Tag: queer fiction

Review – The Little Library

Posted November 5, 2020 by Nicky in Reviews / 0 Comments

Cover of The Little Library by Kim FieldingThe Little Library, Kim Fielding

Elliott is recovering from an awful betrayal, holed up in a small house not far from where his brother lives, and buying books in place of therapy. After a good deal of prodding and some awful interviews as he tries to get back into academia, Elliott decides to share some of his books by building a Little Free Library. And hey, it’s a cliché, but books can bring people together, and so it proves for Elliott — not all the connections he forms are deep and lasting, but it gives him a connection to the community which he was lacking, and starts to wake him up a bit.

Simon is a police officer, or was, before he was shot in the knee. He meets Elliott while walking for physiotherapy, and has something of an awakening as he gets to know Elliott, and browses the books in his library, which include books on queer history. Although he’s in the closet to his family, and Elliott’s planning on moving to wherever he can get a job, the two of them decide to try to make something of it.

The Little Library is, overall, really sweet. Neither Elliott nor Simon are totally perfect, but they are doing their best, and though they have miscommunications and mismatched needs at times, they work through it like adults. We see both of them in their family relationships as well, and there’s no clear-cut awfulness or greatness — just people being people, not always good to each other, but in the end being a family and making things work. The drama isn’t big huge world-ending stuff, and they don’t treat it that way; these are very definitely adult men, figuring things out, making their way through things.

I enjoyed it a lot, and thought Simon was terribly sweet. They make for a good pair, each offering something to the relationship and to each other, and it was fun to watch it happen.

Rating: 4/5

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Review – Stormhaven

Posted November 1, 2020 by Nicky in Reviews / 0 Comments

Cover of Stormhaven by Jordan L. HawkStormhaven, Jordan L. Hawk

The third Whyborne and Griffin book is rather fun! My main issue with the previous books was a sort of general squick about Whyborne’s total lack of self-worth, which translates into a lack of trust in Griffin. I’m pleased to note that that’s a bit better in this book, though I shan’t say too much about it because sssh! Spoilers!

In any case, this book features Griffin facing a number of things about his past. One is his adoptive parents, who are coming on a visit and mustn’t know about his relationship with Whyborne. And another is a doctor at an asylum who has ruled that Griffin’s client’s brother, accused of murdering his uncle, is insane. He happened to do the same for Griffin at the end of his career with the Pinkertons, you see. So Griffin has all that on his plate — and Whyborne is hallucinating about a vast underwater city…

A couple of things didn’t turn out as expected, which is always nice, and Whyborne and Griffin move forward a bit with their relationship and find some more comfort and security with one another, which is lovely. I could always do with more communication (talk! about! your! problems!) — but it was a good step forward, and a believable step in them figuring out their relationship.

So I think my issues with the earlier books are, if not completely shelved, then partially assuaged. (I should emphasise that that’s a very personal nitpick, and not necessarily something that will bother other people.)

Oh, and Christine is still absolutely the best.

Rating: 4/5

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Review – Proper English

Posted October 31, 2020 by Nicky in Reviews / 2 Comments

Cover of Proper English by KJ CharlesProper English, K.J. Charles

Proper English is the story of Pat and Fen, who I previously encountered in Think of England — this book is set before that, but reading them in either order is completely fine, because you don’t need to know much from either book to appreciate the other. It opens with Pat and her brother travelling to a shooting party at a country house, where it transpires that there’s a whole party invited, including their host’s fiancée, Miss Carruth. She turns out to be a sweet but apparently fairly silly girl, rather prone to giggling and girlishness: a pretty stark contrast to Pat, who is a women’s shooting champion, and expects to be treated practically as one of the men.

Most of the rest of the company aren’t nearly that nice, and it quickly becomes apparent something is very wrong, as their host allows his brother-in-law to lord it over everyone and say awful things, while clearly hating that it’s happening. Pat tries to just enjoying the shooting, but quickly finds that Miss Carruth (Fen) is a lot smarter than she likes to let on. Also, Pat is not at all immune to her charms, despite the differences between them. Their friendship and romance is adorable, and they quickly find that they’re not so much opposites as complementary to each other.

Because this is a K.J. Charles novel, of course, that’s not the end of it: in classic country house mystery style, on a miserable rainy day when no one can go out or leave, one of the company is found dead. Pat and Fen are all too aware of all the secrets in the house, one of them being their own, so they decide to figure it out and try to present the police with a fait accompli

It’s all very fun, exactly as I would expect from K.J. Charles, and I’m a little disappointed I’ve finished it already.

Rating: 4/5

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Review – Two Rogues Make a Right

Posted October 18, 2020 by Nicky in Reviews / 0 Comments

Cover of Two Rogues Make a Right by Cat SebastianTwo Rogues Make A Right, Cat Sebastian

This was exactly what I needed to read last weekend, and I didn’t know it yet. It’s the third in a series, but it’s one of those loosely connected series which share some characters and details, but which don’t necessarily need to be read in order. I probably still would, because it helps to have had things that impact all the characters revealed in order, but I reckon it’d be a perfectly satisfying story either way. It follows Martin and Will, childhood friends who always had a spark of something more, but who have never acted on it. Martin is consumptive and ill, though, and Will practically kidnaps him to take him to the country and nurse him to health… and in that closeness, they finally start to explore that something more.

It’s very sweet, and though there’s a bit of angst in the middle and a couple of misunderstandings, it’s not infuriatingly so, most of the time. You can see where they’re each coming from, even though it’s totally stupid. And despite Martin’s abusive father and Will’s unhappy past in the Navy — not to mention the former’s consumption and the latter’s addiction — it stays reasonably light, focusing on the future they can make together if they’re brave enough. It’s not quite as light-feeling as the first book, but the progress isn’t as painful and hard-won as in the second book.

I ended up reading it almost all in one go, which I think is a recommendation all on its own. Also, hey! Tuberculosis!

(Disclaimer for those who don’t already know me: tuberculosis is exciting to me because it’s one of my research interests in my other life as an infectious diseases postgrad student.)

Rating: 4/5

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Review – Burning Roses

Posted September 15, 2020 by Nicky in Reviews / 0 Comments

Cover of Burning Roses by S.L. HuangBurning Roses, S.L. Huang

Received to review via Netgalley; publication date 29th September 2020

Burning Roses combines a mixture of different fairytales/folklore: Red Riding Hood, Beauty and the Beast, Goldilocks… and Hou Yi, an archer from Chinese mythology. It blends all these disparate-sounding elements together with aplomb, remixing Hou Yi’s story in the meantime to make Hou Yi a trans woman, and winding in what reads as a racism metaphor in the grundwirgen (magical beings with animal qualities or animal forms, all of whom Rosa rather virulently hates in a way inherited from her mother and compounded by a ghastly experience as a child — you can guess what that experience was when you consider the Red Riding Hood story).

I didn’t think that all these stories could be combined like this so comfortably; for me, they’re all on quite different formal registers. I don’t know much about Hou Yi and how that story is usually told, of course, but the version I heard was rather formal and in the context of an anthology of mythological stories. On that basis, it initially seemed oddly placed next to a nursery story like Goldilocks. Just settle in and trust the author: in my opinion, it works out. I especially enjoyed the way that the story used both versions of the Hou Yi story that I knew of, showing they’re essentially the same story from different angles, depending on who is telling the story.

The grundwirgen (which I read as a metaphor for racism) theme feels a little heavy-handed at first, but when I think about the story now that doesn’t really register. The image that sticks in my head is that of both Rosa and Hou Yi working to be worthy of their families, failing and being human, and finding their way through it. It’s not a story of young and giddy fairytale love, but of love that endures through pain, love that forges a true family which you can’t walk away from.

I haven’t read the short stories in this world, but I don’t think it’s necessary to appreciate and enjoy this novella.

Rating: 4/5

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Review – The Four Profound Weaves

Posted September 14, 2020 by Nicky in Reviews / 0 Comments

Cover of The Four Profound Weaves by R. B. LembergThe Four Profound Weaves, R.B. Lemberg

I originally had this to review, but ended up buying a copy on release because I’m generally picking up physical books much more regularly at the moment, and I really did want to give this a try. I’m actually wondering if I’ve read one or two of the stories set in this world before, and somehow forgotten, because some things felt really familiar.

In any case, it took me a while to get into the story — partly because I didn’t properly take notice of the POV shift, and partly because I felt like I was assembling the world from pieces of a puzzle I’d briefly seen before. It was a bit weird, as a feeling, but I settled in and ended up racing through the novella all in one go. It begins with two older people, long known to each other but not of the same cultural group, deciding to go in search of what they feel they’re missing: a name, in the case of one of them, who has just completed his long-awaited transition after a life lived as a woman for the sake of his family; and the other, in search of her aunt, and the things her aunt promised to teach her.

The story is less important, I think, than the claiming (and re-claiming) of one’s voice, one’s identity, one’s true self. Both the main characters have to find that and learn to grasp it, in their own ways, and it is only through that that they can be whole and the neglected threads of their lives picked up and woven in.

I wasn’t always in love with the story: I felt thrown in at the deep end, though I suspect some of my confusion came from expecting something else (either from reading a previous story in this world, or just something with some similar elements… it’s hard to say, because I can’t put my finger on it). I didn’t feel the two voices were entirely distinct, despite what I said about the theme of the story, and there were at times some clumsy things — like the repeated reminders that Uiziya repeats questions until they’re answered. That felt like the ultimate “show, don’t tell” violation (even though sometimes telling can be very effective):

“What’s going on?” I asked.

“Nothing.”

A thin green snake slithered in the dusk between us, as if drawing a boundary I should not cross. I stepped right over it.

“So what is going on?” I had a habit of repeating a question until it was answered.

That really, really could’ve been shown — we didn’t even need to know at that exact moment that this is a habit, we could’ve just seen it throughout the scene, the story… Telling can be a powerful tool, especially with a first-person narrator like this, but this — and the repetitions of it later, to make sure the reader notices — didn’t quite work for me.

Overall I found it really enjoyable; I just had a few niggles, I think.

Rating: 4/5

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Review – The Priory of the Orange Tree

Posted August 23, 2020 by Nicky in Reviews / 6 Comments

Cover of The Priory of the Orange Tree by Samantha ShannonThe Priory of the Orange Tree, Samantha Shannon

Oh boy, how to review this chunkster? I actually started to read it back when it first came out, and was fascinated… and then got distracted, as happens so often for me. Then I ended up reading it at a pace of five pages a day, alongside other workerbees from Beeminder! Which was pretty cool, actually; I thought I would find it really frustrating, because I’m usually a fast reader. Granted, I didn’t exactly stick to five pages a day — it was more like a chapter every other day. Either way, it worked, and I found myself eager for my daily snippet instead of daunted by the size of the book, which has been a problem for me lately.

It’s a retelling of George and the Dragon, but it doesn’t really show unless you already know that; you can also just sink into it as a story about dragons, alchemists with dubious backbones and morals, pirates, witches, queens, friendship and love. I didn’t know anything much about the characters and their relationships before starting, so I very much enjoyed watching them unfold. I never expected Sabran to grow on me so much, or for her relationship with Eadaz to work for me; her moodiness and even capriciousness made her really unattractive to me as a character from the start, but as she opened up to Ead, I came to pity her and understand her a little better… and slowly I could at least see part of what Ead saw, even if I’m not wholly convinced by the depth of the relationship given the timing.

I do agree with some other reviewers that there are pacing issues; Tané’s parts feel almost sketched in compared to Ead’s, which really dominated all the others for me. I’ve read about the book having to be substantially cut and revised, and it makes sense for it to linger on Ead the way it does… but it makes it feel like the others are both secondary and have not enough to say given their significance. I really felt like Tané needed a bit more time to grow, given her completely self-centred and self-righteous behaviour at the start.

I’m not wholly sure I followed the sterren and siden magic system, but this was partly the piecemeal way I read the book, I think. It’s certainly a world I’m sad to leave and interested to potentially revisit.

I’ll agree with other reviewers that comparisons to Game of Thrones and The Lord of the Rings are completely inappropriate, and if you’re looking for those worlds, you should probably just reread the originals. The Priory of the Orange Tree is not that close a comparison, and you’ll definitely be disappointed if you’re just looking for more Tolkien or GRRM. I’m not saying that as a value judgement, though; The Priory of the Orange Tree is its own thing.

Rating: 4/5

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Review – Alike As Two Bees

Posted July 31, 2020 by Nicky in Reviews / 0 Comments

Cover of Alike As Two Bees by Elin GregoryAlike As Tw0 Bees, Elin Gregory

Not a period I’ve read romance for (that I can think of), so when my automatic recommendations turned this up I pounced on it! Philon is an apprentice stonemason, and as he works on portraying Castor and Pollux, he’s copying from a horse he’s seen on the beach. Her rider Hilarion is clearly interested in him, and Philon’s apprehensive and eager about that… even as Hilarion’s brother, Aristion, starts to bully Philon’s fellow apprentice. Hilarion comes to his rescue, and Philon… well, he falls a bit head over heels.

It’s sweetly done, and avoids the issue of an age gap (since in Greek tradition, it would be a rather older man and a fairly young boy) by having Philon be more or less an adult. Though he gets a serious crush, it’s not “instalove” — it’s quick, but he even acknowledges himself that for now it’s just the beginning of something. I’d be interested to see more of Hilarion’s point of view here, since we only see him from Philon’s point of view.

It’s nice that it doesn’t feel like the story is just there as a wrapper for the romance: the work of the stonemasons goes on and surrounds the budding romance, and each gives the other meaning.

It’s a quick read, and I’d gladly check out more by this author.

Rating: 4/5

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Review – The Deep

Posted July 30, 2020 by Nicky in Reviews / 2 Comments

Cover of The Deep by Rivers SolomonThe Deep, Rivers Solomon

The Deep is a novella which the afterword describes as part of a game of “narrative telephone”, inspired by the work of clipping., an American hip-hop group. I know absolutely nothing about the music, to be honest, so The Deep was my introductory point.

The story follows Yetu, the Historian of the wajinru, a mermaid-like people who were born by magic from pregnant women tossed overboard from slave ships. They have few memories, leaving all of it to be held by their Historian — and Yetu is too fragile, losing her sense of self and drowning in the accumulated memories of her people. During an event in which she passes all the memories on to other wajinru, Yetu flees, hoping to be free of the burden…

There’s an awful lot going on in this novella, especially given it’s pretty short: coming to terms with the past, mental and chronic illness/neurodiversity, moving forward despite trauma, finding your place and your people… Obviously, some things are just taken for granted (there’s no real reason given for why the wajinru were born like that), and some bits of the story are painted in broad strokes. Yetu’s point of view is rather dark and hopeless at times, and she has suicidal impulses as well, so I definitely wouldn’t recommend this if you’re feeling unwell yourself. Nevertheless, it’s not an especially dark novella, somehow — it’s not about wallowing in past awfulness, despite the provocative idea of a human-like people being born from the corpses of pregnant slaves. It could be a lot darker than it is, but actually it finds a way to shine a light.

I enjoyed the character of Yetu in some ways — her determination to make space for herself — and in other ways she frustrated me so much. She just… runs away, leaving her people in the torment she’s fleeing, and that’s not really something I can relate to. The whole bit flopping around in the tide pool was extra frustrating. Like, of course she needed a period of healing, but… gah, the self-pity. I did like her matter-of-fact conversations with Oori, at the same time.

Overall, I found it beautifully written, and the structure works well, despite the repetitions (which I think bothered some folks). I was surprised how much got told and felt in such a small space. I found the ending came a little easily… but then of course that’s what anxiety and mental illness is like: it holds you back from seeing an obvious possible solution.

Rating: 4/5

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Review – The Return of the Earl

Posted July 28, 2020 by Nicky in Reviews / 0 Comments

Cover of Return of the Earl by Sandra SchwabThe Return of the Earl, Sandra Schwab

Con has been away from his father’s estate for thirteen years, after his father caught him with the stableboy. In the intervening time, he’s inherited the estate and the title… but he has no wish to return home, having been told by his father that his stableboy lover repudiated him harshly and had to be paid for his silence. Matters need to be handled, though, so reluctantly, he returns to the place he grew up… to find Bryn still there, waiting for him, and apparently totally brazen about his actions.

Needless to say, I don’t think there’s a spoiler here to say there has been a grave misunderstanding. It’s understandable in the context, but Con spends the entire time refusing to trust Bryn, looking desperately for the evidence that Bryn really did have to be paid off, instead of realising that, hey, his dad was a git and Bryn was always true. Once that gets through Con’s head, the story turns sweet, but until that point he’s rather petulant… and his about-face felt a little odd.

Bryn would almost have been a more interesting POV character; he has his head on straight, knows what he wants, and while he isn’t impervious to pain, he knows he’s not the only one suffering.

Anyway, a fun and quick read, overall, but not super memorable.

Rating: 3/5

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