Kitty and the Midnight Hour, Carrie Vaughn

I really enjoyed After the Golden Age, and after that planned to try pretty much anything by Carrie Vaughn that I came across. That initial good impression is waning a bit, though; I didn’t love Martians Abroad, and there was unfortunately quite a lot about Kitty and the Midnight Hour that I found made me uncomfortable. The idea — a werewolf is a DJ who ends up running a whole feature in which supernatural creatures can call in for advice and debate — is pretty darn cool.

The pack dynamics, however, are not. I can see that through the book, they’re slowly critiqued more and Kitty realises that she’s essentially in an abusive situation, but at the beginning, it’s presented as totally normal for her to be treated like a child, and yet also used for sexual gratification more or less whenever anyone else wants. I really cringed at her passivity in that situation, and her acceptance that this was okay. It’s not even true of real wolf pack dynamics (the common perception being based on packs in captivity) and it’s really difficult to read when it’s applied to people who are also human. I didn’t love it in other werewolf books like the Mercy Thompson books, but at least Mercy didn’t put up with it the way Kitty does.

The other books might well deal with this better, but I’m kind of burned out on werewolves right now — at least, on werewolves that act like this. Particularly at the start of the book, it’s treated as normal and okay and no one stands up and says hell no, and I really don’t fancy spending more time in that world waiting for Kitty to become the kickass protagonist I assumed she was. (Note: kickass doesn’t mean invulnerable — I just mean I can’t deal with a protagonist who lies back and lets all this happen to her.)

Maybe I’ll come back to Kitty at some point. Maybe not.

Rating: 2/5

Martians Abroad, Carrie Vaughn

Received to review via Netgalley; published 17th January 2017

I had pretty high hopes for this, since I enjoy Carrie Vaughn’s work. And it’s not a bad book; it just never took off for me. The set-up, the conflict, the conclusion — all of it felt a little flat to me. I didn’t quite believe in it, I definitely didn’t believe in the stakes, and I don’t think I really believed in the characters either. On the face of it, I should really enjoy Polly’s character: her presence of mind, her refusal to think inside the box, her quickness to act and her willingness to protect others. I don’t even really know why I didn’t. I suppose because I didn’t feel her emotions coming through. She was dumped by her boyfriend and my reaction was ‘oh, well’ — partly because of her reaction, though admittedly also because that relationship isn’t built up at all.

If the phrase “dumped by her boyfriend” makes you feel like this might be a little juvenile, you’re right there, too. It feels like a YA novel, not just because of the age of the characters but because of the relatively low stakes. I mean, the stakes are allegedly life and death, and yet it always felt like a game. You got the sense that things would be okay. I almost hoped they wouldn’t be, at one particular point near the end, because that would’ve surprised me.

Bit of a miss for me, alas.

Rating: 2/5

After the Golden Age, Carrie Vaughn

It’s been a while since I read this the first time, so I felt I should revisit it before I read the second book, even though I gather that follows the next generation. I was right that I needed to do that: a lot goes on that I’d forgotten the details of. I think this was the first superhero novel I read, possibly before I got into comics; it’s made me eager to read as many other superhero novels as I could, though so far I’ve just got to the point of collecting them all up, not actually reading them yet…

Anyway, this is a fun story; actually, it’s not exactly a superhero story in the traditional sense, because while the main character is the daughter of superheroes, she doesn’t have any powers of her own, unless you count being a kickass accountant. I guess on a second read you can see that it’s a little bit predictable, that the characters are not all developed… it’s a little bit tropey: I can see that same parental relationship problem as there is in Perry Moore’s Hero, for example. It’s a fairly predictable problem to have if your parents are really famous, let alone if they have superpowers. Worse if you don’t have superpowers.

I did like, though, that there was a certain ambivalence about Warren. He’s a hero, sure, and he’s learned to control things. And his daughter is important to him. But then he’s also thinking mad things like dropping his daughter off a roof to see if her power is flight, and nearly attacking her because she doesn’t go his way… And then again, on the flip side of that, he’s doing his best to rein himself in and reconcile. And they don’t quite reconcile, it’s not quite that easy, but they make some moves in that direction. Celia herself is a little ambivalent: she feels like she could flip and go with the supervillains, she has spent time with her father’s main adversary primarily to split from her parents and rile him up.

The relationship with Arthur Mentis could be problematic, but they kind of deal with the fact that he knew her as a child, and the story definitely deals with the way his mindreading affects the relationship.

All in all, it’s still really enjoyable, at least to my mind, and I’m looking forward to fiiiinally reading the sequel.

Rating: 4/5