The Honey Witch

by Sydney J. Shields

Synopsis:

Marigold Claude is entering another season without any intentions of accepting a proposal. When her eccentric grandmother Althea visits and finally provides an explanation for Marigold's strange magical abilities, they return to the Lake Isle of Innisfree where she begins training as a Honey Witch-an apothecary and alchemist who uses her magical connection with the bees to create enchanted honey for her spells.

While this lovely power leaves her especially adept at helping others find love, it also comes with an ancient curse that none have been able to break: no one can fall in love with the Honey Witch.

When Lottie Burke, a notorious grumpy skeptic who doesn't believe in magic, accompanies her best friend to the cottage for a love spell, Marigold can't resist the challenge to prove to her that magic is real. She invites Lottie and her best friend, August Owens, to stay with her for the summer to prove her abilities, but Marigold begins to care for Lottie in a way she never expected.

She longs to break the curse and escape her lonely fate, but when darker magic awakens and threatens to destroy her home, she must fight for much more than her freedom-at the risk of losing her magic and her heart.

I was kinda prepared for Sydney J. Shields’ The Honey Witch to be mediocre, based on a few reviews I’d read beforehand — I ended up getting it in a sale, just to give it a shot. It’s a semi-cosy fantasy romance which ends up involving rather a lot of dramatic bleeding, burning, death during a sex scene, enslavement, poisoning, etc. It tries for a sort of cottagecore aesthetic over the top, but the dramatic story that provides the set-up makes that pretty impossible.

It’s also just… not very good, with more plot holes than Proud Immortal Demon Way, and I absolutely refuse to die and become one of the characters to fix it (shoutout to the two danmei fans in my audience; sorry to the rest of you, I just couldn’t resist — this was a reference to The Scum Villain’s Self-Saving System). For example, the main character’s grandmother is a Honey Witch. She has an enemy, an Ash Witch, who cursed her so that she can never be loved, with the stated intention of ending her bloodline.

However…

1. I don’t know if the author needs this explained or something, but you don’t have to be in love to have sex and conceive a child.
2. The main character’s grandmother can (and did) have a child parthenogenically.
3. Even though the main character’s mother chose her true love over being a Honey Witch and gave up her power, her child inherited the power and could become a Honey Witch.

So… there is no sense in which the curse works for the stated purpose, even if you assume you have to be in love to have a baby in this world (which is never stated).

The world-building is also incredibly clunky. It’s a Regency-ish world, and we’re given to understand in the opening that there are distinctive gender roles for men and women, which the main character wants to flout by becoming a witch. Except… it becomes apparent that same-sex relationships are totally fine and celebrated, including by the main character’s family. Yet no thought is given to the effect that might have on gender roles.

I don’t even want to get into the enemies-to-lovers thing going on with Lottie and Marigold, or the sex scene which literally kills Lottie (and is kind of horrifying to just come across without being aware that it’s not a steamy scene, a character is literally going to die mid-scene, even if she gets better because magic).

It’s… it’s just really not good, folks, and I didn’t even like the style. It felt like we’re just expected as readers to instantly get invested in things like Marigold’s relationship with her grandmother (who she hasn’t seen since she was a child) or friendship with August (likewise), or her interest in Lottie, a girl who can barely even be polite to her for the first half of the book.

Rating: 1/5 (“didn’t like it”)