The Ghost Train to New Orleans, Mur Lafferty

The Ghost Train to New Orleans picks up where The Shambling Guide to New York City left off, taking Zoe and her team (some of them new, some familiar) to New Orleans, and deepening the plot concerning Zoe’s abilities. It’s a little tropey — Zoe is an orphan, and the reason that her ability is rare is due to a purge in the coterie community where, for some reason, they felt a bit cross about people like her using their abilities to kill people. Zoe continues to be rather put off by some of the coterie around her, their abilities and tastes, and sometimes that just doesn’t make her look good.

But it’s still a really fun read, and I ate it up. I appreciated the way it dealt with Arthur and Zoe’s little budding romance (which dies on the branch before the end of this book, in case anyone was worried about urban fantasy tropes), and the way it was affected by Arthur’s problems. It becomes very clear that nothing comes for free in this world, which takes a particular character in an new direction — which could’ve been fascinating, if there were any more books to come.

I’m probably overlooking more faults, but honestly I wasn’t interested in picking nits. I really enjoyed the tone and some of the lore, and I wanted to know what happened. That was enough for me.

Instead, alas, I learn that Orbit only took on the two. Publishers, you’re mad. I’d grab the third book eagerly if it existed — I read the first two in two days.

Rating: 4/5

Saturn’s Children, Charles Stross

I haven’t really got on with any of Stross’ books, but I’ve never hated them in the way that made me really disinclined to pick up another. I was hopeful about Saturn’s Children — I can’t remember why, but I think it was somebody’s review. And I must say that I probably got along with it better than with most of Stross’ other work that I’ve read. Unfortunately… that isn’t saying much, and there was a great deal I found annoying or even icky about this. I know that it’s meant to be a pastiche/parody of a certain period of Heinlein’s writing, but I haven’t read those books, so I don’t know the references, which didn’t help.

But mostly it’s the way, way over-sexualised stuff and the heavy-handed rape metaphors, and a general feeling that nothing could be off-the-wall enough to surprise me. It’s not that I predicted the plot, it’s just that I felt it might go more or less anywhere, regardless of the information I already had. That’s a feeling I really hate when I’m reading fiction.

It’s not like Freya actually breaks out of the sex-doll-turned-spy mould at all. She pretty much does exactly what you’d expect, with a pouting petulance all the way. She didn’t have a distinctive voice, which made it difficult to tell her apart from Juliette and figure out the personality changes. It did keep me turning pages, but mostly just to get to the end.

So, overall, meh. (For me. I know I’m in a minority in being lukewarm at best on Stross’ work.)

Rating: 2/5

The Shambling Guide to New York City, Mur Lafferty

I was kind of avoiding these because… I don’t know why, really. I thought it might be more like World War Z; a gimmicky set-up with comparatively little story. Wrong! There’s a solid story and direction behind The Shambling Guide to New York City, and though it does contain excerpts from the actual guide, the book itself is not written as a guide to New York City from the point of view of monsters — called, in this book, coterie. Instead, we follow our intrepid, sometimes somewhat slow heroine, Zoe, as she accidentally gets herself employed by a coterie company, learns that monsters are real and do want to eat her, and gets dragged into epic showdowns of opposing coterie.

Okay, in a way it’s wish fulfilment, because Zoe is adaptable, quick on her feet, able to train to learn to cope with all this. Most real people wouldn’t be a quarter as adaptable. But it worked for me all the same: I loved the rather mild Phil the vampire, who turned out to have a vicious side after all. (I don’t know what it is with me lately, but I’d fancast Clark Gregg for this role too.) It reminded me a bit of Cherie Priest’s Bloodshot and Hellbent. There wasn’t too much romance, and the creepily persistent (or persistently creepy) incubus who wants to seduce Zoe gets nowhere fast.

I love most of the characters — Gwen, the Welsh death goddess; Morgen, the water sprite; Granny Good Mae, the… slightly eccentric Yoda to Zoe’s Luke Skywalker. And those I don’t like still make sense, rather than being caricatures designed to be hated, except maybe one particular character.

Overall, I found this thoroughly enjoyable, and I immediately went on and devoured (heh) the second book, The Ghost Train to New Orleans. Recommended!

Also, the covers! Jamie McKelvie, I believe?

Rating: 4/5

Shanghai Sparrow, Gaie Sebold

With this book, if you’ve read one steampunky book with a plucky young protagonist who goes to spy school, you’ve read them all, including this. It reminded me of Gail Carriger’s work, with less romance and humour. That’s not a bad thing, even though this sounds like damning with faint praise; it’s a fun book, and the crossover with faerie lore is fascinating — steampunk, plus fox spirits and fairy courts who spirit away humans.

It’s reasonably predictable, but it moves along at a pretty good pace, apart from one interlude which delves into the main character’s past and rather stalls the narrative. It’s enjoyable that it’s mostly not about romance, and that one of the main character’s preoccupations is actually — slight spoiler ahead — finding her mother, who she thought was dead. The ending felt a little easy, in that you had the characters all tangled up in spy school and people’s plans and then… suddenly, they just manage to walk free.

I’m not desperate to read the second book, but I had fun. Sometimes, that’s what you need.

Rating: 3/5

The Ghost Line, Andrew Neil Gray, J.S. Herbison

Received to review via Netgalley; publication date 11th July 2017

I didn’t expect to find this so creepy, but wow, it ended up getting under my skin. I thought I’d just start it, see what it was like before bed… and then I read the whole thing. I loved the partnership between the husband and wife team, and the whole idea of a space-liner drifting on an old cruise path just to keep the rights to it. There’s not much explanation for why what happens on the ship occurs, but it’s almost better that way — you don’t understand why anymore than the characters do.

I loved the ending, too. It’d have been easy to give readers an easier, happier way out; to have some kind of compromise be reached. Instead — well, I’d better not say too much. Suffice it to say that it works really well, and though it’s not horror, it definitely has a heck of a creep factor in places.

Rating: 4/5