Tag: SF/F

Review – The Grey King

Posted January 9, 2016 by Nicky in Reviews / 2 Comments

Cover of Susan Cooper's The Grey KingThe Grey King, Susan Cooper

I somewhat put off reviewing The Grey King after finishing reading it, because I’m not sure what there is to say about it anymore. I’ve rhapsodised about it at length: the use of mythology, the casual use of the Welsh language, the home-ness of the landscape and the people… The shades of grey and the adult touches when it comes to Owen Davies and John Rowlands, and Will Stanton’s interactions with them. There’s some beautiful passages, especially the section spent in Craig yr Aderyn, and some genuine moments of horror, loss, anger, fear…

And there’s Bran Davies. One of the first Welsh heroes I came across in fiction — at the age of sixteen or so. And he really is Welsh; Welsh-speaking, Welsh-thinking, a part of the Welsh landscape and mythology. But he’s also very human — vulnerable. Angry. Resentful, even. Strange and unhappy and alone. And then his friendship with Will is just lovely, the immediate rapport between them, the ways Will being an Old One damages it, the ways Bran adapts.

And there’s Cafall. All too briefly, but so key to the plot, to Bran.

There’s quite a lot of more adult themes here — quite far from the world of Over Sea, Under Stone, which is almost entirely concerned with Barney, Jane and Simon. There’s Owen’s grief for Gwen; Gwen’s grief at betraying her husband; the jealousy and rivalry between Owen Davies and Caradog Prichard; Arthur’s yearning for connection with his son… And of course, those shades of grey I mentioned. The conversation between John and Will about how the Light will ignore the good of a single person to pursue the greater good, and John’s reaction, really highlights to me that the humans are the real heroes of this series. And the villains, too, because Lords of the Dark choose to become what they are — they aren’t born, like Old Ones.

Rating: 5/5

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Review – Beauty

Posted January 7, 2016 by Nicky in Reviews / 2 Comments

Cover of Beauty by Sarah PinboroughBeauty, Sarah Pinborough

Beauty wraps up the trilogy, tying the books together even more and linking even more fairytales. It’s written in the same style as the previous two, and illuminates some points from the other books — including the characters of the Prince and the Huntsman. It’s all a little too neat for my tastes, and I think this might’ve been my least favourite of the books; the gruesomeness and sex was exaggerated even further, and we spend far too much time with the Prince, who we know is not exactly the nicest of characters. (Though perhaps this book explains it, somewhat!)

The ending, the epilogue part, was just infuriating — is this the end of a trilogy? Are there more books coming? I’m confused; it seems to promise that there will be resolution of this plot, at some point, maybe, but not now? The character is just left hanging in the most infuriating sort of way: there’s a way out of her situation, right, so what is it? I want to know! (Though the choice to combine Sleeping Beauty and Beauty and the Beast is quite fun taken as a concept, I just wish there was an actual resolution.)

I do like the way that Pinborough has twisted and combined the fairytales into one landscape of story. It might be a bit too clever by half, but I’ve been getting used to it, and it’s kind of fun to play spot-the-fairytale — and also spot the references to other people’s versions. The language works well, although it makes the sexual imagery all the more surprising — reading it, you’d think it’d be suitable for a child, or almost. And then… oh. Perhaps not!

Rating: 3/5

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Review – Before They Are Hanged

Posted January 4, 2016 by Nicky in Reviews / 4 Comments

Cover of Before They Are Hanged by Joe AbercrombieBefore They Are Hanged, Joe Abercrombie

It’s surprising, looking back now I’ve finished Before They Are Hanged, to discover how little progress has really been made in the book. I originally commented that this book mostly sees character development, and that’s the case again — we see more of Logen’s dark side, more of Ferro’s softer side (which is only really marginally softer), and we begin to see Jezal shaping up into a half-decent sort of person. West and Glokta continue to be conflicted figures (though all the characters, really, are conflicted), caught between their flaws and their devotion to their duties, and whether those duties are even the right thing to do in the first place. And Malacus Quai… becomes more of an enigma; I was interested by the slow hints of his development, though we don’t really spend any time in his head, and I don’t recall what happens to the character.

As with the first book, half of these characters are pretty terrible people. Either they’ve done terrible things, they want to do terrible things, they’re doing terrible things, or they will do terrible things. Or terrible things have been done to them. The tentative relationships between Glokta and Ardee, Ferro and Logen, Glokta and Vitari, the growing trust between all of Logen’s group… All of these are well done as well. Mismatches and uncertainty and snatching things where you can find them… Again, it all feels real.

In many ways, this is typical fantasy. The Shanka are basically orcs, Bayaz appears to be Gandalf, the set up for Jezal to be a king is rather obvious… But there’s also grit and realism which was absent in The Lord of the Rings, which people usually point to as the archetype. I’m not sure I wanted to know that men’s nipples chafe when travelling in a rainstorm, but I know for sure that Tolkien wouldn’t have included that in his mythology!

Yes, it’s fairly obviously a part of the tradition. But I think it comments on it, too, and stretches it a little. It’s not all typical. And if you’re expecting Tolkien’s eucatastrophe, Joe Abercrombie seems fairly set to disappoint you.

Rating: 4/5

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Review – Siege and Storm

Posted January 3, 2016 by Nicky in Reviews / 4 Comments

Cover of Siege and Storm by Leigh BardugoSiege and Storm, Leigh Bardugo

Siege and Storm, the second Grisha book, wasn’t quite as absorbing as the first, Shadow and Bone — though that would be difficult, since I read the first half of Shadow and Bone while walking back from the library. I’m not even kidding. I think the pacing was a bit off here, and the fact that the book is almost 100 pages longer did it no actual favours. It’s still a pretty quick read, but the extra 80 pages felt like unneeded bulk.

Or perhaps that’s the added time I spent disbelieving that Mal would keep being such an idiot. He plays right into the hands of his rivals. It’s like he liked Alina when she wasn’t powerful, when she needed him to look after her, and he could feel superior because he was taking care of her, he was the only one who saw her worth, etc. Granted, Alina herself is changing (and I liked that journey, the way the power is changing her and the conflict she feels about it) and of course that concerns him, but it doesn’t seem to be about that. He just doesn’t like that she’s no longer devoted to him and that she’s no longer his to protect.

Which is, well. Kinda gross.

Nikolai, on the other hand, is pretty awesome in all his guises. I like that the way he acts is carefully examined — he’s manipulative, and he knows it and uses it, but at the same time, he’s not 100% comfortable with it. He seems to care about his mother and about Alina. He also genuinely cares about his country, rather than wanting power for the sake of power. And unlike Mal, he’s very clear about what he wants and expects of Alina.

The Darkling isn’t much in evidence here, with just a handful of scenes. That leaves the book a little lacking, I think; his opposition isn’t enough felt for a good 100-150 pages in the middle. It makes the showdown at the end very sudden. I’m not mourning the loss of his manipulation of Alina — interesting parallel to Nikolai, who is at least open about it — but he felt a little… lacking in bite.

I’m interested to read the third book, and hopefully it’ll get more of the momentum back. This seems like a lot of criticisms, but I did enjoy Siege and Storm enough not to drop it another star.

Rating: 4/5

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Review – The Dark Arts of Blood

Posted January 2, 2016 by Nicky in Reviews / 0 Comments

Cover of The Dark Arts of Blood by Freda WarringtonThe Dark Arts of Blood, Freda Warrington

The Dark Arts of Blood is much like the other books in this series: lush, sexy, gothic, and unapologetic about that. The plot and such are more or less the same sort of fare: mythology shaping the world, the world shaping the mythology, the vampires trying to live in peace but being fundamentally at odds with the world because of their need for blood… For the most part, this belated addition to the series works seamlessly with the earlier books; it also doesn’t descend into any kind of nostalgia for the older books. There are consequences. Things happen to characters who we wished were safe. The mythology and magic of the world — and the tumultuous period of history the books are set in — continues to intensify.

One thing which didn’t work for me was the sub-plot with Charlotte and the lamia. It’s much the same kind of conflict she’s already faced, which was resolved in The Dark Blood of PoppiesI didn’t buy that it would resurface like this, especially when other vampires didn’t face similar problems at all with the same stimulus.

Still, the addition of more vampires to the world, going further afield and seeing other countries, is definitely welcome. And despite the fact that they got together in the first book, the relationship between Charlotte and Karl still has the same intensity now. It’s also good that despite the fact that they disagree, there is rarely high drama about it — the second book showed the biggest threat of that, but they worked on it. That is always great to see in romance fiction.

Bottom line? If you like morally ambiguous, often amoral vampires who are actually scary and otherworldly and not just humans with stick-on fangs and extra sex appeal, I do recommend this series. I’m thinking of acquiring the books for myself (I read them all from the library) for later rereading. I never expected to get so caught up, from reading the first book — there’s something so deliciously self-indulgent about them.

Rating: 4/5

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Review – The Ocean at the End of the Lane

Posted January 1, 2016 by Nicky in Reviews / 6 Comments

Cover of The Ocean at the End of the Lane by Neil GaimanThe Ocean at the End of the Lane, Neil Gaiman
Originally reviewed 8th September, 2013

I don’t know how to review this. Skimming other people’s reviews there’s a lot of debate over whether it’s adult/young adult fiction (haven’t seen anyone advocating for “new adult”, or whatever the term is — that is one genre it certainly isn’t, even saying that as someone in my mid-twenties), or about the length. Or people just enthuse (or don’t). It’s certainly a very quick read. As for who it’s suitable for — there’s a quote somewhere in it about myths, about how they’re stories that just are. “I liked myths. They weren’t adult stories and they weren’t children’s stories. They were better than that. They just were.” That’s how this felt to me.

It certainly has points best appreciated by different audiences. I don’t know if Diana Wynne Jones was alive to read it in any form, but she would have been an ideal reader for it, I think. There’s something on the mythic level that would appeal to a child (at least one like the narrator, which I think I was — certainly you could say of me that “I lived in books more than I lived anywhere else”). And there’s an adult level, about memory, and forgetting, and nostalgia for childhood. Some of which I think Gaiman is very wise about. For example…:

I do not miss childhood, but I do miss the way I took pleasure in small things, even as greater things crumbled. I could not control the world I was in, could not walk away from the things or people or moments that hurt, but I took joy in the things that made me happy.

A lot of people think they miss childhood, but they’re looking back at a utopian fantasy. But here Gaiman’s narrator (which people to some extent seem to identify with him himself) is picking out something about childhood that we really do lose: the ability to live in the moment. Or at least, he gets nearer the heart of it than many people do.

Despite that, just as a story… I don’t know how much I enjoyed this. I suspect I’m the wrong age for it, in a way. I’m still a bookish kid at heart in enough ways that I appreciated the mythic aspects, but I think the adult aspects, the question of memory… I think that’ll be more meaningful when I’m older. If it helps to pin down my reaction, I will certainly read this again someday. Right now I do resonate with the brief image we get of the narrator at twenty-four, uncertain and unhappy, searching for reassurance.

The mythic aspect of Gaiman’s world is fascinating: ultimately unknowable, somehow, even as it focuses on mundane things like broken child’s toys and mending clothes. That leaves you with little to get hold of — and, as with many things about this book, I’m ambivalent about that, too.

Rating: 3/5

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Review – The Blade Itself

Posted December 31, 2015 by Nicky in Reviews / 4 Comments

Cover of The Blade Itself by Joe AbercrombieThe Blade Itself, Joe Abercrombie

I read this trilogy a few years ago, around the same time as I read Scott Lynch, and I was totally excited about the new voices in fantasy at the time. I remembered that much, and also that this was very much “grimdark” and gritty and portrayed a not-so-pleasant world. But I knew I’d have to reread it, at least for my own personal satisfaction, before I finally get round to other works in the same world. With the vague memories I have of the first time I read this trilogy, it’s apparent just from reading The Blade Itself that this is better crafted than I realised at the time. Things I didn’t notice before are popping up and demanding my attention.

The whole world is… not very pleasant. And every character seems to have their flaws — battle rage, abusive tendencies, the simple fact that they take joy in their work of torturing people, the fact that they’re spoilt, drinking, anger issues… And yet at the same time, they’re very compelling to me. They’re real, because Major West (one example) is a good man who works hard and wants the best for his sister, as well as being the guy that lashes out at her because she doesn’t act the way he wants. Jezal dan Luthar learns to care about people other than himself, to see women as more than decoration, because of his interest in Ardee. They’re flawed and yet they’re changing, growing; there’s hope. You can even find moments of sympathy with the torturer Glokta, because he’s been twisted and broken by other people. Because his anger and pain are justified and honest.

The world is also interesting, because it feels lived in. There are ruins, monuments, old places where no one has gone. There are things each country doesn’t know about the others.

You do have to read the whole trilogy to get the real satisfaction of this book, I think; the ending isn’t a cliffhanger, but it also isn’t a resolution, either.

Rating: 4/5

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Review – The Masked City

Posted December 29, 2015 by Nicky in Reviews / 8 Comments

Cover of The Masked City by Genevieve CogmanThe Masked City, Genevieve Cogman

The Masked City is a sequel to The Invisible Library, following the same characters… With possibly even less time in the actual library, which is my only real disappointment here. Technically, I received it to review — but only the day after I’d already bought a copy. I was eager to get my hands on it; the first book was a lot of fun, even if I didn’t enjoy it as much as, say, Bastian’s Book Reviews did. (Trivia: a quotation from his review appears on the back cover, and in the first couple of pages!) I’m actually thinking that based on reading The Masked City, I might have judged The Invisible Library too harshly — I think it quite likely deserved four stars, rather than the three I gave at the time.

The Masked City is a worthy sequel, with all the same intriguing worldbuilding, interplay between characters, and the sense of fun. It’s fast-paced and plays with all kinds of tropes along the way — the master spy, the great detective, the enemy operative… and even fairytales. And dragons; non-conventional dragons, but dragons nonetheless.

And let’s pause for a second to appreciate once again that Irene, the main character, is an undercover Librarian who is protected from deceitful Fae magic by her Library brand, who is tasked with stealing books to strengthen the connections between worlds and stabilise them, and whose magic and ways of travelling and understanding the world all revolve around books.

Sign me the heck up.

Plus, of course, the main character is a woman who knows what she’s doing, who rescues her (male) apprentice and generally plays the hero’s role with aplomb, and knows the power of words — and a good book. Hurrah, say I.

My only quibble is that the extra material at the back isn’t that interesting. If you’re going to give me Irene’s best heists, I need at at least a short story. Not a paragraph!

Rating: 4/5

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Review – Word Puppets

Posted December 28, 2015 by Nicky in Reviews / 4 Comments

Cover of Word Puppets by Mary Robinette KowalWord Puppets, Mary Robinette Kowal

Received to review via Netgalley

Word Puppets is a collection of short stories written by Mary Robinette Kowal, arranged — if we can trust the alleged Patrick Rothfuss’ introduction — in the order they were written. I always think that’s a fascinating way to read an author’s work, because you get to watch their skills develop, their interests change, etc. This particular collection comes with an introduction written by Pat Rothfuss… which is a little suspect because in a little game they had on twitter, Kowal was better at being Rothfuss than Rothfuss was.

If that confused you, don’t worry; I think it bent more than a few brains.

As a whole, in any case, it’s an entertaining collection. There were one or two weaker points, where by my personal lights the twist was just a little… I saw it coming. ‘For Solo Cello, op. 12’, for example. And looking at the list of titles, there’s some where I can’t figure out which story they were, which you can attribute either to my terrible naming or perhaps less than memorable/well-matched titles/stories. ‘For Want of a Nail’, what was that one… ah, the one with the conflicted AI.

Still, for the most part I think Word Puppets is a strong collection, solidly entertaining, and what’s also nice, it has a wide range. Fantasy, various kinds of spec-fic, different settings, older protagonists… And it’s definitely quite different to her Regency/fantasy novels (which I do enjoy, but it’s nice to see Kowal taking on other frontiers). I enjoyed most of the stories, and I think particularly ‘Chrysalis’, ‘Body Language’, ‘The Lady Astronaut of Mars’ and ‘The Consciousness Problem’. Some of them really are sticking in my head, to be thought about later — so that’s a good sign.

Rating: 4/5

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Review – Charm

Posted December 27, 2015 by Nicky in Reviews / 4 Comments

Cover of Charm by Sarah PinboroughCharm, Sarah Pinborough

I liked Charm more than the first book, but I’m still somewhat wondering exactly what to think about this. There’s less of a focus on sex in this book than in Poison, and what there is ends up feeling less exploitative and like power-play. Indeed, two of the scenes include a lot of tenderness, for quite different reasons. I can appreciate the world created, in which sex isn’t a huge deal but can be a way to share joy.

It’s also an interesting set-up world-wise, with Robin Hood making an appearance and more references to Hansel and Gretel, etc. It’s all a bit too wildly promiscuous about the stories mingling for my taste — there seems little rhyme or reason behind it — but it’s kind of fun to figure the references out, anyway.

As with the first book, the narration remains fairytale-like, and the twists on the original story are quite fun. For example, the ‘ugly’ step-sisters aren’t really ugly at all, and Cinderella’s hatred of her step-mother is rather unjust… but she is lower class than them and she does work around the house, and she doesn’t go to the balls. And her sister, Rose, tries to cut off her own toes to fit the shoe… because she believes it’s what her mother would want. The characters aren’t necessarily likeable, but for me that isn’t so much an issue with the clever sort of tale chosen here. I think you’re only meant to be able to sympathise with Rose, and not so much Cinderella. It’s showing up the selfishness of pursuing a dream to others’ cost.

I’m definitely going to read the third book, Beauty; the three aren’t that closely linked together, I think, but thematically they compliment each other — and the Fairy Godmother is someone you’ll recognise if you’ve read Poison

Rating: 3/5

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