Tag: book reviews

Review – Dancing At the Edge of the World

Posted April 10, 2015 by in General / 4 Comments

Cover of Dancing at the Edge of the World by Ursula Le GuinDancing at the Edge of the World, Ursula Le Guin
Review from October 12, 2012

I think Ursula Le Guin’s collections of essays were the first non-fictional works that I really learned to appreciate. I was very much not a non-fiction person at the time, but Le Guin’s writing is always so full of clarity, so well considered, that it draws me in when it’s non-fiction as surely as when it’s prose.

Obviously some of these essays are somewhat dated now, written and edited in the 70s and 80s, but there’s still a lot of interest there. Le Guin’s thoughts on the gender issues in The Left Hand of Darkness, for example, years after it was published, years after she originally wrote about it, for example. Or her reflections on her mother’s life, or on Jo March as one of the few female writers in fiction to be a writer and have a family at the same time… A personal gem for me was coming across, in the section containing book reviews, a review of C.S. Lewis that almost inevitably also reflected on J.R.R. Tolkien:

J.R.R. Tolkien, Lewis’s close friend and colleague, certainly shared many of Lewis’s views and was also a devout Christian. But it all comes out very differently in his fiction. Take his handling of evil: his villains are orcs and Black Riders (goblins and zombies: mythic figures) and Sauron, the Dark Lord, who is never seen and has no suggestion of humanity about him. These are not evil men but embodiments of the evil in men, universal symbols of the hateful. The men who do wrong are not complete figures but complements: Saruman is Gandalf’s dark-self, Boromir Aragorn’s; Wormtongue is, almost literally, the weakness of King Theoden. There remains the wonderfully repulsive and degraded Gollum. But nobody who reads the trilogy hates, or is asked to hate, Gollum. Gollum is Frodo’s shadow; and it is the shadow, not the hero, who achieves the quest. Though Tolkien seems to project evil into “the others”, they are not truly others but ourselves; he is utterly clear about this. His ethic, like that of dream, is compensatory. The final “answer” remains unknown. But because responsibility has been accepted, charity survives. And with it, triumphantly, the Golden Rule. The fact is, if you like the book, you love Gollum.
In Lewis, responsibility appears only in the form of the Christian hero fighting and defeating the enemy: a triumph, not of love, but of hatred. The enemy is not oneself but the Wholly Other, demoniac.

I’m not sure I agree with all of that — the Southrons are most definitely Othered, and I’m not sure they’re meant to be universal symbols of the hateful. Or rather, if they are, and perhaps they are, we need to examine why Tolkien made that decision. But I do think that this is an informative way of looking at the two authors, which reflects a lot on Le Guin herself as well.

Rating: 5/5

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Review – Harry Potter and the Philosopher's Stone

Posted April 9, 2015 by in Reviews / 4 Comments

Cover of Harry Potter and the Philosopher's Stone by J.K. RowlingHarry Potter and the Philosopher’s Stone, J.K. Rowling

People who know me fairly well are probably stunned and shocked right now. I’ve resisted rereading the first few books for so long, even in the cause of finally finishing the series, because I got sick to death of the hype. I had my first Harry Potter books just before the hype really started, but I was also already into Ursula Le Guin and Tolkien at that point, so I wasn’t quite so impressed or swept up by it. It doesn’t help that I’ve also studied the books two or three times, starting with an exhaustive read through during my A Level English class. It really doesn’t help that an older review of mine, which is fairly critical, gets a lot of trolls and snark and even one or two people saying I can’t possibly have a degree in English Literature if I don’t like Harry Potter.

I mean, I get it. I was seventeen, I was a brat, and I was sharpening my tongue on something you love. But I’m twenty-five now. Let it go.

So anyway, I finally came back to Harry Potter by way of a HabitRPG challenge to re/read all seven books, and obviously, the only place to start is the beginning. So here I am. I still have a lot of my old reservations; there’s a lack of subtlety, a lack of originality, and Le Guin still wipes the floor with Rowling. And Malfoy is still eerily similar to Jasper in some ways. But if I put that aside and just try to enjoy it for the magic, and for the nostalgia of reading it for the first time, it’s fun. There is a lot of world building — Quidditch, the history of the wizarding world, the types of spells, how Hogwarts works, etc, etc. It captures some of the really ordinary stuff about school (everybody has their Malfoy, right?) and some of the really cool stuff about fantasy and imagination, and sometimes it’s really funny and clever about the types of people Harry has to deal with (Malfoy again, also the Dursleys).

So yes, I am enjoying this now for what it is. We’ve got Le Guin, we don’t need Rowling to give us the same kind of story; here we have a main character with plenty of room for us to identify with him, a humble guy who isn’t too cocksure about his powers, an Everyman. An ordinary boy who through love and friendship can be a hero.

Okay, yeah. I get the appeal. Now sit down and shush until I’ve finished the series (yes, Ruth, I’m looking at you, not a word).

Rating: 3/5

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Review – Lumberjanes vol. 1

Posted April 8, 2015 by in Reviews / 10 Comments

Cover of Lumberjanes vol 1Lumberjanes vol. 1, Noelle Stevenson, Grace Ellis, Brooke Allen

Not gonna lie, Lumberjanes was one of the first things I added to my list when I finally gave up and got a Scribd subscription. Volume one contains just the first four issues, while Scribd has about nine, so I imagine I’ll review the rest en masse sometime. Anyway, these first four issues are just enough to get a taste of Lumberjanes: quirky art, a great cast of characters who come in all shapes, sizes and colours, and a fun setting. There’s not time for much more than a taste, and it seemed to be over all too fast, but it is fun.

I especially love Mal and Molly. Their relationship is cute but casual, and low key enough that overzealous parents probably won’t even notice. The character designs are great; it took me a while to learn each girl’s name, because so far they haven’t focused on any one character for an issue or anything like that, but each girl has her own look, abilities and way of dealing with the world. You’ve gotta love that April’s pretty and fashion conscious… and capable of arm-wrestling a stone statue and winning.

I’m looking forward to reading more Lumberjanes; I might even subscribe to it once I’ve caught up with everything Scribd has, because it’s just cute.

Rating: 4/5

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Review – We Are Our Brains

Posted April 7, 2015 by in Reviews / 7 Comments

Cover of We Are Our Brains by Dick SwaabWe Are Our Brains, Dick Swaab

I don’t particularly argue with the premise of this, but the constant emphasis on how everything is pre-determined for us before we’re even born… I prefer to live my life as if I have free choices, as if I’m a unique person formed by all sorts of circumstances over time, not just by stress chemicals my mother released while I was gestating. As if I’m responsible for, if not what I am, then what I do with what I am. Swaab’s research removes even that responsibility, if you follow it logically: if paedophilia is caused by something in the brain, and successfully inhibited in some people by their amygdala, that leaves people with the defence, “Oh, my amygdala is too small to inhibit these urges, it’s not my fault.”

You can extend that argument forever, and then what’s the point in living? We don’t experience it as just a series of chemical processes.

I also noted that Swaab avoids addressing some things. I looked in the index for any mention of asexuality, for example — surely he must have considered studying people who don’t feel sexual attraction, in all of this? Apparently not. You can’t check up on any of his results and conclusions, because there are no references. He claims that socialisation has nothing to do with gender-based preferences in toys and later, by extension, professions. Tomboyish girls are, in his book, girls gone wrong: they just have too much testosterone, so they don’t prefer the things that biologically (he says) they should.

I don’t like the way this book tackles the subject, even where I know that other research backs him up. I don’t like his attitude to other experts, to people who question his results, or… well, any of it. I’ve read most of this stuff before, but presented with much more care and consideration. I find something about Swaab’s whole attitude distasteful.

Rating: 1/5

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Review – The Mechanical

Posted April 6, 2015 by in Reviews / 4 Comments

Cover of The Mechanical by Ian TregillisThe Mechanical, Ian Tregillis
Received to review via Netgalley

This one took me a weirdly long time to read, considering the fact that I don’t have major criticisms. I just… didn’t feel like reading it. In part that’s because of emotional stuff: tortures, transformations, losses… Tregillis writes well about these, and I tend to be bad at reading that. There’s one aspect of Visser’s character arc in particular that still has me cringing now. It’s worse with characters I feel more involved with, which is maybe the place that Tregillis failed to capture me. I’m not fascinated by his characters, so I didn’t have that drive to carry on reading and find out what happens, how they get out of their messes. I’m not sure I’ll read future books, because I only sort of want to know what happens to the characters, and I’m not sure if that’s enough to keep me going through the bad stuff.

And Tregillis definitely demonstrates he isn’t afraid to hurt his characters. There’s no real reassurance that there’ll be a happy ending. There’s nothing wrong with that, but it shapes my idiosyncratic response to the story.

In terms of plot and setting, it’s pretty awesome. He sets up an elaborate alternate history with mechanical servitors and alchemy, and a war between the French and the Dutch in consequence. There’s all sorts of philosophical stuff explored around this: concepts of the soul, theology, practical and societal changes… Tregillis doesn’t skimp on that kind of detail and background development at all. There’s room and to spare for more development as well: this isn’t a concept exhausted after the first book.

If I sound ambivalent, that’s a personal reaction; there’s a lot here to fascinate and absorb.

Rating: 4/5

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Review – Angela Carter's Book of Fairy Tales

Posted April 5, 2015 by in Reviews / 2 Comments

Cover of Angela Carter's Book of Fairy TalesAngela Carter’s Book of Fairy Tales, ed. Angela Carter

Read this one for the Cardiff SFF Book Club. I’m not the biggest fan of Angela Carter, having read a couple of her books back during my BA, but I do love fairy tales, so I was ready to give it a go anyway. Turns out, it isn’t a book of fairy tales by Angela Carter (which to be fair, having read The Bloody Chamber, wouldn’t be unexpected), but edited by her. She wrote a fairly scholarly introduction to it, acknowledging colonial bias, etc, etc, and commenting on the content. I’m… probably going to read that again before the book club meeting to see if I want to discuss anything from that angle.

Then comes the collection. The ordering is roughly thematic, although some stories would fit in multiple categories. Despite Carter’s acknowledgement of the limitations of her collection (due to her lack of linguistic skills), it is a pretty diverse collection, with fairy and folk tales from all kinds of cultures and time periods. It’s not just the traditional ones, but variations thereof and whole new stories that are more foreign to a Western audience in their preoccupations (I was a bit puzzled by the mothers turning into lionnesses and dogs forming from their saliva, for example). It can get a little repetitive — a Cinderella story is, ultimately, a Cinderella story: many cultures have it, and we know how it typically goes — but it probably didn’t help that I read this in the space of two days. The tellings chosen are usually fairly clear, and Carter avoided editorialising them too much, so it’s not a chore to read at all. My version does have some proofing errors like missing quotation marks, which was kind of irritating, especially when you’re trying to figure out which character is saying what in some of the more dialogue-heavy sections.

Overall, though, it’s an enjoyable read, and one I’ll keep around. Fairy tales are such a fun way to tell a story: they’ve been evolving so long, so they’re flexible, and they’re so familiar that when you make a change, it’s obvious what that change was and what you want to highlight. It can be a way to write marginalised people back into society, etc… They’re so rich and full of possibility.

Rating: 4/5

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Review – Red Sonja: The Art of Blood and Fire

Posted April 4, 2015 by in Reviews / 0 Comments

Cover of Red Sonja volume 2 by Gail SimoneRed Sonja: The Art of Blood and Fire, Gail Simone, Walter Geovani

Gail Simone’s run on Red Sonja continues to make the She-Devil about a lot more than tits and ass and the male gaze. Her relationships with other women are important, but here we also see how she relates to the rather male-oriented world around her. I love that it makes no excuses for what Sonja is like — low on hygiene, high on hedonism, low on distinction, high in violence… And she’s a character you can love anyway, because there are things she cares about, regrets that she has, and she clearly inspires people around her in many ways. Despite her faults, she has friends, and she knows exactly who she is.

The art is mostly lovely, though some of the variant covers do veer back to the tits and ass version of Sonja, I think. And the… ‘chibi-fied’ ones just made me wince. C’mon, don’t infantilise this powerful woman who would hate to be portrayed that way…

Sonja’s adventures continue to be more episodic and disconnected than cohesive. It’s not a superhero story with a massive arc and a need to obsessively buy loads of tie-in comics. Which is good, I think.

Rating: 4/5

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Review – Tomb Raider: Season of the Witch

Posted April 2, 2015 by in Reviews / 0 Comments

Cover of Tomb Raider: Season of the Witch by Gail SimoneTomb Raider: Season of the Witch, Gail Simone, Nicolas Daniel Selma

I never got into Tomb Raider as a kid — though it helps I didn’t have any games consoles until I was a teen — but I recently played the reboot and loved it. The survival aspects were great, and I needed to think tactically about taking out enemies, etc, etc. Season of the Witch doesn’t, in my opinion, bring anything really new to the story. It deepens the stories around some of the relationships, but in many ways the actual plot is a re-run in miniature of the game — without such high stakes, it seemed; there weren’t many characters to lose anymore.

You’ve got to love, though, the tension between Reyes and Lara, and the way that plays out; but especially the deep friendship between Lara and Sam. I hope that remains an essential part of the series.

Rating: 3/5

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Review – The Riddle of the Labyrinth

Posted April 1, 2015 by in Reviews / 2 Comments

Cover of The Riddle of the Labyrinth by Margalit FoxThe Riddle of the Labyrinth, Margalit Fox

This book discusses the decipherment of the Minoan script, Linear B. I didn’t know much about it before I started reading this; I’ve read pretty often about Champollion’s work on hieroglyphs, though not in the detail given here, and it’s the kind of thing that always fascinated me as a kid. So I was intrigued by this right away, especially because it promised to bring the work of a more obscure female scholar into the foreground. Fox definitely wants to highlight the work of Alice Kober, who she seems to hold in great affection, but there is quite a lot of space dedicated to the discoverer of Linear B, Arthur Evans, and the man who ultimately deciphered it, Michael Ventris.

It’s a thorough explanation of the decipherment, so perhaps not for the faint of heart, and it never pretends that the contents of the tablets were expected to be (or found to be) particularly glamorous: it was obvious from the start that the tablets would prove to contain inventories, not great literature. The glamour is in the mystery, which for a long time was completely locked: the language wasn’t known, the script wasn’t known, and the contents weren’t known. It was very hard to get a grip on how to extract meaning. Arthur Evans never did; he seems to have locked onto what he thought the answers would be, and gone looking for evidence. Ventris did the same, initially. Kober, of the three, was the one who really began on the right track: she studied all sorts of languages to understand how languages in general work, and she did painstaking work on the statistics, until the facts began to emerge for themselves.

The book also includes the life stories of the three scholars, particularly Kober and Ventris. It was fascinating to read about Kober and her determination, and her career in academia in the 40s; the hopes and setbacks she experienced. I can understand Fox’s fascination with her. It sounds like she was a great teacher and a passionate person, for all that you can peg her for the dried-up-spinster stereotype.

Some of the technical details of the decipherment were a bit beyond me — statistics and anything to do with numbers just don’t stick in my head — but I enjoyed this anyway. It’s a thorough account, which shines some light on a deserving person (Kober) whose contribution has been neglected.

Rating: 4/5

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Review – Madam, Will You Talk?

Posted March 31, 2015 by in Reviews / 2 Comments

Cover of Madam, Will You Talk? by Mary StewartMadam, Will You Talk?, Mary Stewart

Not my favourite of Mary Stewart’s novels, but it’s what the library had when I felt like revisiting. It probably hasn’t really been long enough since I first read them, but ah well: they’re still fun. Stewart was brilliant at establishing a sense of mood and place: a hot French town, dust on the roads, shade under the trees, a cool breeze when you drive fast but sticky and heavy when you’re stuck in traffic… I enjoy Charity’s character, her past, and the fact that despite that tragic past, she uses what her husband taught her about life and love to move on, and Stewart never implies that her love for either the new love or the old diminishes the other.

The relationship itself, well. The constant descriptions of the love interest as dictatorial are exactly right, and one can’t help but think the whole relationship a little off-putting. She’s terrified of him at first, she thinks he’s a murderer, and he’s violent to her, and yet… There’s a passion in the relationship, which is something I do like to see, but his violence was waved away all too easily. A different era, I know… and yet.

The mystery itself, well: it’s melodramatic, all kidnapping and attempted murder and links to Nazism. But it works as long as you’re in the right headspace, and I was, since I’m well used to Stewart’s work.

Rating: 3/5

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