Gaudy Night, Dorothy L. Sayers

Featuring Joanna David as Harriet Vane and Ian Carmichael as Lord Peter Wimsey

Gaudy Night is the odd one out in both the radioplays and the books. It was recorded later, I think, and it shows — Ian Carmichael sounds almost winded half the time, though it does get better as the book goes on. It’s quite a different tone, too, because it’s from Harriet’s point of view. In the audiobook, this involves a fair amount of first person narration of her thoughts and feelings, which was never a feature of the other audiobooks, which makes it stand out as well.

That said, it’s a pretty good adaptation, drawing together all the key features well and giving clues through the voice acting as well as the plot. In audio, it’s a little hard to keep track of all the female dons, but that doesn’t seem to get in the way too much. And Harriet’s realisation of her feelings for Peter is well done; I think I prefer Sarah Badel’s take on it in Busman’s Honeymoon, but it works.

Rating: 4/5

The Nine Tailors, Dorothy L. Sayers

Featuring Ian Carmichael as Lord Peter Wimsey and Peter Jones as Bunter

The Nine Tailors is a book I think about fondly, although I can’t quite think of why. Some of it is the atmosphere, I think: the Englishness of this little village in the Fens, and the music of the bells woven all through the story — or, not music exactly, but the complex mathematical patterns of British bell-ringing. In a way, that’s how this mystery feels, too: it’s complex, with several mistaken identities and a long unsolved mystery. It’s also a sad one, because a family gets shattered through almost no fault of their own.

And the Reverend and his household are dear characters, of course.

The audio adaptation is pretty good, managing to make all the complex threads come together well. Ian Carmichael’s voice acting is great most of the time, though maybe a trifle overblown during the scene in the belfry. I guess it’s difficult to portray that scene without Peter constantly vocalising, though.

Rating: 4/5

Murder Must Advertise, Dorothy L. Sayers

Featuring Ian Carmichael as Lord Peter Wimsey

This is a fun story in terms of the whole idea of Peter being undercover, actually working for his living in an advertising company. Here it makes perfect sense that he’s great at it, and the way he pokes around shamelessly is a delight. I’m not so enamoured of any of the secondary characters in this one, though: Parker barely appears, Bunter and Harriet are entirely absent, and the other characters are all new (and confined to this mystery). It remains fun, but it’s not one of the ones that get me emotionally engaged.

It doesn’t help that in the radioplays, Gabriel Woolf no longer voices Parker; it’s someone else, whose voice doesn’t fit half so well. It might if we’d never had Woolf, but as it is, it’s very distracting. I know exactly how the real Parker would say those lines, and this guy is all wrong… It’s much worse than the changing voice actors for Harriet, somehow.

The ending is an interesting one, in terms of Peter’s moral responsibilities. Several times he ends up having pity on the people who have, after all, committed crimes, and giving them an easy way out. They don’t escape to live perfect lives, of course, but all the same, Peter doesn’t hand them over to justice and punishment. It’s something only a gentleman detective could or would do, and I’m not sure how I feel about it.

Rating: 3/5