The Gracekeepers, Kirsty Logan

The Gracekeepers seemed like it had a lot of potential. The idea of the Gracekeepers, the drowned world it takes place in, the promise of the political and religious background that hedged the characters round, the webbed hands of Callanish… There’s a fairytale-like feeling to the narration at times, in the feeling of inevitability about every step the characters take — I don’t know if that’s something other readers took away from the book, but it felt like it was to me. Callanish and North were on a collision course all along, however improbable, and they were going to find each other anyway.

I found the world interesting, but it also felt kind of superficial. I didn’t feel like there was a wider world beyond Callanish and the circus; the world was just there to be a setting for the characters. Just not the kind of story setting I prefer, in the end, though there are some powerful bits — particularly between North and her bear.

Rating: 3/5

Futureland, Walter Mosley

I don’t really know what to make of this. I thought that Mosley’s writing was strong and engaging, but somehow the stories — all set in the same world, with stronger or weaker links between them depending on the story — didn’t quite work for me. There are so many fantastic ideas explored, but I found some of the endings of the stories a bit too predictable, and one or two of the stories left little impression on me because of that. Some of the stories worked beautifully, but others felt like they lacked something — paciness, mostly, or a real understanding for the reader of the tensions under the surface. One blurb says that “Futureland is an all-American nightmare just waiting to happen”, and I think that might be partly why it didn’t work for me, not being American and not having those exact worries and that history and context.

Nonetheless, it’s definitely an interesting collection, and I should totally check out more of Mosley’s work.

Rating: 3/5

Summerlong, Peter S. Beagle

I fell right in love with this book straight away, for the unconventional romance between Abe and Joanna. I loved that they didn’t seem to be possessive, that they didn’t live together 100% of the time, that they had differing interests. I loved the way Abe knew Joanna. I really wanted the story to be about the strength of their bond, unshaken because deep-rooted. I really did.

Spoiler: it’s not. It’s about the two of them being changed, deeply and irrevocably, by a man and a woman who might just be Hades and Persephone. (It’s not much of a mystery, really, given how quickly the clues are given. I mean, as the reader you work it out quickly because you know Beagle’s a fantasy writer; it wouldn’t be obvious to the characters, by any means.) And that change includes their separation, seemingly also irrevocable. And I hated it. I’ve read that story with the young pretty girl who turns an old guy’s head time and time again, and I didn’t want to read it again. I wanted to read about two people who wouldn’t let life shake them apart — even when life or even a goddess tries to come between them.

So it’s not really the book; it’s definitely a matter of preference. And the strength of my reaction to the bond between Abe and Joanna shows how beautifully Beagle can write and observe his characters. It’s all wonderfully written, I just wanted a different story.

Rating: 3/5