First of all, I love that the new edition has an introduction by Edward Petherbridge. Ian Carmichael was a brilliant voice for Peter, but if I could picture Peter, I think it’d be Petherbridge I’d see. And his introduction is fitting: erudite and respectful of Sayers’ work, but also playful.
The novel itself, well: it’s Strong Poison. I love it for so many reasons. Okay, I do get a little frustrated with Peter for making the fact that Harriet is likely to be hanged about how awful it is for him, when he barely knows her and has just fallen in love at first sight. But there’s so much witty banter, and Miss Climpson is a delight as well. And there’s the fact that this is the start of a relationship which is never fulfilled until it is equal: they start off so unequal, and Harriet’s prepared to just give in and leave things that way, but Peter steps back and waits and waits and… There could be an easy happy ending, but instead there’s a relationship that has to be worked at, until mutual respect is reached rather than pity or gratitude. No consent but free consent — how can I not applaud that story?
The mystery itself is of course tortuous, but you’d expect that from a Golden Age story like this. Peter, Miss Climpson and Bunter keep it from being weighed down — along with Parker’s delightful realisation about Mary.