Category: Reviews

Review – Tolkien: A Dictionary

Posted December 27, 2014 by in Reviews / 5 Comments

Cover of Tolkien: A Dictionary by David DayTolkien: A Dictionary, David Day

I may love Tolkien’s worlds, but my knowledge isn’t encyclopaedic. I didn’t read this cover to cover — I’m sure some people would, but it’s not the kind of thing I enjoy — but it strikes me as a good encyclopaedia for the world (less a dictionary, I think: it’s not just about the etymology and meaning of words, or even mostly) and a good reference, especially for those who find things like genealogies and far off cities difficult. It’s a well presented book, too: faux-leather, with an embossed cover and nice pages, some illustrations included, and the maps on the endpapers.

Just flicking through it, I’d find myself drawn in and reading an entry or two in whole: the one on dragons spans several pages, for example. It covers a lot of the more obscure stuff, from The Silmarillion and beyond; I’m not sure how much it draws on Tolkien’s unpublished papers, given the difficulty of figuring out what is meant to be canonical. I’ll update this if I ever find out definitively.

Rating: 5/5

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Review – Always Coming Home

Posted December 26, 2014 by in Reviews / 0 Comments

Cover of Always Coming Home by Ursula Le GuinAlways Coming Home, Ursula Le Guin
Review from January 22nd, 2011

I expected to take a long time over Always Coming Home. In a way, I wish I had: there’s a lot in it, and a lot to reward a slower, careful reading — this time I went plunging through it for the narrative, such as it was, enjoying the layers of understanding that came to me, imagining and figuring out what I didn’t know. I didn’t read the “Back of the Book” section, this time: another time, I think I will. I just wanted to fly through it, this time, total immersion in a culture that does not exist.

Always Coming Home is a collection of stories, of fake-histories, of poems and plays and things that do not neatly fit into our genres, belonging to a culture that does not exist. The first note says it best, “The people in this book might be going to have lived a long, long time from now in Northern Carolina.” It seems to be the story almost of the Native peoples, and then it begins to mention computers and other technologies of our day… The way the world came to be this way isn’t really seen clearly, only seen in its effects on the people. It’s very interesting to read this way: interesting, and frustrating, because like real history, it doesn’t always show you the bits you most want to see.

Ursula Le Guin’s writing is beautiful, as always, and easy to read and understand despite the invented words and concepts. I sort of imagine this as the way she might build up any culture, in any book, through the scraps of their literature and histories that come to her… It’s quite a nice thought, actually.

I didn’t read the “Back of the Book” section, preferring to keep things vaguer, not spelled out. I will probably read it one day, but not now.

Though I greatly enjoyed this, I don’t know if I’d dare recommend it to anyone. For me it required some patience with the original idea, which turned into delight as Ursula Le Guin once more captured my heart. For others, who didn’t find Earthsea compelling, it’d be dry as dust, I think. And as with many books, but particularly with those that are a bit different, someone might find they love it, when they have never loved Le Guin’s work before — or that they hate it, when they’ve always loved her work.

Rating: 5/5

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Review – Clouds of Witness

Posted December 24, 2014 by in Reviews / 2 Comments

Cover of Clouds of Witness by Dorothy L. SayersClouds of Witness, Dorothy L. Sayers

As usual, Sayers manages a convoluted plot, the characters we love, and some bits of pure fun. Peter’s mother is catching my interest this time — if you focus on it, you can follow through exactly why each of her remarks leads on to the next. Of course, if you’re missing a reference in the chain, you’re doomed, but I’m having fun trying to follow it all through. Sometimes it helps to google things and find people wondering about the same bits, too…

Considering how close to Peter the story is — given his own brother is accused of the murder of his sister’s fiancé, with his sister as a witness — it doesn’t seem as close to the character as we were during the last chapters of Whose Body?, where Peter is having his PTSD episode/recovering from it. Still, there’s plenty of interaction with Parker and Bunter, and plenty of Peter poking his nose in where it’s not wanted (and sometimes where it is wanted, in that timely manner he has). And I have to confess that I really like the way Parker’s affection for Mary is shown, and his interactions with Peter about it.

Of course, as I write this review I’m already through Unnatural Death and nearly at the end of The Unpleasantness at the Bellona Club, so you can imagine the fun I’m having…

Rating: 4/5

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Review – Crow Country

Posted December 23, 2014 by in Reviews / 4 Comments

Cover of Crow Country by Mark CockerCrow Country, Mark Cocker

This is a book more about a personal, anecdotal, observational understanding of crows than a scientific one. It tells us, perhaps, as much about Cocker as about the corvids. It’s written in a lyrical sort of way, with plenty of Cocker’s own sense of wonder communicating itself through his breathless and admiring descriptions. I think he’s achieved what he set out to do, in that I want to go out now and find a rookery, watch some jackdaws, learn the differences between all the British corvids and their calls. It goes to show that you don’t just catch people’s interest with exotic birds: that there’s a lot of richness and mystery right under our noses.

I liked that he included references to crows in literature and imagination, the word-of-mouth descriptions of events like a rook’s parliament, etc. He indicates where this does seem likely to be mythical, and likewise where it might be rooted in fact, so that overall you get an image of the bird as we imagine it as well as the real creature.

I wonder if anyone who has read The Dark is Rising can read this book too without thinking about those attacking rooks, the birds of the Dark, and what Cocker would make of them…

Rating: 3/5

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Review – Black Widow: The Finely Woven Thread

Posted December 22, 2014 by in Reviews / 2 Comments

Cover of Black Widow: The Finely Woven ThreadBlack Widow: The Finely Woven Thread, Nathan Edmondson, Phil Noto

It shouldn’t really be surprising that this comic features a lot of Black Widow being kickass. There’s quite a casual tone to it, though, with some of the things she says, which made me feel a bit like it was trying to be Black Widow a la Hawkeye. A comment like “Pro tip (often learned too late): don’t argue with crazy”… I don’t know, it seems more like smartass Hawkeye than Widow. Not that she couldn’t imitate whoever she needs to, to fit in, but… that’s her mental commentary? Doesn’t feel right.

It’s fun watching Widow be kickass and all, but it did feel a little lacking in that the overarching plot is the same one as every other Black Widow comic I’ve read: Natasha wants to atone for her past sins. Natasha can’t let anyone close. Natasha is a predator. Etc. It wouldn’t be true to the character to drop that, but there are plenty of people who can put a fresh spin on an old story, or bring new motivations and conflicts to an old character. (Steve Rogers facing off against Bucky Barnes in Brubaker’s Winter Soldier is a good example, but Widow facing off against people from her past has been done, and done.)

The art looks gorgeous, though the constant muted red palette is again… something that feels typical. I enjoyed reading this, but it didn’t bring me anything new. It’s a good place to start to build something, and there does seem to be an ongoing plot as of the last couple of issues collected in this TPB, but… I don’t want to be able to predict Natasha Romanoff.

Rating: 3/5

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Review – Whose Body?

Posted December 21, 2014 by in Reviews / 8 Comments

Cover of Whose Body? by Dorothy L. SayersWhose Body?, Dorothy L. Sayers

The first time I read Whose Body?, I don’t think I thought much of it. Little did I know. It’s not just that I’ve come to love the character — though I do — and the actors who’ve portrayed him, the various adaptations, etc. It’s that Sayers is just so damn clever. Even in Whose Body?, which is far from my favourite, you’ve got the mystery to untangle and then you’ve got all the background references to stuff. I keep finding myself looking up names of murderers and famous poisoning victims and random books and… all the sorts of things that Sayers has Wimsey just know. It’s always very gratifying (to borrow a phrase from Bunter) when I know what she’s talking about right away; it lets you feel like part of the cleverness, though I never feel left out when I don’t understand it.

One thing Sayers was very good at is the convoluted type of mystery, replete with five or more red herrings and careful timetables. This might strike you as pretty contrived, and if you’re particularly literally minded, you might wonder how Wimsey, Parker and Bunter always manage to find such convoluted mysteries, which unravel as soon as you hit upon that key detail (x wanted to marry y once, this book is important, he corresponds in French, which tube of paint was missing, when did a new Property Act come into force, etc). If that’s likely to bother you, then Wimsey might not be able to charm you out of it.

But despite all that, it’s not all about the cleverness or the convoluted plots. It’s also about Peter, who is revealed more and more with each book as a good man, as someone with a fragile core, as someone who struggles between responsibility and his love of the chase. And then there’s other characters like Bunter and Parker, good people themselves who are devoted to him, and who you want to see more of…

And Harriet. Just wait until we meet Harriet.

Rating: 4/5

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Review – The Melancholy of Mechagirl

Posted December 20, 2014 by in Reviews / 0 Comments

Cover of The Melancholy of Mechagirl by Catherynne M. ValenteThe Melancholy of Mechagirl, Catherynne M. Valente

The Melancholy of Mechagirl is a selection of Valente’s stories and poetry. As usual with Valente, I have the problem that I love her writing, but not always the substance. The poetry was too busy being strings of pretty words that I didn’t really get the sense out of it; some of the short stories felt so ornate they felt like they were more for show than to really be handled. I know this is my preference here — other people dig through Valente’s prose happily — and I even like it because of that ornateness, in some ways. If I want to see someone being magical with words, I’ll open up one of Valente’s books and find it.

That’s not to say that she’s bad at characters and plot, per se. These stories often draw on folklore, particularly Japanese folklore, and collected like this it’s also apparent that they’re deeply rooted in Valente’s own life, as well. Her time in Japan affected her deeply, and every story holds its footprints. Some of these are really cleverly done, and for plot, ‘Silently and Very Fast’ is great. I love her story of an AI slowly learning about the world, the family and the AI wrapped around each other. Elefsis works as a character, and that ending works really well.

Finally, the title definitely captures the predominant feeling of this collection. ‘Melancholy.’ That’s not to say it’s depressing to read, but it definitely feels written in the minor key (if you’ll let me mix my metaphors).

Rating: 4/5

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Review – Stardust

Posted December 19, 2014 by in Reviews / 8 Comments

Cover of the Illustrated Stardust, by Neil Gaiman and Charles VessStardust, Neil Gaiman, Charles Vess
Review from April 17th, 2009

I just finished rereading Stardust, this time in the illustrated edition. The art is all by Charles Vess, and it’s gorgeous. He has his own style, but the art is all accessible and pretty. I particularly liked the illustration of Tristan and Yvaine kissing, on page 202, and the design of Lady Una. I like the way he’s portrayed all of the characters, really. It brings them to life in a lovely way, and the art is arranged nicely — not distracting from the story, but adding to it.

I’ve always loved the book, and the movie is the movie I watch when I need comfort, so rereading was a happy occasion. I forgot how different the book and the movie are — the movie is definitely an adaptation. Not that it’s a bad thing: the way things happen in the book simply wouldn’t translate to the screen.

The best things about Stardust, the book, are the tone in general and Yvaine’s voice. The tone is kind of dryly humorous, gently mocking the fairytales it comes from and improves on, with fun conversations and great lines. Yvaine herself is awesome, with her grumpy sharpness and her angry obligation and her not-at-all-saccharine love. Compared to the movie, the realisation scenes are maybe a bit dry, and I wish there had been more with the boat in the sky, as in the movie, but all in all, I do love the book so much, and I think it’s one of my comfort-books the same as the movie is my comfort-movie.

Perhaps my favourite part of all is the note Tristan and Yvaine leave, though: “Unexpectedly detained by the world.”

Rating: 5/5

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Review – Etiquette & Espionage

Posted December 18, 2014 by in Reviews / 8 Comments

Cover of Etiquette & Espionage by Gail CarrigerEtiquette & Espionage, Gail Carriger

I read Soulless a while ago, and liked it enough that I had a vague intention of reading more, but not so much I was in a hurry. Likewise, I only really picked up Etiquette & Espionage because I know that Carriger’s work is pretty fun, and it was in a 3 for £5 deal in the Works. And then it languished on my to read pile for… well, just over a year. But I was feeling a bit bleh about the other books I had lying around, so I decided to just go for it and try this — and I promptly read it in one go.

It’s not a book I love like I loved, say, The Goblin Emperor. It’s more like frothy fun. It works well for that, though: 19th century sensibilities in a steampunk alternate history, girls learning to be spies, and a sprinkling of adventure. I liked Sophronia; she’s not perfect, but she tries to be decent, she doesn’t have prejudices, she does her best for the people around her, and she lets nothing get in the way of her curiosity. I guess the best term might be ‘spirited’, which does make me sound like some faintly disapproving adult…

It’s fun, and I’d definitely recommend it to teens who want a bit of adventure and supernatural stuff, without accompanying sparkles or plagiarism. (Sorry, they’re easy targets.)

Rating: 3/5

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Review – Seaward

Posted December 17, 2014 by in Reviews / 6 Comments

Cover of Seaward by Susan CooperSeaward, Susan Cooper

I’ve been meaning to reread this one for a while. It was lovely to go back to it. It’s a bit more mature than The Dark is Rising, I think; certainly, there’s a physicality between Cally and West that isn’t even hinted at in The Dark is Rising. The first time I read it I said that this book ends perfectly, “neither too early nor too late”, and I still feel that way. It’s enough to have the promise of Cally and West’s future, at the end of the book; I don’t need to read about it, and that would take away from the bittersweetness of the story.

I didn’t like this as much as the first time I read it, I think; I still enjoyed it, found it interesting, loved the creativity, but this time I was asking more questions, picking more holes. Why was this element taken from Welsh legends, and not that? When is it set — it feels unrooted, which might make for universality, but it makes it hard to imagine how Cally and West will find each other again, how to read their absence, their changes — and where do Cally and West come from?

It’s beautifully written, though, and full of lovely things: gorgeous passages, enchanting creatures (Peth!), mysteries and metaphors. I do still love it, and I also appreciate that unlike The Dark is Rising, it’s a personal journey, not an all-out fight against absolute evil. The absolutism of the Dark and the Light in those books is completely absent here, with the dichotomy drawn between Life and Death instead, and with both wearing kindly faces and less kind. It’s a journey for Cally and West, one in which they’re frightened, have enemies and allies, but it isn’t moving toward some apocalyptic endpoint, some make-it-or-break-it scene where a few decide the futures of the many.

I’m not sure the new cover does the book any favours, in that sense; the traditional fantasy elements here are the least important.

Rating: 4/5

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