The Hollow City, Ransom Riggs

I don’t think I have much to add with this book that I didn’t already say when it came to the first book. The juxtaposition of the vintage photography and the story works pretty well, even if the story rather demystifies the photographs by giving them explanations. The pacing is rather less glacial here, because the waiting’s over — a plot is in motion and the children have to keep moving, no matter what.

A little annoyingly, the books lead straight on, one from the other. You ideally need the next one on hand right away. My library doesn’t have the next book yet, so I can’t do that. There’s very little closure to make it feel like a natural ending — just, bam, another crisis, another problem, and… what now?

Well, I do want to find out, but if I have to wait, I’ll probably start forgetting details and get confused when I try to read the next one.

Rating: 4/5

Miss Peregrine’s Home for Peculiar Children, Ransom Riggs

From the description and the photographs included, I expected this book to be creepier than it was. The story itself, though, didn’t really creep me out — the photos are weird, but having in-story explanations for them kind of takes away that mystery and power. It’s still pretty atmospheric, but not creepy in the way I expected. I was a little surprised to see the fairly lukewarm reviews, though, because I got caught up in the story that’s actually here, and didn’t really mourn the one I didn’t get. (Probably partially because I am a gigantic wuss.)

I had some issues with the characters — why are those people who are repeating the same day over and over, who are hundreds of years old, still acting like children? If they’re learning, why aren’t they changing? They don’t lose their memories, so how are they so static? Even though the headmistress does so much to try and keep them within her loop, and satisfied with it, she can’t stop them interacting, learning from each other and from new people. The situation simply couldn’t stay so fixed, even with the threats the little community faces.

Still, I enjoyed reading this; the narrative swept me along enough that I actually finished it in one sitting, and I’m pondering getting the next book right away. Something about it manages to be compelling, so that I didn’t even really ask these questions while I was reading. Perhaps one best not overthought!

Rating: 4/5

Hard to Be a God, Arkady & Boris Strugatsky, trans. Olena Bormashenko

I was fascinated by the sound of this when I came across it in the library, because I really liked Roadside Picnic, and because the foreword mentions parallels with Star Trek and Iain M. Banks’ Culture novels. However, I found this… pretty much unreadable. There’s a sort of opaqueness I associate with reading Russian novels in translations, but in spades. Supposedly, this translation is much more readable than the old one, which was done via German, but… if that’s the case, I hate to think what the old one was like.

It’s really disappointing, honestly, because the foreword makes it sound interesting, it’s blurbed by Ursula Le Guin, and the parallels mentioned are there. But I couldn’t even hold onto the meaning of the action — why did this character say that, what was the significance of that…

I might try again at some other time, maybe with the other translation, or with some future translation. The setting itself — being fairly traditional-fantasy-esque — doesn’t bother me, and I did, as I said, enjoy Roadside Picnic. Hm.

Rating: 1/5