Jackdaw, K.J. Charles

Jackdaw is part of the Charm of Magpies series, but follows a different pair of characters. It’s probably best for those who’ve read Flight of Magpies in terms of the plot, but you might actually be able to enjoy the at least one of the characters more on their own terms if you don’t know them already, because that character is Jonah Pastern, he who nearly brought Stephen and Lucien to disaster in the last book. I trust Charles to bring me to the point of enjoying even a total scoundrel’s love story, honestly, but it took a little more time because I already knew Jonah deeply endangered a character I love, and Ben Spenser — his lover — turns out to be rather dour and angry at first.

It’s worth noting that among the sex scenes in this book, there’s one with strong non-consensual themes. Ben is angry and wants to punish Jonah, and knows what he’s doing is wrong, and though he stops short of actually doing it and then Jonah wants to continue, it’s still pretty discomforting. It obviously coloured how I saw Ben: the kind of man who, in anger, seriously considers using rape to punish his lover. It is clear that Jonah has conclusively ruined Ben’s life at that point: you very quickly realise Ben lost his job, was imprisoned, etc, etc, but that isn’t an excuse.

This is also the only story in this series that really engages with the homophobia of the time. It’s not just hinted here that there could be trouble: Ben can’t do magic, can’t soften his way out of a terrible situation, so he ends up imprisoned, sentenced to hard labour, beaten, rejected by his parents, and at one point you can read him as being suicidal. He’s definitely without hope, only a grim anger, blaming Jonah for everything.

That’s not the sort of book you expect after the casual way Crane deals with even blackmail about his homosexuality; Stephen and Lucien duck almost all consequences through being able to protect themselves. It’s also not what you’d expect from Jonah’s flamboyant devil-may-care attitude in the last book. Ben doesn’t have that protection, and in the first half of the book in particular, the damage, anger and shame are all on display. It’s very grim, given the previous book, and more realistic; that’s something to bear in mind.

Aside from that, the story is essentially a redemption arc for Jonah, and somewhat for Ben as well. It has the great dialogue I expect in a novel by K.J. Charles, and in the last half or so of the book, you can start rooting for the characters again. It stands or falls, really, on the extent to which you can forgive Jonah (and Ben, if that near-rape scene bothered you as much as it did me) for what he’s done. I got there in the end — there are some delightful bits when the two of them finally feel free and comfortable — but this definitely is not a favourite in this series or among Charles’ books.

For those who are fans of the series, it does include cameos by Stephen and later Lucien, Merrick and Saint. It wraps up into a lovely conclusion, and there are some great bits of dialogue between Lucien and Stephen, as seen from outside.

Rating: 3/5

The Magpie Lord, K.J. Charles

My wife was planning to try reading some K.J. Charles, and I suggested these books… and then as she started reading, realised I couldn’t remember the first book well enough to go on the second myself. So, obviously, I had to do a reread! Right up front, the book itself contains triggers for quite detailed attempts at suicide, sexual (and incestuous) assault off-screen, and some mind-manipulation stuff that really isn’t cool (mostly by villains). There are also some scenes where enthusiastic consent is absent, though it isn’t assault.

It starts with Lord Crane being overcome by seemingly outside impulses to harm himself after a return from Shanghai where he made a living for himself after being kicked out and sent away by his father. His father and brother killed themselves too, the only reason he’s inherited, and his manservant reckons there must be something going on — they’ve seen magic before and know it’s real, so he persuades Crane to ask for the help of a local equivalent. Enter the Justiciar Stephen Day, with a family grudge against Crane’s family and an unbending need to do the right thing. Naturally, Crane’s not as bad as his family, and sparks fly between the two of them as they get to grips with the rather sordid details of the curse.

There are a couple of scenes I’m less than comfortable with between Lucien Crane and Stephen Day. I read an older version of the book, so it’s possible the 2017 version softens this somewhat — I don’t know if it was edited. But Crane’s tendency to push Stephen around is less than attractive for me, even if Stephen is actually enjoying it — and the scene where he does explicitly consent but only out of a sort of spite isn’t so great. It isn’t that I don’t love the characters together, because I do, and these kinds of stumbles and miscommunications are entirely human, but it is best to go into them forewarned if it’s something that might trip your wires.

Despite that caveat, I do love the way they come together, and especially the epilogue/added bit in the re-issue (which I did read as well after realising I somehow had the old version). Their relationship is genuinely exciting, and I love Crane and Merrick’s protection of each other, and the hints about Stephen’s life elsewhere. I hope to see something of Esther in the second or third book!

It stood up to a reread, and I’m looking forward to the second book.

Rating: 4/5