Elysian Fields, Suzanne Johnson

Received to review from Bookbridgr! Although I would normally hate jumping into a series in the middle, this doesn’t seem to be a bad point to do so. There’s a fair amount of exposition to get you settled in the world and up to date with the events of DJ’s life. It slides along pretty fast, and got me hooked because I really, really wanted to know what happened regarding a certain event in the first few chapters.

What drove me slightly nuts was working out who DJ was will-they-won’t-they romancing with, and which of them had the best chance. I was quite cringy at the early scene with Jake, the loup garou, because of the whole creepy (though admittedly so) “I can sense your fear and I like it” thing. That might’ve come off better with a bit of character history, but perhaps not.

Overall, this is pretty fun, and New Orleans makes a good setting for it. I’m not wildly in love, though, and I won’t be picking up the other books unless they appear on the library shelves and beckon (which is always possible).

Rating 2/5

Sarah Canary, Karen Joy Fowler

I do not know what to make of this book. I suspected I wasn’t going to enjoy it, since I haven’t enjoyed other stuff by Karen Joy Fowler, but that’s not exactly what happened. I did get caught up in the story, intrigued by the mystery of Sarah Canary. At the same time, I felt like it was one of a type of novel I don’t get on very well with, something very opaque, where motivations aren’t clear and things just happen to the characters as if they are just giving themselves over to whichever way life pushes them.

Not that there’s anything particularly wrong with that kind of story, it just doesn’t really do anything for me. Well, I’m sure there are exceptions, but this wasn’t one — the best I can say is that I read it very quickly, I had no intention of stopping, and I did find it interesting. Partially because of the genre-twisty is-this-SF question about it, rather than because of it — ambiguous stories don’t bother me, but the combination of style and character here did.

On the other hand, I did like the portrayal of B.J. For all that he’s clearly “not all there” in colloquial terms, he’s good at heart and the way he sees the world makes for an interesting point of view. The passages from his point of view were maybe the best in the novel, for me.

Rating: 3/5

Mindstar Rising, Peter F. Hamilton

Mindstar Rising is a reasonably entertaining technological thriller, though I’m not going to touch the politics aspect of the speculative world Hamilton has created. The pace is okay, enough to keep you interested, and there are some characters that you get a little caught up in — Julia, for example, and her grandfather; I felt pity for the wreck he was in, and sympathy because of the way he adored her. And Julia… I sympathised with the way she was struggling to figure out how she fit into the world.

On the whole, though, I won’t be reading more of Hamilton’s work, at least until I’ve got this ridiculous stack of books down a bit (unless there’s another Hamilton book hiding in the pile). I think it’s something more in my sister’s line than mine, perhaps. Anyway, my main problem was the main character, Greg Mandel. He was just bland to me, up to the point where he used his psychic abilities to seduce a much younger, vulnerable woman. Then I started feeling twitchy. It’s one thing to use it against people in criminal investigations — although even then, I feel like someone’s thoughts and emotions are really their own business and no one else’s — but using it for the sole purpose of getting laid?

Also, man, I have had enough of the male gaze-y crap. There are intelligent women in this book, strong women, but I think every woman Mandel comes across is evaluated first in terms of how she looks. I’ve had quiiiiiite enough of that, thank you.

Entertaining, like I said, but I’m not feeling the enthusiasm.

Rating: 2/5

The King of Elfland’s Daughter, Lord Dunsany

I can’t really understand people disliking this book. Well, no, I can: the language is olde worlde, the phrase ‘the fields we know’ is used far too many times, it’s more of a fairytale like story than modern fantasy, though it’s sold as being one of the defining moments for the genre, and if you’re looking at it from a modern point of view, the characters and their motivations are hopelessly unsatisfying.

I thought the language was beautiful, though: Dunsany struck just the right note for me, and for the most part I liked his turns of phrase. Even the repeated ‘the fields we know’ phrase and others like it hark back to ‘rosy-fingered Dawn’ and other such epithets in Greek epics. I love fairytales, and I think Dunsany’s mimesis here is pretty darn good. I can see how it influenced modern fantasy, and if you expect satisfying characters and development in a fairytale-esque story then… I’m not sure what you’re after. Modern updates of the stories often inject that kind of thing, but it’s not there originally.

Seriously, this book is just gorgeous, in my opinion. I wanted to wrap myself up in it, read some passages again and again, and I did actually genuinely feel the tension of how it would all be resolved. I loved the ending, the descriptions of Lirazel coming back to meet her son and husband. I loved the little asides, like the mischievous trolls.

So, so glad I finally read this.

Rating: 5/5