Although this fits into the Arthurian world constructed by Stewart in The Crystal Cave and the books that followed it, The Prince and the Pilgrim is really a separate story which has perhaps more in common with her romances. She takes a short incident from Malory and expands on it, and dwells on Morgan and her wicked seductive ways (yawn) into the bargain. It’s not a bad story, and her gift for evoking atmosphere and landscape shines through, but I found it very light. The most intriguing aspect involved the references to the Merovingian kings and the way it wove Alice’s story in with a real historical context.
The ending is more or less inevitable, even if you don’t know the original story, and Stewart’s embellishments are mostly pretty tame. A fun light read, but not really a return to the world of The Crystal Cave in anything but name (and that devotion to Morgan being a sexualised, predatory witch).