She-Hulk: The Complete Collection Vol 1, Dan Slott, Juan Bobillo, Paul Pelletier, Scott Kolins

It took me a while to get round to reading this, especially since the opening few pages feature what read very much like shaming Jennifer/She-Hulk for her sexuality. It makes some sense — she is partying hard and putting the other Avengers at risk (or at the very least inconveniencing them), and taking her status as an Avenger for granted. It also leads into a whole thread about her double identity, and what might be the advantage of being Jennifer Walters. (For those who don’t know, unlike her cousin, Bruce Banner, she has more control over her transformations, and spends a lot of time as She-Hulk.)

There’s also some wacky hijinks and fun plots involving law, since Jennifer Walters is a lawyer. I liked the art and colours, too, so I’m somewhat surprised now to be writing the review and not knowing quite what to say. It’s entertaining, and I enjoyed this version of the character, but I did start to feel like maybe it needed some fresh blood — and this is only the first collection! There’s another Dan Slott collection as well. Hmmm…

I asked for volume two for Christmas, so here’s hoping it stays lively and fun.

Rating: 3/5

Captain Marvel: Rise of Alpha Flight, Tara Butters, Michele Fazekas, Kris Anka, Tara Guggenheim, Felipe Smith

I was a pretty unsure what to expect with this one — my first Captain Marvel comic without Kelly Sue DeConnick at the helm. To make it worse, I don’t know anything about Alpha Flight, so I was bombarded with a bunch of new characters; I don’t even know if they appeared elsewhere before? It’s times like this I feel like being a Marvel fan only since 2012ish lets me down: I don’t even know whether to cheer or groan, half the time.

(Civil War 2? Groan. If the solo Captain Marvel comics delve into that too much, I’m gonna hate it. The first one had some powerful storytelling, but twisted the characters to get them into a deadlock against each other. I can’t see a second run at it doing much good, and I don’t want to see Captain Marvel going it against the Marvel universe Tony Stark style. I can’t even remember which side Carol was on in the original Civil War.)

Anyway, Butters and crew are reasonably competent, taking us through a pretty usual story for Carol where she punches things, her phenomenal powers are damped down by something, she punches things some more, and then has to practice the joy of diplomacy. Somehow, everything turns out okay. Maybe I’m just describing all superhero comics; maybe I’m getting a bit cynical. While there were bits of this which felt good — Rhodey’s warnings to Carol, the appearance of Rocket — overall I wasn’t madly enthused. It’s fun while I’m reading it, and I’m willing to try some more, but I feel like the first few DeConnick books worked for me in a way this didn’t. (Though it is, at least, an improvement over Captain Marvel and the Carol Corps.) There’s something unmemorable about it, which probably explains why the only characters I can name without the book on hand are Rhodey, Carol and Rocket.

Rating: 3/5

Ultimate X-Men: Hellfire and Brimstone, Mark Millar, Adam Kubert, Kaare Andrews

Isn’t Beast supposed to be really intelligent? I mean, I get that he feels isolated and stuff, but — argh, when a plot depends on someone being a total idiot, and on Professor Xavier not noticing what the hell’s going on with that even though he’s a telepath and we know from volume two that he wiped Bobby Drake and his girlfriend’s mind because they were a security risk?

Nope, back to two stars goes this series. It doesn’t help that the tension between Wolverine and Cyclops is just eyeroll worthy. More macho than thou and so on, fighting over Jean Grey, who… makes it pretty damn clear she loves Cyclops and was always interested in him. (Which does have some cute bits in this volume, actually, and it does help Cyclops unbend a little.)

The Jean Grey/Phoenix plotline seems a bit thrown away, considering that I know it’s a Big Thing in other versions of the X-Men. I assume it’ll recur in later volumes or something, but I don’t think I’m going to read any more of Ultimate X-Men now I’ve finished the volumes I had. Which is a shame, since Kitty Pryde just got introduced, and I did enjoy her in Ultimate Spider-man, but… this doesn’t have the same feel at all. It probably doesn’t help that it’s a team book, so there’s less time to focus on a particular character.

Rating: 2/5

Ultimate X-Men: World Tour, Mark Millar, Adam Kubert, Chris Bachalo

This is an improvement on the two previous volumes, where I actually got somewhat more involved in the story. Not so much Colossus’ story, which kind of seemed out of the blue to me — he seemed pretty engaged with the X-Men and Xavier’s plan, and suddenly he… wants to go off and have a normal life, and he’s not sure about the goals of the X-Men?

But the story with Xavier’s son has genuine feeling and character development, mostly for Xavier. It takes him being the wise mentor to being a guy who can really fuck up on his own account, too. I wish he wasn’t quite so all-knowing at times, but I guess that’s the problem with your character being a telepath.

I’m not so sure about the Gambit storyline; I recall enjoying the character in an animated series or something, but how he’s supposed to be getting by in a world that hates mutants while so blatantly displaying his abilities, I don’t know. And I know the whole Cajun background is an important part of Gambit, but man, is his dialogue ever difficult to parse. That whole section isn’t much connected to the rest of the book, either…

Still, more enjoyable than the first two volumes, I think.

Rating: 3/5

X-Men: Return to Weapon X, Mark Millar, Adam Kubert

I am still not sold on this — and Sabretooth is just a Wolverine knock-off, so I don’t think there’s a single scrap of tension in the scenes with him. Actually, in general the blurbs on the backs of these don’t quite seem to match the reality. Logan doesn’t “go it alone against the shadow-ops organisation that transformed him into one of the world’s most lethal killing machines”, and Sabretooth is not “a predator every bit [Wolverine’s] equal”.

I remember liking Rogue in some TV series or other, but there’s not much to get hold of here. And ugh, that phonetic accent. But Nightcrawler’s kind of cool.

So yeah, still not sold on this, and will someone tell the artist that breasts just don’t look like that? Like, they’re not shiny globes with one point of attachment to the female body. In some of these panels, it just looks like Jean and Ororo are holding pairs of melons in front of them via Jean’s telekinesis.

Rating: 2/5