Category: Reviews

Review – Soulless

Posted February 1, 2015 by in Reviews / 0 Comments

Cover of Soulless by Gail CarrigerSoulless, Gail Carriger

I originally read Soulless a while ago, and I didn’t know much about it — just that people found it a lot of fun. And I think I was still being snobby about overt romance in fiction, before embracing my love of Georgette Heyer and Mary Stewart (not that this is solely romantic fiction in that way, though it does share some of the features, like a plucky single heroine who is a spinster, etc, etc). Anyway, I thought it was kind of fun, but I wasn’t really prepared to enjoy it for what it was.

This time, I knew it was often ridiculous, would make me laugh, included a rather shocking amount of bodice ripping detail, etc. And I was prepared to enjoy it for that — and somehow that made it easier to focus on the bits of world-building around that: hive politics, pack politics, human politics, the changes Carriger’s made to history to fit in vampires and other supernatural creatures. I guess in a way it stays disturbingly imperialistic and so on — Victoria is queen, it’s a golden age, silly America is kind of backwards, etc. But really we don’t see much of the rest of the empire; it stays pretty parochial. Maybe the word should be territorial?

The mystery is terribly easy, though, especially the second time around. That’s not so much any actual clues as the fact that the author slaps a certain element into every couple of scenes. It’s not exactly subtle as a Chekhov’s gun.

Still, I’m happy to read this as light fun; as a friend said before, it’s a cream puff of a book. And that’s fine. And hey, the positivity of the sexuality between Conall and Alexia is actually pretty positive, and it’s nice that Carriger doesn’t milk angst out of it with too much obsessing over Alexia’s reputation, etc.

Rating: 3/5

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Review – The Broken Sword

Posted January 30, 2015 by in Reviews / 1 Comment

Cover of The Broken Sword by Poul AndersonThe Broken Sword, Poul Anderson
Review from 18th June, 2011

I was really excited about reading The Broken Sword, because when I first toyed with the idea of buying a book by Poul Anderson — this was actually the first I bought, it’s just took me longer to read — I realised how closely it was based on the style of the Norse sagas I’ve studied. It draws on the mythology, of course, and the path of curses and thwarted love and raiding echoes that of the sagas, but it also echoes their form: the narration, especially to begin with, is very much like a saga, and the verses all comply with the Old Norse metres. In many ways, The Broken Sword is a (relatively) modern example of one of the Skáldasögur — a saga about a skald, or poet, like Kormáks saga. The tale of lost love, and the verses of first love and desire and then lament fit that pattern, albeit not like a glove.

The verses really, really impressed me. They’re written in dróttkvætt metre, which is extremely difficult. A verse is made up of eight lines, divided into equal halves (‘helmingr’). There are six syllables per line, and two syllables in each even line must alliterate with one in the following odd numbered line. Even lines must have a full rhyme within the line with the penultimate syllable; odd lines must have half-rhyme within the line with the penultimate syllable. Each line must end with a trochee.

Add to that the poetic words that would only be used in verse, heiti and kennings, which Anderson imitates to some degree, and… Well, I’m very impressed. It might seem less compelling to someone who hasn’t read verses in Icelandic — translations tend to make it a bit more flowery.

The story itself is perhaps less fresh to me, but I still enjoyed it: basically, it melds British/Irish and Norse mythology, with both the Sidhe and Æsir present, along with the coming of Christianity. Skafloc is stolen by the elves and replaced by a doppelganger, Valgard; the two eventually, and inevitably, come into conflict. In the course of this, Skafloc and his sister Freda, not knowing their relationship, fall in love…

It’s fun — adventure and love and doom and a tragic end, quite fitting for a skald.

Rating: 4/5

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Review – Prickle Moon

Posted January 29, 2015 by in Reviews / 0 Comments

Cover of Prickle Moon by Juliet MarillierPrickle Moon, Juliet Marillier

Prickle Moon is a collection of short stories, most of them previously published but five of them new, and I knew I’d have to pick the book up someday because of that hedgehog on the cover. I love hedgehogs; just yesterday we rescued one from our garden which seemed too small to be out, and sent her off to a carer to spend the winter. Last winter we did that with a couple of hedgehogs; one of them died, but the second lived and was even strong enough to make a break for it. He tunnelled out with some friends and is now living under someone’s decking!

So mostly I got this for the title story, Prickle Moon, because I love my hedgehogs. Like most of the stories in this collection, it’s bittersweet; woven with loss and hope, awful tasks and finding your way through them. Some of the stories are fairytale retellings — Rapunzel, Baba Yaga — and some are new stories very much styled as fairytales, with very familiar motifs. Some of the stories are oddly modern, which jars against the more traditional and more fantastical ones. Marillier’s good at putting her characters into awful situations which require compromise with their morality, and then making it work out so that it isn’t so bad after all. She’s good at grief, and especially healed grief — the kind of grief you learn to live with and live in.

The collection also includes a Sevenwaters story. I haven’t read that series, so it took me a little while to get into it and pick up everything that was going on, but the joy in the ending, the hope, is not something you need to have read Daughter of the Forest and the other books to understand. Though, right now, I’m definitely in the mood to read more of Marillier’s work.

Rating: 4/5

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Review – Pieces of Light

Posted January 27, 2015 by in Reviews / 0 Comments

Cover of Pieces of Light by Charles FernyhoughPieces of Light, Charles Fernyhough

This is rather more anecdotal than I’d hoped, often exploring memories through Fernyhough’s relationship with his own memories: memories of his father, teaching his children about his father, comparing his memories of a place to re-experiencing the place later on, etc, etc. Some of this is fascinating — especially his interviews with his grandmother, recording all the stories she had to tell. It’s a very personal thing, not scientific, but it’s interesting all the same; I sometimes get the same urge with my grandmother, just to capture the weird things she says sometimes that she trots out like proverbs and yet no one has ever heard before!

There are some discussions of more scientific stuff, and most of it seemed perfectly solid from what I know from other authors; it’s just, under the sea of anecdotal data, I don’t feel like I learned much. There’s nothing wrong with the writing style or the content, but it’s more H is for Hawk than scientific.

Rating: 3/5

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Top Ten Tuesday

Posted January 27, 2015 by in Reviews / 20 Comments

This week’s Top Ten Tuesday is ‘ten books I’d love to read with my book club’. I am a member of an awesome group for SF/F, so that’s easy — except that we’re quite particular about the sorts of books we end up reading for discussion. So hmmmm.

  1. The Goblin Emperor, Katherine Addison. This is kind of cheating, because we are discussing it. And actually, I’m supposed to be leading it.
  2. Mélusine, Sarah Monette. Because it’s so different to The Goblin Emperor! (It’s the same author under a pen name.) And it’s a bit more dark than I’d normally go for; I need some impetus to get on and read it.
  3. Century Rain, Alastair Reynolds. Or really anything by Reynolds; I used to like his work a lot, though I haven’t read any in a long time, and Century Rain was my favourite.
  4. Lock In, John Scalzi. We’re planning to read this anyway, but it does sound fascinating. We normally enjoy Scalzi, and this sounds like there’s a fair amount to chew over here.
  5. Captain Marvel: In Pursuit of Flight, Kelly Sue DeConnick. Because hey, I love this series and I want to share it. And talk about how it could be even better and all the places we wanna see Carol go.
  6. Just about anything by Octavia Butler. I think we’ve probably already discussed some of Butler’s work, but it’s all great to talk about (and sometimes problematic, too, in ways that would make it even more interesting to bat it back and forth).
  7. The Unreal and the Real: Collected Stories, Ursula Le Guin. It’s most often Le Guin’s short stories that I find I want to discuss and pick apart to make sure I really understand them.
  8. The Just City, Jo Walton. And we probably will, since we’re big fans of Jo.
  9. Under the Skin, Michael Faber. I’ve been convinced to buy it, so let’s discuss it. I think someone in the group actually suggested this one, too.
  10. Anything by Ian McDonald. I think they might’ve discussed one of his books without me at some point, but I’ve read a couple of his older ones that’re really interesting too.

What about you guys? Any reading groups online to recommend?

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Review – The Goblin Emperor

Posted January 26, 2015 by in Reviews / 4 Comments

Cover of The Goblin Emperor by Katherine AddisonThe Goblin Emperor, Katherine Addison

Yes, again already. I can’t really justify doing a whole new review for this, but I felt the need to at least record that I read it again and loved it just as much — loved the characters, giggled, got embarrassed for them, wanted to just high five someone when they did awesome things. This book is up there among my discoveries of Robin Hobb, Scott Lynch, N.K. Jemisin, Guy Gavriel Kay… I believe it’s Hugo eligible, and I’m pretty sure I’m going to vote again this year for the sake of this book.

Why do I like it so much? Well, here’s my original review; reading the book again, I was excited about the characters (as you can tell from my first paragraph), but also by the world Addison’s created. There’s stuff that’s like the Tudor court or Regency Britain; there’s a more Eastern influence on the religion; there’s steampunk; there’s all the politics, the elf families, the history with other peoples that is only touched on. There’s so much going on with the place of women, the place of queer people in the court, racial difference… and it’s not as if this is a utopia where everything is just as we would wish it, but it’s a world undergoing change with some people meeting it, some people trying to hold it back, some people quietly unaware…

I like a lot of the things it doesn’t show us face-on, too. The complexities of Setheris’ character, his relationship with his wife; Maia’s father, and the fact that despite his neglect of Maia, his court love and respect him; the lot of the more common people which we only glimpse by hear-say; the Great Avar’s court and his relationships with his family. While it’s a rich world, it goes much more for immersion than for infodumping. And if you begin it confused, well, so does Maia; he’s been kept away from most of this society for most of his life, so he’s in the same boat.

I can understand, objectively, that this book is not for everyone. Even some people whose tastes I share quite closely. Subjectively, though, if you don’t like Maia and his struggles, I don’t know if we can be friends.

(I’m joking. I think. Mostly.)

Rating: 5/5 with bells on

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Review – Unlocked: An Oral History of Haden's Syndrome

Posted January 25, 2015 by in Reviews / 1 Comment

Cover of Unlocked by John ScalziUnlocked: An Oral History of Haden’s Syndrome, John Scalzi

This novella gives a lot of the background for Scalzi’s latest novel, Lock In. I was in kind of a reading funk, so I thought I’d try reading something short to whet my appetite for Lock In — or just fiction in general, really. It worked for me: I know what effect Scalzi is going for, and he manages to hit the sweet spot between being too technical and too much like a documentary, and offering glimpses of character (like the President) and an idea of the kinds of things in play when you get to Lock In.

He gets the form pretty well, and while I don’t know much about the technology he suggests, I didn’t see anything completely impossible about the biological aspects of Haden’s syndrome. It pretty obviously draws on the Spanish flu of 1918 and the roughly concurrent encephalitis lethargica epidemic. There are separate diseases which produce the effects Scalzi posits for Haden’s syndrome, he just has them combined — with a suggestion that they have been deliberately combined.

Overall, it can be quite a dry read if you’re not interested in that kind of background, but I am. Still, it’s lacking in real narrative and urgency because of the post-facto documentary nature of it.

Rating: 3/5

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Review – Half-Resurrection Blues

Posted January 20, 2015 by in Reviews / 8 Comments

Cover of Half-Resurrection Blues, by Daniel José OlderHalf-Resurrection Blues, Daniel José Older

This book is made awesome by the setting and cast — it’s full of detail that places it exactly in time and space, in Brooklyn and in the ghost/s of Brooklyn; it’s full of characters with all kinds of origins and all kinds of stories, all of which is supplemented by the kind of details that make them feel real. Mannerisms, foibles, culture-specific ways of speaking or thinking… and it’s never some kind of monolithic culture, but all sorts of cultures in a melting pot, a dialogue. The background of the story was interesting, too: the halfies, the Council of the Dead, the ngks, house spirits… it comes together into a pretty interesting mythology in general.

In terms of the plot, I was less enthused, though it’s certainly not a chore to read. It’s just a little bit predictable; I was constantly reminded of other books while I was reading it, constantly a couple of steps ahead of the plot. Like, come on, who wouldn’t guess that with the ability to kind of read thoughts, a woman would figure out you killed her brother? And that wouldn’t go down well with her? I’m hesitant to even call that a spoiler, that’s just human.

I’m planning to read Salsa Nocturna anyway, and to read more of Daniel José Older’s work, but I wasn’t blown away. It’s more solid fun than something that swept me off my feet.

Rating: 3/5

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Review – The First Fifteen Lives of Harry August

Posted January 19, 2015 by in Reviews / 8 Comments

Cover of The First Fifteen Lives of Harry August by Claire NorthThe First Fifteen Lives of Harry August, Claire North

I have a lot to say about The First Fifteen Lives of Harry August. Starting with: I really want to like it. I’ve followed North’s work since she wrote Mirror Dreams as Catherine Webb; if I recall rightly, we’re about the same age and she was just sixteen when it was published. I loved her narrator, the quirky twists in the way things work. I haven’t read all her work as Kate Griffin, but I enjoyed that as well, as far as I’ve got.

But this one… The idea is fascinating. It’s one that I’ve actually played with before, the idea of someone who goes back to the beginning of their life when they die, retaining the knowledge of what they did before. That aspect of this works fine: the Cronus Club makes sense, the various provisions for helping the kalachakra/ouroborans in their second lives and beyond, even the psychological issues with living multiple lives.

And then time paradox comes to mess it up. You can’t claim in the same novel that messing with technological and scientific advances will cause the end of the world because it changes the way things are ‘supposed’ to be, and then also claim that these people can live totally different lives each time. Like, just their schemes for making money for a start — money you win by betting isn’t money out of nowhere. If you win, someone loses. If you win something someone else won in your last life, then you’ve changed the future. If you come up with a scientific theory in your first life, you have to provide that in each life or you’ve changed the future — you can’t just go off and breed cats instead or something.

The ethical issues about killing kalachakra, making them forget, etc, etc — all of that could make for a great story without that central contradiction. You can’t have it both ways: have your ouroborans conscientious about time, or make them not care about anyone but themselves. The operative word is or.

The narrator just felt flat, often totally without emotion. In many ways it seemed appropriate for the situations, but it isn’t bags of fun to read. So it totally lacked the irreverent, trope-defying smartass voice of Mirror Dreams; for me that was an extra disappointment because I know she can do her narrators really. The relationship between Harry and the antagonist (I won’t reveal the name since it does take a while to become clear) teeters on the verge of being really intriguing, the push-pull that they have; the longing for understanding and the fundamental disagreements between them… and yet with Harry’s blunted affect, it doesn’t hit home.

My rating is mostly based on the fact that I enjoyed thinking about this, puzzling out whether you could write a novel with these premises and not contradict yourself somewhere and how you’d do that. It’s a nice set-up, but… alas.

Rating: 3/5

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Review – Do No Harm

Posted January 18, 2015 by in Reviews / 2 Comments

Cover of Do No Harm by Henry MarshDo No Harm, Henry Marsh

If you’re really squeamish about blood and body parts and squishy bits, this isn’t the book for you. Marsh talks a lot about the practicality of operating on the brain, as well as about interacting with patients, decision making, dealing with outcomes, training new surgeons, etc. He’s very frank about all of it. If, like me, you’re planning to become a doctor, you might want to read it just to get a frank, unvarnished view of what it’s like to work in the NHS, what it’s like to have people’s lives in your hands, and how to (and sometimes how not to) interact with patients and coworkers. He has the humility to admit that he’s not perfect, without false modesty. He’s a brain surgeon, and he’s bloody good at it: if he weren’t, a lot more people would be dead. But he does make mistakes, and he owns up to them — both the avoidable and the unavoidable ones.

Some parts of this book feel painfully real, too. I’ve been the family member being told by a doctor that someone isn’t going to make it; seeing it from the doctor’s perspective is no easier. I really appreciated Marsh’s humanity about these things: he wasn’t afraid to admit that he didn’t want to meet bereaved family members, but he did meet them all the same, and confess to his mistakes where he’d made them.

On another level, of course, the book is fascinating just because it’s about the brain. Neurology or genetics are tentatively my interests right now, and while I’m not going within a football field’s length of neurosurgery, this still had a lot of fascinating insights.

As a volunteer for a charity for the blind, I heard about a patient my age who had brain surgery. She was fine before, aside from the tumour on her pituitary gland which was just starting to cause problems. She came out of it totally blind; in removing the tumour on her pituitary gland, the surgeon also irreparably damaged her optic chiasm (where the optic nerves cross). Mostly, I’ve thought about this from her perspective — now I find myself wondering about that surgeon. Did he think it went perfectly, until after? The damage might not have been apparent until she woke up from anaesthesia. He did well, otherwise; got the whole tumour, as near as damn it. And yet the course of that young woman’s life is completely changed all the same. A lot of the things she wanted to do aren’t possible anymore. I bet it felt just a little bit like failure, even if he saved her life.

It makes me doubt being a doctor, a little. But it also makes me think about the importance of good doctors — not just technically good, but doctors who try to do good; who may make mistakes, but admit to them, and try to redress the damage. I want to be one of them, for sure.

Rating: 5/5

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