Ancillary Mercy, Ann Leckie
The finale of the trilogy! If you are hoping for a massive showdown between multiple parts of Anaander Mianaai, this isn’t quite it. It remains the story of Breq, and all the characters around her: Seivarden, Tisarwat, Mercy of Kalr, Ekalu… Breq continues to hold Athoek Station, dealing with the resistance to her insistence on changing things and figuring out who supports what faction and how to move all the pieces on the board to protect those she feels responsible for. And of course, the Tyrant wants access to the Athoek System, and wants revenge on Breq, and that arc does play out here.
All in all, I find it both a satisfying and climactic ending — involving a lot of the small (and not so small) pieces coming together into a new whole. Not only that, but there are some amazing explorations of the relationships in the story: Seivarden and Breq, Seivarden and Ekalu, Breq and Mercy of Kalr, Breq and Basnaaid… One of my favourite bits involves a three-way conversation between Seivarden, Breq and Mercy of Kalr, but there’s so many other favourite parts to choose from: Translator Zeiat and Sphene, Breq and Sphene, most scenes with either Zeiat or Sphene… There’s a lot going on emotionally as well, and I don’t feel unsatisfied by the fact that the story is entirely tied up in a bow.
I do think these books have disappointed some people by not being focused on the Tyrant tearing herself apart, the larger story which is often just a backdrop to the interpersonal affairs we see. Others have been disappointed by Breq’s measured perspective on things, that her reactions are not more human, more immediate. She does feel things deeply, but you see that through a sheet of ice sometimes, because she was a Ship and she is also analysing things from that perspective, as someone who has been many people in one (or one person in many — I think it’s clear it goes both ways, though: the ancillaries are both the ship’s mind and control, and also a little bit themselves). The deep attachment to Breq and to the other characters through her is one that has grown on me, rather than being there ready-made; it’s not an instantaneous liking as of meeting a person you want to know. I love the way Breq’s character is developed, and the things she has to learn and the ways she feels, but I think she’s an acquired taste, and perhaps one some people won’t acquire, and that’s fine.
But for me, Leckie’s first trilogy remains not just groundbreaking space opera for being different or doing daring gender things or not just being generic white culture in space or any of the things that people have praised it for — it’s also something with a lot to think about, and a lot to love if that kind of story and those kind of characters are to your taste. There’s stuff here to come back to again and again, and I’m sure I will continue to do so.
Rating: 5/5
Women & Power: A Manifesto, Mary Beard
