like it’s his writing style that throws me off — I just don’t feel like enough of a nerd!

Rating: 2/5

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Review – Osama

Posted November 25, 2014 by in Reviews / 0 Comments

Cover of Osama by Lavie TidharOsama, Lavie Tidhar

I’ve been avoiding reading Osama for a while, as I didn’t really feel tempted by the summary, but I ended up picking it up in the library — because that can never hurt! — and really enjoying it, as it happens. Rather more than the books that Lavie Tidhar wrote for Angry Robot, actually, even though superficially they might seem more up my street.

I think a fair amount of the trouble people have reading this is that they’re expecting the wrong thing. A classically noirish detective story, a thriller, something solidly science fictional that deals with multiverses… but it’s none of those things, or not only those things. It borrows some of the trappings of each: the protagonist is a detective in a classic noir style; there are excerpts that’re meant to be from a thriller; there are at least two parallel universes, it seems…

Going into this as I did, without too many expectations, let me enjoy it a lot. Each chapter is short, so it ended up flying by, and while others complained about the metaphors and imagery, I actually enjoyed it a lot. Borrowing from a genre that gave us “shop-worn Galahad”s and the like, I don’t think the writing style was out of place at all.

It’s much more quiet, meditative, than most noir-ish things, though. Although the character is in many ways insubstantial, that’s kind of the point. If you’re looking for a thriller, this ain’t it: though there’s plenty of violence and mystery and so on, really it’s more about an internal journey.

Rating: 4/5

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Review – Tooth and Claw

Posted November 24, 2014 by in Reviews / 4 Comments

Cover of Tooth & Claw by Jo WaltonTooth and Claw, Jo Walton

I had a vague recollection of not really liking this book as much as Jo Walton’s other work. Then I reread it in approximately five seconds flat (well, a little more than that, maybe). As people have noted, my original review called this Austen-esque, whereas Jo makes it clear in the book itself that no, the influence is much more from Trollope. Not that I’ve read anything by Trollope, and there are aspects here reminiscent of Austen.

Before I write any more about this, let me just pause to be very amused that often the same people complaining the dragons are too human-like (wearing hats) complain that the dragons aren’t (modern Western) human-like enough for their taste (socially acceptable cannibalism after someone dies).

The thing I really enjoyed about Tooth and Claw, this time round as much as last time, was the complex history and social background there is to this story, which you don’t have to know about, but which is there. The world isn’t just a paper thin homage to Trollope; there’s a lot more going on, a whole geography and history and philosophy which shapes the story and gives the dragons life. The homage to Trollope is there, sure, but Jo also looked at it and changed what needed to be changed to make the dragon society feel real — lacy hats or no.

This time, I finished the book feeling glad that it’s a self-contained story which concludes within one book, because fantasy trilogies are getting out of hand these days, but also wondering very much about the background of the world, about events before and after the only somewhat personally significant events of this story. That’s something I love to leave a book wondering, because it means that the world wasn’t just created for the story, but the story takes place within the world.

Rating: 5/5

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Review – The Invincible Iron Man: Demon

Posted November 23, 2014 by in Reviews / 0 Comments

Cover of Invincible Iron Man: Demon by Matt FractionThe Invincible Iron Man: Demon, Matt Fraction, Salvador Laracca

This, for me, was one of those volumes which proves you don’t always have to keep up with every bit of every storyline to still enjoy parts of the larger arc. It was also the first time I really got enthused about Matt Fraction’s storytelling: I need to reread the Hawkeye books now that I’m more invested in the character, since it was sort of inevitable that I didn’t get on too well with his work on Thor — I’m not that big a fan of Thor (sorry honey). But when he’s working on Iron Man, well, Tony Stark’s got himself attached to my heartstrings somehow, and goodness does Fraction know how to work that.

Most of the book revolves around fallout from the Fear Itself event, which I only know a little about. I don’t know exactly what happened when Tony fell off the wagon, or why Pepper’s in disgrace over Rescue and something to do with her crying. I only know a little bit about Cabe and the various villains up against Tony. What I know about the main players is mostly based on the cinematic universe.

And yet. I still care passionately about Tony and his struggle with alcoholism, about his battle of wits with the Mandarin, about what’s happening with him and Rhodey and the struggle with the government to control Iron Man. (I was surprised there weren’t more laughs milked out of it when Tony ended up naked in battle.)

One or two things drove me a little nuts, like why would Tony voluntarily install the limiter? Without dismantling it first and checking if it is everything they say? If he did, how did they take him by surprise and make it hard for him to remove? Why didn’t he see that coming? Or was everything that happened in that battle planned?

I think it’ll take the next TPB or so to find out the answers to all my questions, but in a way, this was satisfying on its own in the sense that I jumped in, got captured by the story, had my heartstrings yanked, and enjoyed the experience without needing to know all the context.

Rating: 4/5

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Review – Hand in Hand

Posted November 21, 2014 by in Reviews / 2 Comments

Cover of Hand in Hand, ed. Carol Ann DuffyHand in Hand, ed. Carol Ann Duffy

This is a very interesting idea for an anthology, pairing up contemporary writers with an opposite-sex poet of their choice. The poems don’t seem to be necessarily related, though some are; it’s just a collection of poems that spoke to different people, and what different people have to say about love. As with most anthology situations, there are some gems here and some I couldn’t care less about.

As you might expect, I liked the contributions or inclusions of poets I’m already a fan of: Simon Armitage, Pablo Neruda, Edna St. Vincent Millay, Duffy herself. I was more bewildered by the proliferation of Robert Burns, whose work I’ve never really been attracted by, and the absence of Shakespeare. Overall, those surprises make the anthology a more interesting one: it’s not whatever stereotype you might conjure for an anthology of love poetry, but something different: a conversation about love, in many different forms, moods and tenses.

Rating: 4/5

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Review – Votan

Posted November 20, 2014 by in Reviews / 2 Comments

Cover of Votan & Other Stories by John JamesVotan, John James

I found Votan a really interesting read; I’m not entirely sure I liked it, but it was mesmerising anyway. There’s something compulsive about it: I just needed to know what the heck Photinus did next, what trouble he got into and how he got out of it, and how that all works into the conceit that he’s at the back of a whole lot of Norse mythology. Sometimes I felt I wasn’t entirely sure what was going on — that I’d missed a reference or something: there’s a lot of playing around with the material, pulling from different stories and sources.

It’s been published as both a fantasy and a historical novel, and I’m not honestly sure where I’d classify it. It’s almost febrile, somehow — all the things Photinus does, all the places he goes; reading it felt like a fever-dream. I lost track of people, places; somehow it didn’t really matter.

I did enjoy it, I think, but I’m not so enamoured of it that I’m going to read Not For All The Gold In Ireland or Men Went to Cattreath. Not entirely sure I want to see John James ride roughshod over Y Gododdin, so I’ll skip it.

Rating: 3/5

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