Tag: book reviews

Review – Moon Over Soho

Posted February 13, 2015 by in Reviews / 7 Comments

Cover of Moon Over Soho by Ben AaronovitchMoon Over Soho, Ben Aaronovitch
Review from August 12th, 2011

I found Moon Over Soho more compelling than Rivers of London, somehow. It was a bit unputdownable, which is a quality I’ve been missing in my books lately, so that’s nice. Yeah, Peter’s led round by his dick here, too, and fails to think about things because he’s too busy having sex with them, and yeah, he’s got serious manpain over Leslie, who he also makes do all his menial work, but… The plot moved at a decent pace, and set up some plot threads which will no doubt be ongoing.

It still reminds me of the Dresden Files, and I’m still not enamoured of the treatment of the female characters, but it didn’t irritate me as much as I expected — I think I’ll continue reading this series. (Mind you, I didn’t give up on the Dresden Files right away, so there’s still time for it to annoy me.)

I read it more or less all in one go — in three sessions, in one day — so that’s definitely a bit better than the first book, which took me seven reading sessions over just over a week’s time. So if you were only planning to pick up Moon Over Soho if it was better than Rivers of London, showing that bit of improvement, well, it does.

Rating: 3/5

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Review – Tempting the Gods

Posted February 12, 2015 by in Reviews / 0 Comments

Cover of Tempting the Gods by Tanith LeeTempting the Gods, Tanith Lee

I keep thinking I haven’t read any Tanith Lee, but I think this is my third now. She has an interesting writing style: lush, rich, layered. Insinuating. I’m not always a fan of the darker themes that seem to run through her work (I disliked White As Snow because of the rape theme, for instance), but I can’t deny how lovely her writing is. Sometimes it’s a little too much, like a cake that’s too dense and too sweet. It reminds me a bit of Catherynne M. Valente’s work, though more solid.

As you can tell, her language is tactile, sensual; you can’t help describing it as a physical thing.

Some of these stories were just right for me, though. I loved ‘Death Loves Me’, ‘After I Killed Her’ and ‘The Lady-of-Shalott House’, for instance. She does enchantment so well, weaves the plots of her stories so carefully that you can almost see the solution before you get there, and yet it doesn’t feel predictable. Just right.

Rating: 4/5

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Review – Blackbeard

Posted February 11, 2015 by in Reviews / 2 Comments

Cover of Blackbeard by Angus KonstamBlackbeard, Angus Konstam

Another entry in “Nikki picks up the most random stuff at the library”, though this might’ve been around the time Assassin’s Creed: Black Flag came out, when I also picked up a book on George Washington I haven’t read yet… In any case, this turned out to be a bit disappointing. There’s a wealth of information here about pirates in general, their ports and habits and motivations, and yet it all seems to work out to a big heap of nothing when it comes to Blackbeard. The conclusion seems to be he’s more myth than man, because what we have of him was witnessed by terrified victims and the authors of sensational tales — i.e., not the most likely group to stick to the truth and nothing but the truth.

It’s interesting to get an idea of what does survive from the period, but most of it is very flimsy, and it makes it worse that Konstam will introduce it, dismiss it, and then still build other suppositions on it. For example, he establishes that there’s no proof beyond gossip for Blackbeard being a Bristol boy, and then goes on to build a whole theory about his piratical career on the basis of him being a Bristol boy. The two theories then prop each other up, neither very substantial. Not good practice!

Rating: 2/5

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Review – Sailor Twain

Posted February 10, 2015 by in Reviews / 0 Comments

Cover of Sailor Twain by Mark SiegelSailor Twain, Mark Siegel

I wasn’t a fan of the art at first, and the main character remained kind of distractingly comical-looking for me, but it grew on me. The charcoal look is great, suits the setting perfectly, and for all that Sailor Twain himself looks a little odd, some of the characters are beautifully done. Including, of course, the mermaid. Funnily enough, I read this just the day before I read Brubaker’s Fatale: Death Chases Me, and the whole enchantment aspect seemed pretty similar; a shared theme bridging two dissimilar graphic novels.

The mythology… I could wish it was delved into a little more. We get what we need to know and no more, and I still had plenty of questions — it felt like the rules were made up for the story, rather than the story bending to the rules, which is a pet peeve of mine, really. You’ll always convince me more easily by writing out your rules and then constraining your story within them.

It’s a very quick read, for all that it looks really chunky, and some of the character backstories are really interesting. I don’t know, though; I found myself wishing for more depth, in the end.

Rating: 3/5

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Review – The Collected Works of A.J. Fikry

Posted February 9, 2015 by in Reviews / 0 Comments

Cover of The Collected Works of A.J. Fikry by Gabrielle ZevinThe Collected Works of A.J. Fikry, Gabrielle Zevin

I can’t honestly remember why I first picked this up. It probably wasn’t a recommendation from a friend, who would have known better than to recommend me a book where a main characters dies of brain cancer. It’s kind of a sore spot, and that explains on its own why the ending of this book wrapped a hand around my windpipe and squeezed.

It’s kind of a fun read, for the most part; light tone, easy to read, not too deep, but with a love of books pervading it, the transformative power of them and the ability they have to bring people together. I was surprised, from the light tone at the start, how awful A.J.’s situation is — and the book doesn’t baulk from making that clear, even though the prose doesn’t linger on it and keeps things very simple. There’s a trick of it, very simple sentences, which can offer a sense of profundity. Sometimes it works for this book, sometimes not; all through, the simplicity was wearing on me. Large stretches of time and momentous events are skipped over in a handful of sentences; things that should be difficult (like a guy adopting a random child he’s not related to who was just left in his bookshop) are condensed into a paragraph. It all seems too slick and easy.

Still, Maya and A.J.’s relationship is sweet, and it’s hard not to like a redemption story with a little kid and a grumpy curmudgeon softening their heart (Anne of Green Gables, Heidi, any episode of NCIS featuring Special Agent Gibbs and a child…). I’m not enamoured, I’m afraid, but I can see the potential for making a film out of it or something, and if it keeps that love of books in place when they do, maybe it’ll produce some nostalgia for little persnickety bookshops.

Rating: 3/5

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Review – Stonehenge

Posted February 8, 2015 by in Reviews / 0 Comments

Cover of Stonehenge by Mike Parker PearsonStonehenge, Mike Parker Pearson

The whole idea of Stonehenge is a potent one. Those massive stones, dragged there from so far away (40 miles, by the most conservative theory) by people so long ago, for purposes that have puzzled us for centuries. Pearson’s work acknowledges the hold it has on our imaginations, and discusses a lot of the different theories before setting out his own and that of the excavation team he worked with. That aspect may be disappointing to you if you believe in a Mycenaean influence, or aliens building it, or that it’s an astronomical observatory. Or that Merlin brought the stones from Ireland and erected them with magic.

Overall, though, Pearson discusses the excavations themselves, the actual results of the digs and surveys, and the definite facts that came out of them. His interpretation is included, but I think he’s fairly clear that most of it is a working theory, albeit considered proven by himself and his team. I don’t know what archaeologists more generally think of it; to me, his theories seemed to make sense, but then I’m not an archaeologist, I have no particular specialist knowledge relevant to Stonehenge, and he wouldn’t exactly write the book to make himself sound like a crank. It does help that it seems aligned with theories about Seahenge that I read about by a different writer (review here).

If there’s a sense of wonder at history here, it’s about the things that humans could do, from so early in our history. It’s not about any religious awe; Pearson seems pretty devoid of that, at least as regards Stonehenge. And maybe a sense of wonder at what we can recover.

I think in some ways he theorises beyond his data, as the temptation always is with something like Stonehenge. I think he’s pretty convinced his theories are right, despite the fact that you can’t prove a lot of it (e.g. we can’t prove that henge burials tend to be of a family lineage over generations). But it’s overall a compelling book that pulls together the facts we have.

Rating: 4/5

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Review – Faery Tales

Posted February 7, 2015 by in Reviews / 2 Comments

Cover of Faery Tales by Carol Ann DuffyFaery Tales, Carol Ann Duffy

This collection is pretty much what you’d expect from Carol Ann Duffy, especially if you’ve read her collection, The World’s Wife. It’s various twists on fairy tales, or folk tales, or stories that use those tropes and images and structures. The tone is generally wry and funny, and also fairly modern and casual; if you like your fairy tales serious, strictly adhering to the ‘original’ (or rather, most well known) lines, or in archaic language, then this might not be for you.

In a way, it wasn’t a great thing to read straight through. I do like fairy tales, but a lot of these stuck fairly close to what I know well already, with relatively plain language. Easy to read, but not literary. Which is fine, but not something I can just read straight through; I’d have been better dipping in and out. Still, I love Carol Ann Duffy’s voice no matter what, so I did enjoy this — and bonus, it has a gorgeous cover.

Rating: 4/5

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Review – Rivers of London

Posted February 6, 2015 by in Reviews / 13 Comments

Cover of Rivers of London by Ben AaronovitchRivers of London, Ben Aaronovitch
Review from July 1st, 2011

I first came across Rivers of London on the Kindle store, and downloaded the sample. I was intrigued by the first chapter, and put it on my wishlist. A friend or two read it, and finally one lent me his copy. He thought I’d tear through it in one go.

Not quite true, as it happens. Oh, all in all, I think it took about two hours to read, but sometimes a few days would go by without me reading more. It reminded me a lot of Jim Butcher’s Dresden Files books — which is not really a compliment, coming from me. They were similar in tone, and something about the narrators was similar. Thankfully, I didn’t pick up on the same type of waves of misogyny — sorry, I mean chivalry — but I wasn’t entirely happy. Do guys really think with their dicks to this extent? Leslie was, most of the time, a great character — and then I was left feeling rather like she’d been there as a plot device all along. To fill in that role, of Pretty Polly, who is a silent onlooker and untroubled when wooed by a murderer…

Not a great start for women in this series, particularly with the nubile Beverley eventually used as a hostage, and then the whole thing ending with vagina dentata…!

To some extent, it depends what happens to Leslie now. Is she just the instrument for trowelling on Peter’s manpain? Or the exposition tool to help Peter figure everything out? Or will she have a plot of her own?

I will be reading Moon Over Soho, though I did think Rivers of London also had a few problems with pacing, but I won’t have the same tolerance with it. I do like the idea — actual, officially sanctioned members of the constabulary dealing with supernatural events — and I do love a good crime story when it falls together reasonably well.

Rating: 3/5

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Review – Trigger Warning

Posted February 5, 2015 by in Reviews / 14 Comments

Cover of Trigger Warning by Neil GaimanTrigger Warning, Neil Gaiman

It’s difficult to rate a book of short stories, for me. They can be so different from each other, so that one is totally to your taste and another is not. Throw in some poetry too, and there’s even more opportunity to leave people cold (I don’t know many people who aren’t picky about poetry). So the good, first: this is pretty typically Gaiman’s work, wry and dark and twisted, rich with implications and things lurking in the shadows. His stories all flow well, so that it all leads logically on to the ending (which is not to say that the endings are predictable, though familiarity with Neil Gaiman’s imagination might give you a pretty good idea).

The bad: I did find it a mite too familiar. That might partially be because I read the introductions to each story first — always something of great interest to me, but it does flavour how you’re going to experience the story. Secondly, Neil Gaiman’s poetry pretty much doesn’t do it for me. And thirdly, the opinions on “trigger warnings”, from which Gaiman took his title, were… fairly typically as though he had not actually discussed them with anyone. I’m a big advocate for them, and I think most quibbles against them are nonsense; sure, life itself doesn’t have trigger warnings. And? Why should that stop us from giving other people notice when we can? “Here be bad things” is something, but triggers are so different for different people… Stick a label on the story like you do nutrition information on food: not everyone will read it, but those who can benefit from the additional knowledge and preparation. And not “this product may contain nuts, soy or dairy products”, but “this product does contain nuts” or “this product was manufactured in a factory which also processes nuts”. Actual, precise information about common triggers. It’s not going to cover every eventuality, and we can’t pretend it will, but it would make sense to try.

And not just by saying “these stories end badly for at least one person in them”.

All in all, that sounds very critical. I did enjoy reading the stories, though, and I think Gaiman does clever things with the form. I’m just a bit too used to his kind of cleverness.

Rating: 4/5

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Review – Lock In

Posted February 4, 2015 by in Reviews / 6 Comments

Cover of Lock In by John ScalziLock In, John Scalzi

I generally find Scalzi’s work fun, very readable, but maybe not too thought provoking, not too serious. This managed to combine that sci-fi fun feel with serious issues of disability politics, racial politics, gender — well, all kinds of identity politics, really. It helps to read Unlocked if you’re not very good at picking up context quickly, though I don’t think it’s necessary; it gives you a lot of background, and even a starting point for imagining the characters.

I would actually be interested in listening to the audiobook for this, because Scalzi avoided stating a gender for Chris Shane. Thus, there are alternate readers — Will Wheaton and Amber Benson. The existence of the two versions meaning that I don’t really consider this a spoiler! Particularly as it’s not germane to the plot: it’s a thing outside the plot that will affect your reading, because you’re almost inevitably going to choose which gender you assign to the narrator in your head unless you’re used to queer communities. Personally, I chose to read Chris Shane as female if I could. I ended up reading them as something more nebulous: if you grow up spending most of your time outside your physical body (in the Agora or in a threep, it doesn’t matter which), are you going to think of gender in the same way as embodied people do? I don’t think we can answer that with modern technology, but I think the answer might be no, and that’s how I read Chris.

In a way, this fits right into a tradition with Isaac Asimov’s The Caves of Steel, which is a mystery as much as it’s a sci-fi story, and which relies intimately on both elements to make the full story (rather than being a mystery story that happens to be in a science fiction world, or vice versa). And because one character is walking around in an artificial body and the other isn’t, and with some of the political issues. (Ask me another day how I react when Hawking says a robot uprising might destroy humanity, everyone reports it as news, and nobody wants to listen to the sci-fi fan in the corner yelling “Isaac Asimov got there first!”)

Ahem. Anyway, Scalzi keeps his lightness of touch here, despite all the issues that he explores; it remains intensely readable, a page turner, and something that can suck you in enough that you forget about your surroundings. And I love that it’s based on all sorts of real situations: some people are ‘locked in’, we are finding solutions like the ones here for them (my New Scientist this week has a cover story: “Out of the Twilight Zone: Portable mind-reader gives voice to the locked in”), there were epidemics like this before (the closest analogue being the flu epidemic closely followed by the sleeping sickness epidemic)… These are not concerns only relevant in a hypothetical science fictional world.

Rating: 4/5

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