Genre: Crime

Review – The Lost Gallows

Posted June 17, 2024 by Nicky in Reviews / 2 Comments

Review – The Lost Gallows

The Lost Gallows

by John Dickson Carr

Genres: Crime, Mystery
Pages: 288
Series: British Library Crime Classics
Rating: three-stars
Synopsis:

John Dickson Carr lays on the macabre atmosphere again in this follow up to It Walks by Night in which Inspector Bencolin attempts to piece together a puzzle involving a disappearing street, a set of gallows which mysteriously reveals itself to a number of figures traipsing through the London fog, and the bizarre suggestion that a kind of fictional bogeyman, Jack Ketch, may be afoot and in the business of wanton execution. An early gem from one of the great writers of the genre. Also includes the rare Bencolin short story "The Ends of Justice."

The Lost Gallows is, I think, one of John Dickson Carr’s earlier novels, so I went in with fairly low expectations — the melodrama and bombast of his other Bencolin books isn’t entirely for me, but he’s still a plotter of ingenious mysteries. I don’t know if it was because I went in fully prepared for that, or maybe I’ve learned more sympathy through enjoying his later books, but this one wasn’t so bad.

It is of course very colourful and highly dramatic, with some surprisingly prosaic explanations; it’s full of atmosphere, using the London fog as a device in a similar way (though a very different tone) to Christianna Brand’sĀ London Particular. It’s funny thinking about how ubiquitous that fog was, and yet I can barely imagine fog being so thick, so awful.

If you like a bit of adventure in your mystery novels, this one has that as well — the narrator puts himself in the thick of things, and there are a couple of very breathless scenes.

It all ends up feeling almost too prosaic for the fantastic atmosphere, but it works out interestingly enough.

Rating: 3/5

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Review – Final Acts

Posted June 9, 2024 by Nicky in Reviews / 0 Comments

Review – Final Acts

Final Acts: Theatrical Mysteries

by Martin Edwards (editor)

Genres: Crime, Mystery, Short Stories
Pages: 347
Series: British Library Crime Classics
Rating: three-stars
Synopsis:

"ā€¦ and what a motive! Murder to save one's artistic soulā€¦ who'd believe that?"

Behind the stage lights and word-perfect soliloquies, sinister secrets are lurking in the wings. The mysteries in this collection reveal the dark side to theatre and performing arts: a world of backstage dealings, where unscrupulous actors risk everything to land a starring role, costumed figures lead to mistaken identities, and on-stage deaths begin to look a little too convincing...

This expertly curated thespian anthology features fourteen stories from giants of the classic crime genre such as Dorothy L. Sayers, Julian Symons and Ngaio Marsh, as well as firm favourites from the British Library Crime Classics series: Anthony Wynne, Christianna Brand, Bernard J. Farmer and many more.

Mysteries abound when a player's fate hangs on a single performance, and opening night may very well be their last.

Final Acts is another collection from the British Library Crime Classics series, edited as always by Martin Edwards, and this time all themed around the theatre and acting. It’s a fun spread of stories, not all using the theatre in quite the same way, and as usual demonstrating a bit of a spread across time as well.

The one thing to note is that there’s a repeat story in here, by Christianna Brand. I’m not sure which other anthology it appeared in, or whether it was maybe included with one of her novels, and I’m also not sure (because of that) whether this is the repeat or the other is the repeat. Still, bit disappointing.

Still, as usual, a fun handful of stories.

Rating: 3/5

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Review – Murder in the Basement

Posted June 3, 2024 by Nicky in Reviews / 0 Comments

Review – Murder in the Basement

Murder in the Basement

by Anthony Berkeley

Genres: Crime, Mystery
Pages: 224
Series: British Library Crime Classics
Rating: four-stars
Synopsis:

When two newlyweds discover that a corpse has been buried in the basement of their new home, a gruelling case begins to trace the identity of the victim. With all avenues of investigation approaching exhaustion, a tenuous piece of evidence offers a chance for Chief Inspector Moresby and leads him to the amateur sleuth Roger Sheringham, who has recently been providing cover work in a school south of London.

Desperate for evidence of any kind on the basement case, Moresby begins to sift through the manuscript of a satirical novel Sheringham has been writing about his colleagues at the school, convinced that amongst the colourful cast of teachers hides the victim ā€“ and perhaps their murderer.

A novel pairing dark humour and intelligent detection work, this 1932 ā€˜whowasdunin?ā€™ mystery is an example of a celebrated Golden Age authorā€™s most inventive work.

Anthony Berkeley was aĀ clever writer, and never one to rest on his laurels. I’m not a fan of his detectives, nor particularly the way he wrote female characters, but Murder in the Basement was structured really interestingly, and it’s not the first book by him that played around with structure which I’ve read. In this case, the middle section of the book is a fictionalisation of the chief suspects, written by Roger Sheringham before the crime was committed, and which allows us to begin to guess at the motives — and identity — of both murderer and victim.

I found it a little frustrating to go so long without being able to guess even who the victim was, and I’m not certain that part was really fair-play. But perhaps it’d have made it too obvious too soon to reveal it earlier…

Anyway, the story itself is fascinating, and Berkeley’s playing around with the rules of the genre as well, so it’s not the cosy and neatly contained package that some classic mysteries are. I definitely admired it, even as I wished he could just onceĀ like a woman and portray one positively!

Rating: 4/5

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Review – We Only Kill Each Other

Posted May 31, 2024 by Nicky in Reviews / 0 Comments

Review – We Only Kill Each Other

We Only Kill Each Other

by Stephanie Phillips, Peter Krause, Ellie Wright, Troy Peteri

Genres: Crime, Graphic Novels, Historical Fiction
Pages: 136
Rating: two-stars
Synopsis:

With World War II on the horizon, Nazi sympathizers and fascists have taken root on American soil in alarming numbers, intending to push the U.S. towards and alliance with Germany.

When the lone hope of stopping the American Nazi movement falls to Jewish-American gangsters currently entrenched in a violent turf war, the gangsters find that thereā€™s only one thing they hate more than each other: Nazis.

We Only Kill Each Other is set during the run-up to World War II, featuring two Jewish characters who are asked to use their skills (beating people up, intimidation and other forms of violence) to defuse the Nazi presence in their city in the US. They’re at loggerheads, however, and make unlikely allies.

It’s not a period I read much about, and as the narrative makes clear, there are no heroes here — these guys are not upstanding normal citizens, but a thug and a gang boss who happen to be Jewish. I read it more because it was there and I could read it for free than out of interest in the story based on the summary, so it’s worth keeping in mind that I’m not exactly the target audience.

And indeed, I found it mostly just… alright? The characters bonded in the end (because of course), and they did indeed manage to beat the Nazis (good) at least in this limited way (thwarting an assassination that would’ve been great for them). The art and writing were okay, but nothing that stood out. I admit to very little knowledge about the quality of the representation of the Jewish characters and whether it plays into any stereotyping.

Rating: 2/5

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Review – Eight Detectives

Posted May 26, 2024 by Nicky in Reviews / 1 Comment

Review – Eight Detectives

Eight Detectives

by Alex Pavesi

Genres: Crime, Mystery
Pages: 352
Rating: three-stars
Synopsis:

A thrilling, wildly inventive nesting doll of a mystery, in which a young editor travels to a remote village in the Mediterranean in the hopes of convincing a reclusive writer to republish his collection of detective stories, only to realize that there are greater mysteries beyond the pages of books.

There are rules for murder mysteries. There must be a victim. A suspect. A detective. The rest is just shuffling the sequence. Expanding the permutations. Grant McAllister, a professor of mathematics, once sat down and worked them all out ā€“ calculating the different orders and possibilities of a mystery into seven perfect detective stories he quietly published. But that was thirty years ago. Now Grant lives in seclusion on a remote Mediterranean island, counting the rest of his days.

Until Julia Hart, a sharp, ambitious editor knocks on his door. Julia wishes to republish his book, and together they must revisit those old stories: an author hiding from his past, and an editor, keen to understand it.

But there are things in the stories that donā€™t add up. Inconsistencies left by Grant that a sharp-eyed editor begins to suspect are more than mistakes. They may be clues, and Julia finds herself with a mystery of her own to solve.

Alex Pavesi's The Eighth Detective is a cerebral, inventive novel with a modern twist, where nothing is what it seems, and proof that the best mysteries break all the rules.

I received a copy of this book for free in exchange for an honest review. This does not affect my opinion of the book or the content of my review.

Alex Pavesi’s Eight Detectives is certainly a fascinating idea: the odd-numbered chapters are short stories, written in-world by one of the characters, which each have strange contradictions and illustrate a mathematical theory — the mathematics of mystery fiction, no less. One of the characters thinks that each story also holds a clue to a particular murder, and spends her time trying to pry into it and figure out the puzzle within the mysteries.

It all fell apart a bit for me with the alternative endings to each of the stories — too much recapping, and sometimes the story as you first read it makes more sense. Of course something like it is needed to bring the stories together and complete the puzzle around in the frame story, but it felt clunkily done. Maybe if there had been just one or two changed endings, or if the changed endings were shorter.

Also, it’s a silly thing to nitpick, but for some reason one of the characters says that nobody was interested in mystery fiction after the war, meaning World War II. I can’t tell if that’s supposed to be a genuine explanation (which would be ridiculous) or if it’s meant to be highlighting a certain character’s inconsistencies and lack of knowledge. I suppose I’d think better of it if it were the latter, and it would make sense given the givens, but hmm…!

It’s an interesting puzzlebox of a story, all the same.

Rating: 3/5

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Review – London Particular

Posted May 20, 2024 by Nicky in Reviews / 0 Comments

Review – London Particular

London Particular

by Christianna Brand

Genres: Crime, Mystery
Pages: 256
Series: British Library Crime Classics
Rating: two-stars
Synopsis:

Night falls in the capital, and a ā€œLondon particularā€ pea-souper fog envelops the city. In Maida Vale, Rose and her family doctor Tedwards struggle through the dark after a man has telephoned from Roseā€™s house, claiming to have been attacked. By the time they arrive the victim, Raoul Vernet, is dead. The news he brought from Switzerland for Roseā€™s mother has died with him.

Arriving to the scene, Inspector Cockrill faces a fiendish case with seven suspects who could have murdered their guest ā€“ family members and friends with alibis muddled by the suffocating fog and motives wrapped in mystery. Now, the race is on to find the truth before the killer strikes again.

First published in 1952, London Particular was Brandā€™s favourite among her own books, and it remains a fast-paced and witty masterpiece of the genre, showing off the authorā€™s signature flair for the ruthless twist.

Christianna Brand’s mysteries aren’t entirely my thing, andĀ London Particular is perhaps the not-my-thingest. One of the major characters, Rosie, has been sleeping around and got pregnant, and much of the narrative revolves around tearing her down for it — exposing her petty lies without sympathy, and to put it baldly, slut-shaming her all the way. Some of the other characters pity her, and yet it’s not a kind sort of pity.

Of course, the book and its judgements are a product of their time, but that doesn’t make it any more pleasant to read. Rosie’s a careless girl, true enough, and her actions make her a little unlikeable at times, but none of that is helped by the fact that theĀ narrative doesn’t like her. Oddly enough, she reminds me of Thea Gilmore’s song “Rosie“, not just in name.

Anyway, the mystery itself is alright. It avoids some of the trends I’ve seen in Brand’s other books, so it surprised me a little in that sense, and there’s some genuine tension in the court scenes, and in the way some of the characters try to shield each other, stand up for one another. But… mostly Brand’s work isn’t quite my thing. I don’t think she had much sympathy for other women who didn’t fit her mould, and it shows.

Rating: 2/5

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Review – Murder in Vienna

Posted May 14, 2024 by Nicky in Reviews / 0 Comments

Review – Murder in Vienna

Murder in Vienna

by E.C.R. Lorac

Genres: Crime, Mystery
Pages: 194
Rating: four-stars
Synopsis:

Superintendent Macdonald, C.I.D., studied his fellow-passengers on the Vienna plane simply because he couldnā€™t help it, because he hadnā€™t conditioned himself to being on holiday. The distinguished industrialist he recognised: the stout man he put down (quite mistakenly) as a traveller in whisky. The fair girl was going to a job (he was right there) and the aggressive young man in the camel coat might be something bookish. Macdonald turned away from his fellow-passengers deliberately; they werenā€™t his business, he was on holiday - or so he thought.

Against the background of beautiful Vienna, with its enchanting palaces and gardens, its disenchanted back-streets and derelicts of war, E. C. R. Lorac constructs another great detective story with all its complexities, an exciting and puzzling crime story.

I really love E.C.R. Lorac’s work, for a lot of reasons I’ve written about before, and it boils down to two gifts that she had. One, she was good at characters, and especially at creatingĀ likeable characters. Two, she has a great sense for place, and for showing how a place is lived in — I thought at one point she was mostly good at describing rural locations and small towns, but this book (and others set in London) show she just had a gift in general of making anywhere sound lovely in its way. In this case, post-WWII Vienna.

The other thing to bear in mind is that even a character you like a lot might turn out to be a murderer, and that someone who’s a bit of a slimeball needn’t be the one who killed someone. If you read only one or two of her books, it’s easy to think that she’ll always point the finger at a certain type of character, but it isn’t the case.

Murder in Vienna captures the unsettled feeling of a city uneasy with what some of its inhabitants have done. The collaborators walk free, and it’s unclear who collaborated because they felt that they had to and who collaborated willingly. That isn’t completely germane to this story, it’s just part of the feeling of everything. But Vienna itself is beautiful in Lorac’s words, and through the eyes of Macdonald, one of the most human of the detectives of classic fiction (in my view). I found it all really enjoyable, not so much the mystery itself, but how the mystery inhabited Vienna and the anxious minds of those trying to believe that the ordeal is over and normality has returned.

Poor Macdonald really should be allowed a proper holiday at some point, though. If he could please be returning from holiday at the start of a book or something, that’d be nice. No more busman’s holidays for him, please.

Rating: 4/5

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Review – The Ha-Ha Case

Posted May 7, 2024 by Nicky in Reviews / 0 Comments

Review – The Ha-Ha Case

The Ha-Ha Case

by J.J. Connington

Genres: Crime, Mystery
Pages: 230
Rating: three-stars
Synopsis:

Johnnie Brandon is found dead while out shooting rabbits with his friends, and the problem is: Accident, Suicide, or Murder? It is all made very complicated by the financial entanglements in which his rapscallion of a father has tied up the estate, and by the fact that a gentlemanly lunatic with large gaps in his memory wanders on to the scene at the crucial moment. Time for the acumen of Chief Constable Sir Clinton Driffield to be brought to bear on the case.

J.J. Connington’sĀ The Ha-Ha Case is a fairly run-of-the-mill mystery for the period, in many ways, but it relies on an interesting little quirk of inheritance law that I’d never seen before. “Borough English” is an inheritance law whereby theĀ youngest child inherits, and it’s part of the mystery that the story revolves around, adding to the thicket of red herrings and complicating one’s intuitions. It sets up a neat little puzzle, and there’s a neat little trick to draw you astray as well.

It’s not really a fair-play mystery, in some ways, but I think that made it a better story… and I think a thoughtful reader can get there anyway. It’s more interesting as a puzzle than for any great insight into character, for all that the police detective is vividly evoked (with all his faults, including total self-absorption).

If you’re interested in mysteries of this period, then it’s a fun one; if you read mysteries of this period now and again for the soothing predictability, this one isn’t a stand-out in the bunch, but a solid choice. If you lack any special interest at all and are just a bit curious, it’s not where I’d start you out, but it wouldn’t be a terrible choice either. All in all, it’s pretty middle-of-the-road. Which sounds like damning with faint praise, but I won’t say no to trying a couple more by Connington.

By the way, it isn’t released by the British Library Crime Classics series. Someone just got clever with cover design.

Rating: 3/5

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Review – The Religious Body

Posted April 30, 2024 by Nicky in Reviews / 0 Comments

Review – The Religious Body

The Religious Body

by Catherine Aird

Genres: Crime, Mystery
Pages: 232
Series: The Calleshire Chronicles #1
Rating: three-stars
Synopsis:

The day begins like any other for Sister Mary St. Gertrude. When her alarm sounds at 5 a.m., Sister Mary begins rousting her convent sisters from their beds, starting with the Reverend Mother. Down the Order she goes with a knock and a warm blessing. But when the young nun reaches Sister Anneā€™s door, there is no answer. She assumes that Sister Anne got up early, and continues on her way.

But later, when a fellow nun leaves a bloody thumbprint on the sheet music for a hymn, and Sister Anne is nowhere to be found, it becomes apparent that something is very wrong. Then Sister Anneā€™s body is found at the bottom of a steep set of stairs, her veil askew and her head crushed.

Religious Body introduces the sophisticated Detective Inspector C. D. Sloan along with his eager and trustworthy sidekick, Detective Constable Crosby, and the acerbic Superintendent Leeyes in a mystery of holy proportions that will have readers guessing until the last page.

I think I picked upĀ The Religious Body by Catherine Aird as a result of its inclusion in The Story of Classic Crime in 100 Books (by Martin Edwards), if I recall correctly — it’s been a while since I added it to my wishlist, even though I read it surprisingly quickly after snagging a copy (I’m such a mood reader). Anyway, it’s a fairly standard-feeling mystery, partly from the point of view of the police, and partly from the point of view of the nuns who find one of their number dead in the cellar.

To me, the best parts are actually about the routine of the nunnery: the details of their lives, their interactions, their thoughts, all have something a bit different to offer, while the careful investigation by the police is all routine, and familiar from dozens of other books. I’m sure some of the details are inaccurate, but it’s a good stab at imagining (from an outsider’s point of view, as I presume Catherine Aird was not a nun) what it might be like to be part of such a community.

I didn’t guess the murderer right away, but possibly I should have — it didn’t seem too surprising once we got there, and I definitely realised who he was after his reaction to the joke the police repeat.

In the end, it’s a reasonably solid mystery that doesn’t particularly stand out except by virtue of the setting. I liked it well enough, without feeling a burning urge to read more by Aird.

Rating: 3/5

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Review – The Corpse in the Waxworks

Posted April 18, 2024 by Nicky in Reviews / 0 Comments

Review – The Corpse in the Waxworks

The Corpse in the Waxworks

by John Dickson Carr

Genres: Crime, Mystery
Pages: 288
Series: British Library Crime Classics
Rating: three-stars
Synopsis:

"The purpose, the illusion, the spirit of a waxworks. It is an atmosphere of death. It is soundless and motionless... Do you see?"

Last night Mademoiselle DuchĆŖne was seen heading into the Gallery of Horrors at the MusĆ©e Augustin waxworks, alive. Today she was found in the Seine, murdered. The museum's proprietor, long perturbed by the unnatural vitality of his figures, claims that he saw one of them following the victim into the darkā€”a lead that Henri Bencolin, head of the Paris police and expert of 'impossible' crimes, cannot possibly resist.

Surrounded by the eerie noises of the night, Bencolin prepares to enter the ill-fated waxworks, his associate Jeff Marle and the victim's fiancƩ in tow. Waiting within, beneath the glass-eyed gaze of a leering waxen satyr, is a gruesome discovery and the first clues of a twisted and ingenious mystery.

John Dickson Carr’sĀ The Corpse in the Waxworks was surprisingly in the middle for me — usually I quite dislike John Dickson Carr’s earlier work and books involving Henri Bencolin, though I’ve later come to enjoy some of his Gideon Fell stories.

This one’s not one of his more famous, and isn’t a locked room mystery, meaning it actually felt less contrived than some of them. And Bencolin wasn’t quite as annoying as I usually find him, though I wasn’t a huge fan either; his sidekick (Marle) is just kind of vanilla, really, though he gets his own little action sequence (predictable as it is).

In the end, it felt relatively straightforward as Carr’s mysteries go, and without any femmes being tooĀ fatale, and it did have an intriguing sense of atmosphere around the masked club and the waxworks — a little bit creepy, a little bit high-strung.

Not a new favourite by any means, but more enjoyable than I expected.

Rating: 3/5

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