Tag: book reviews

Review – The Melancholy of Mechagirl

Posted December 20, 2014 by in Reviews / 0 Comments

Cover of The Melancholy of Mechagirl by Catherynne M. ValenteThe Melancholy of Mechagirl, Catherynne M. Valente

The Melancholy of Mechagirl is a selection of Valente’s stories and poetry. As usual with Valente, I have the problem that I love her writing, but not always the substance. The poetry was too busy being strings of pretty words that I didn’t really get the sense out of it; some of the short stories felt so ornate they felt like they were more for show than to really be handled. I know this is my preference here — other people dig through Valente’s prose happily — and I even like it because of that ornateness, in some ways. If I want to see someone being magical with words, I’ll open up one of Valente’s books and find it.

That’s not to say that she’s bad at characters and plot, per se. These stories often draw on folklore, particularly Japanese folklore, and collected like this it’s also apparent that they’re deeply rooted in Valente’s own life, as well. Her time in Japan affected her deeply, and every story holds its footprints. Some of these are really cleverly done, and for plot, ‘Silently and Very Fast’ is great. I love her story of an AI slowly learning about the world, the family and the AI wrapped around each other. Elefsis works as a character, and that ending works really well.

Finally, the title definitely captures the predominant feeling of this collection. ‘Melancholy.’ That’s not to say it’s depressing to read, but it definitely feels written in the minor key (if you’ll let me mix my metaphors).

Rating: 4/5

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Review – Stardust

Posted December 19, 2014 by in Reviews / 8 Comments

Cover of the Illustrated Stardust, by Neil Gaiman and Charles VessStardust, Neil Gaiman, Charles Vess
Review from April 17th, 2009

I just finished rereading Stardust, this time in the illustrated edition. The art is all by Charles Vess, and it’s gorgeous. He has his own style, but the art is all accessible and pretty. I particularly liked the illustration of Tristan and Yvaine kissing, on page 202, and the design of Lady Una. I like the way he’s portrayed all of the characters, really. It brings them to life in a lovely way, and the art is arranged nicely — not distracting from the story, but adding to it.

I’ve always loved the book, and the movie is the movie I watch when I need comfort, so rereading was a happy occasion. I forgot how different the book and the movie are — the movie is definitely an adaptation. Not that it’s a bad thing: the way things happen in the book simply wouldn’t translate to the screen.

The best things about Stardust, the book, are the tone in general and Yvaine’s voice. The tone is kind of dryly humorous, gently mocking the fairytales it comes from and improves on, with fun conversations and great lines. Yvaine herself is awesome, with her grumpy sharpness and her angry obligation and her not-at-all-saccharine love. Compared to the movie, the realisation scenes are maybe a bit dry, and I wish there had been more with the boat in the sky, as in the movie, but all in all, I do love the book so much, and I think it’s one of my comfort-books the same as the movie is my comfort-movie.

Perhaps my favourite part of all is the note Tristan and Yvaine leave, though: “Unexpectedly detained by the world.”

Rating: 5/5

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Review – Etiquette & Espionage

Posted December 18, 2014 by in Reviews / 8 Comments

Cover of Etiquette & Espionage by Gail CarrigerEtiquette & Espionage, Gail Carriger

I read Soulless a while ago, and liked it enough that I had a vague intention of reading more, but not so much I was in a hurry. Likewise, I only really picked up Etiquette & Espionage because I know that Carriger’s work is pretty fun, and it was in a 3 for £5 deal in the Works. And then it languished on my to read pile for… well, just over a year. But I was feeling a bit bleh about the other books I had lying around, so I decided to just go for it and try this — and I promptly read it in one go.

It’s not a book I love like I loved, say, The Goblin Emperor. It’s more like frothy fun. It works well for that, though: 19th century sensibilities in a steampunk alternate history, girls learning to be spies, and a sprinkling of adventure. I liked Sophronia; she’s not perfect, but she tries to be decent, she doesn’t have prejudices, she does her best for the people around her, and she lets nothing get in the way of her curiosity. I guess the best term might be ‘spirited’, which does make me sound like some faintly disapproving adult…

It’s fun, and I’d definitely recommend it to teens who want a bit of adventure and supernatural stuff, without accompanying sparkles or plagiarism. (Sorry, they’re easy targets.)

Rating: 3/5

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Review – Seaward

Posted December 17, 2014 by in Reviews / 6 Comments

Cover of Seaward by Susan CooperSeaward, Susan Cooper

I’ve been meaning to reread this one for a while. It was lovely to go back to it. It’s a bit more mature than The Dark is Rising, I think; certainly, there’s a physicality between Cally and West that isn’t even hinted at in The Dark is Rising. The first time I read it I said that this book ends perfectly, “neither too early nor too late”, and I still feel that way. It’s enough to have the promise of Cally and West’s future, at the end of the book; I don’t need to read about it, and that would take away from the bittersweetness of the story.

I didn’t like this as much as the first time I read it, I think; I still enjoyed it, found it interesting, loved the creativity, but this time I was asking more questions, picking more holes. Why was this element taken from Welsh legends, and not that? When is it set — it feels unrooted, which might make for universality, but it makes it hard to imagine how Cally and West will find each other again, how to read their absence, their changes — and where do Cally and West come from?

It’s beautifully written, though, and full of lovely things: gorgeous passages, enchanting creatures (Peth!), mysteries and metaphors. I do still love it, and I also appreciate that unlike The Dark is Rising, it’s a personal journey, not an all-out fight against absolute evil. The absolutism of the Dark and the Light in those books is completely absent here, with the dichotomy drawn between Life and Death instead, and with both wearing kindly faces and less kind. It’s a journey for Cally and West, one in which they’re frightened, have enemies and allies, but it isn’t moving toward some apocalyptic endpoint, some make-it-or-break-it scene where a few decide the futures of the many.

I’m not sure the new cover does the book any favours, in that sense; the traditional fantasy elements here are the least important.

Rating: 4/5

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Review – The Zombie Survival Guide

Posted December 16, 2014 by in Reviews / 2 Comments

Cover of The Zombie Survival Guide by Max BrooksThe Zombie Survival Guide, Max Brooks

If I were more secure in my ability to be humorous and keep it up throughout the review, doubtless I’d review this book with the same serious tone it takes: this theory about zombies is intriguing, this one is confirmed by personal experience, this one is ridiculous, etc. Since I’m not particularly funny, I’ll refrain. It takes a deft touch to do it at any length, and I don’t think Max Brooks really succeeds here. It becomes just a boring catalogue of things — some of it is interesting, like various ideas on how to defend different types of buildings, different ways to arm yourself for best effect, etc. But because it’s modelled very closely on the survival guide genre, it remains mostly interesting to that crowd. I’d be interested to see a survivalist’s reaction to this book, actually.

Now, I’m not going to deny I have a zombie survival plan. It goes like this: “Find my dad as soon as possible. Ensure he is armed and we have food, water, and a stock of books. Let Dad protect me. Survive.” And yes, I’m that confident: my dad would survive a zombie uprising, and he’d put a bullet through my head before he’d allow me to turn into a mindless zombie. Draw whatever conclusions about my family you wish from that…

There’s some joke here about me getting into a mindless rage because I don’t have enough books vs. turning into a zombie and how you tell the difference, but I suck at humour, we’ve established this.

Anyway, the best part of this is the section of historical records of outbreaks, and that only where they’re more creative. By a certain point, they become repetitive, and the conspiracy theories are obvious without the point needing to be laboured. I’m sure there must be real records that you could use as evidence for past zombie uprisings, but I don’t know if Max Brooks incorporated any – that would require having the give-a-shit to look up each incident he mentions, and I don’t have it.

Rating: 2/5

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Review – Legion

Posted December 15, 2014 by in Reviews / 4 Comments

Cover of Legion by Brandon SandersonLegion, Brandon Sanderson

I reread this novella to remind myself of the character(s) and the exact events in it in preparation for reading Legion: Skin Deep. I remember loving it a lot the first time; this time, maybe because I was already familiar with the character of Stephen Leeds, it didn’t work quite as well for me. I ended up focusing more on the plot, which is relatively silly — someone compared it to Dan Brown, and actually, I can kind of see that. The plot itself isn’t that important, though; it’s how the characters deal with the problems, and how Stephen’s multiple aspects work together and how they manage to affect the real world. I think the refreshing part is that Sanderson doesn’t try to fool us any with going back and forth on whether the Aspects are real; he starts off right away with the premise that they’re not.

I’m not totally sure that Sanderson got the diagnosis for Stephen right, though. There’s nothing wrong with Stephen’s perceptions, he just parcels them out between his ‘Aspects’ and deals with everything in that fragmentary way — he talks about being schizophrenic, and yet he still knows where to draw the line between reality and his delusions. Despite the fact that he says he doesn’t have a multiple personality disorder, that seems nearer to the mark to me.

Anyway, looking forward to the sequel, although it worries me slightly that people mention it going deeper into science-y stuff. As you can see from my doubts about Sanderson’s medical research, I’m not convinced by his attempts to pin this down too firmly. He’s famous for his fantasy worlds, and deservedly so; I’m happy with contemporary fantasy, and yet very similar science fiction that doesn’t adhere to what we understand of science drives me bonkers.

Rating: 4/5

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Review – The Language Wars

Posted December 14, 2014 by in Reviews / 2 Comments

Cover of The Language Wars by Henry HitchingsThe Language Wars, Henry Hitchings

In theory, this is a subject I’m really fascinated by. The whole idea of ‘proper English’, all the classism and imperialism and prejudice caught up in it, and the way people’s attitudes to language have developed. However, turns out that either the minutiae of who wrote which grammar/dictionary/book about etiquette and when isn’t that interesting, or Henry Hitchings has a really boring prose style. Or, well, both of those things. I felt like there were a lot of facts, but not much analysis to go with it; some chapters felt like they were just lists of who wrote what about grammar and when.

I was hoping for other stuff about proper English, more about the imperialism — there’s lots of scope for that without even leaving the United Kingdom, with the suppression of the Welsh and Irish languages, and there’s hints about the struggle between US and UK English. Overall, though… if that was addressed, the deadened prose style made me miss it.

It’s still an interesting topic, but this particular book had a soporific effect on me.

Rating: 2/5

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Review – A Face Like Glass

Posted December 12, 2014 by in Reviews / 8 Comments

Cover of A Face Like Glass by Frances HardingeA Face Like Glass, Frances Hardinge
Review from November 24th, 2012

I’d never heard of Frances Hardinge before, and I have no idea how I came across this on the Kindle store, but I’m so very glad I did. It’s an enchantment of a book — I think I said something similar, recently, about Erin Morgenstern’s The Night Circus, and I can see the similarities there: the long games being played in both plots, the dazzling strangeness of the worldbuilding, the magic of it all. But at the same time, they’re very different stories: it’s just something about the flavour that’s similar.

A Face Like Glass is marketed as YA, but I don’t think you should see that as a discouragement. It’s not one of those YA books that slots neatly into the ranks of the YA books that’ve come before: it’s something wild and entirely itself. The same goes for the fact that I’ve tagged it as dystopia — it doesn’t follow the current dystopia tropes either. It felt like a breath of fresh air for me.

I got hooked on it from Amazon’s preview, which is worth a look: it’s a slowish start compared to the pace the book gets to near the end, but if you’re intrigued by it, you’re in for a wonderful ride. I loved every scrap of it, to the extent where I’m almost afraid to look for Frances Hardinge’s other books in case they aren’t as good. I love Neverfell and I love the bizarre details of the world and all the weird concepts like people being unable to perform expressions without learning them and…

Basically, it’s a heck of a ride. Best impulse buy of my year, up to and including my big plush Moomin. Possibly excluding only the ticket I bought to the screening of Avengers Assemble that got me hooked.

Rating: 5/5

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Review – Heart's Blood

Posted December 11, 2014 by in Reviews / 0 Comments

Cover of Heart's Blood by Juliet MarillierHeart’s Blood, Juliet Marillier

When I first read Heart’s Blood, I really loved it, and at least part of that was because I finally found a Juliet Marillier book I really appreciated. I’m a little sad that I don’t think I loved it as much this time as I did before: things that were obvious to me then were painfully so now, and the narrator still seems like much the same as every other Marillier narrator.

On the other hand, there’s still plenty to enjoy: the imaginative treatment of the Beauty and the Beast story, which takes some pretty familiar elements and twists them just enough that they can still surprise you. I love the main character’s calling as a scribe, and her slow rediscovery of herself and how to stand up for her world. I like that it’s firmly rooted in the real world, for all the supernatural elements, and in history: this isn’t a disconnected fairytale, but one that takes place in a world that carries on around it. I liked Anluan, too; he works very well as a Beast character, because at first he does seem so awkward, so impossible, but he blossoms as much as Caitrin (Beauty) does.

There’s a lot of great side characters, too; all of the characters that surround Anluan and Caitrin are interesting, and really, there could be whole books about what exactly each of them is, what they did, who they really are.

Despite me saying that I didn’t enjoy it as much as before, I did enjoy it a lot. It’s a satisfying story, where good triumphs but not too easily, where struggles and setbacks feel real. The attraction and desire between Anluan and Caitrin comes naturally, and doesn’t cross the line into being too much of a fairytale — it doesn’t break the in-the-real-world feeling that the history and setting give the story. I love Caitrin’s development over the course of the book, and I love the way everything comes together at the end.

Rating: 4/5

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Review – The Thief

Posted December 10, 2014 by in Reviews / 0 Comments

Cover of The Thief by Megan Whalen TurnerThe Thief, Megan Whalen Turner

I remember feeling somewhat ambivalent about this book the first time I read it, but I was sure it wouldn’t be that way this time: over the course of the other books, I came to love Gen and appreciate the world. Well, I still do love Gen and I appreciate the world, the set up for the twist that comes near the end of the book, the way Gen’s voice works as a narrator. But I still wasn’t that in love with the world in this book; I still didn’t get that attached to the characters. This is a series where I think the middle books are the strongest, but I was surprised that the familiarity of a reread didn’t make me appreciate this more.

One thing I do like is that while you might initially expect it to be something like pseudo-medieval Europe, based on the limited details you get at the beginning, it quickly becomes clear that this is a Greek-based world — although there’s plenty about it that’s unique, as well. I liked the fact that the geography of the place mattered a lot, too: where things are in relation to each other, how you get from A to B, where you have to pass through on the way.

This does set up a fun world, but this story still felt simplistic to me, easily guessed and so not as absorbing as I’d hoped.

Rating: 3/5

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