Category: Reviews

Review – Black Swan, White Raven

Posted October 8, 2014 by in Reviews / 0 Comments

Cover of Black Swan, White Raven, ed Ellen DatlowBlack Swan, White Raven, ed. Ellen Datlow, Terri Windling
Received to review via Netgalley

As with all anthologies, Black Swan, White Raven is a mixed bunch, with some stories and I enjoyed and others I was more ambivalent about. That’s probably going to be the same for just about anyone, but Ellen Datlow and Terri Windling are legendary SF/F editors for a reason, and that’s apparent here.

Reading other reviews for these stories makes me laugh: complaining about the darker aspects of the stories, the fact that sometimes only a few vestiges of the original story (or rather, the story we usually know) are used, etc. Clearly these people have never looked at the ‘original’ stories — ‘negative and creepy’ is one person’s assessment, so goodness knows what they’d think of earlier versions of Sleeping Beauty and so on.

It’s an interesting selection of writers, too, some of whom are well known names now (I don’t know about when this was first published). I can’t pick out a favourite, but overall I enjoyed the collection, and while for some stories the theme seemed a bit stretched, it’s still worth reading — I actually read the whole collection in two sittings.

Someone does point out that the voice of women is fairly absent here. There’s one or two strong stories, particularly a retelling of Snow White, but there are also stories where women remain the objects of the quest rather than people. Somewhat to be expected, given the fairytale theme; still somewhat disappointing.

Rating: 4/5

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Review – Words in Time and Place

Posted October 7, 2014 by in Reviews / 0 Comments

Cover of Words in Time and Place by David CrystalWords in Time and Place, David Crystal
Received to review via Netgalley

I’m surprised at other people actually reading this cover to cover in only a couple of sittings: for me it was much more the type of book that you dip in and out of. A curiosity, but not something deeply riveting. Trivia, I suppose. I did find Crystal’s introduction to the whole book and to each chapter interesting, but the lists and lists of words are rather hard to just sit and read, for me — it’d be like reading a dictionary or thesaurus for fun; it can be interesting to look up particular things, but I don’t know anyone (as far as I’m aware!) who’ll sit and read straight through.

For me, it was particularly interesting because it puts some Old/Middle English expressions in a better context than the simple translating dictionaries ever did, and makes some surprising links between the years and other languages. Though I think if he’d gone to Anglo-Saxon poetry, he’d have found some more fun ones for his section on death: I’m fond of ‘sweordum answefede’ (put to sleep by swords), which caused some consternation in class when we were trying to translate it.

Rating: 3/5

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Review – Good Omens

Posted October 6, 2014 by in Reviews / 10 Comments

Cover of Good Omens by Neil Gaiman and Terry PratchettGood Omens, Neil Gaiman, Terry Pratchett

It’s been a while since I read Good Omens, since I rather overread it when I was about seventeen. It kept my spirits up during boring free periods at school, and let me feel like I was really cool by reading it (as cool as I ever got at school, which wasn’t very, because I read too much and answered questions in class — you know the type). It was fun returning to it now: the jokes and puns are familiar by now, and I greeted each character like an old friend. I still adore Aziraphale and would now like to crochet him a sweater, and perhaps I would give Crowley a pot plant to terrify.

Generally, this is an inventive and funny novel, and I love the way they choose to portray angels, demons, and the general struggle between them. I also love the way they choose to wrap things up: Adam’s moment of choice is perfect, his decision, the small ways the world changes afterward. The two authors worked well together, for my money, and created something that is more than either of them would be apart. Some parts are obviously one or the other, but not many.

In the latest ebook edition, there’s also a short interview with them and a piece from each about how they met the other. They didn’t write those blind, without talking to the other, and so somehow those bits still have a bit of the style of the other, and they tend to agree on events. I love the image it gives of them, though, ringing each other up excitedly to contribute bits of the story — there’s a kind of joy in creation here that I find it impossible not to appreciate.

Maybe one thing I could do without is the constant harping on Aziraphale being ‘a Southern pansy’ and the like. It might be funny once or twice, illustrative of the type of person (angel) Aziraphale is, but this time through I started rolling my eyes at the gay jokes. Particularly as I recall Gaiman and Pratchett kind of denying the undercurrent between Crowley and Aziraphale that becomes completely apparent if you start taking notice of how often everyone assumes it.

It’s like someone said to me in university: “You know when people keep saying, ‘oh, if we keep doing this people will think we’re a couple?’ Most of the time, it really means, ‘I wish we were a couple and I want people to think that’.” Crowley and Aziraphale’s relationship is highlighted so many times that that’s the effect, for me.

Rating: 5/5

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Review – A Burnable Book

Posted October 5, 2014 by in Reviews / 0 Comments

Cover of A Burnable Book, by Bruce HolsingerA Burnable Book, Bruce Holsinger
Received to review from the author

I really wanted to love A Burnable Book. I’ve really enjoyed C.J. Sansom’s work, which is in some ways similar, and I like taking historical figures like Chaucer and Gower and playing with them in fiction. What’s more, I was in Bruce Holsinger’s MOOC last year just because the book was released, which was fascinating. I really enjoyed his take on historical fiction and the work he put into the MOOC; I liked his style of lecturing, and kinda wished I could do a whole course with him. So I was preeetty excited when he sent me a copy to review.

Unfortunately, the book itself didn’t work for me. It’s not the historical basis — I trust Holsinger on that! — but something less easy to put my finger on. I guess I just didn’t like the way he expressed the characters, the way the story spun out. I liked the choice of characters, the down-to-earth-ness of it all; this isn’t some romanticised past. But sadly… it just couldn’t keep my attention, and I struggled with it.

Still, if you like your historical fiction to be accurate and well researched, you can definitely trust Holsinger for that. I don’t agree with the really negative reviews about the author showing off or whatever, I just didn’t get on with it personally.

Rating: 2/5

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Review – Seahenge

Posted October 3, 2014 by in Reviews / 0 Comments

Cover of Seahenge by Francis PryorSeahenge, Francis Pryor

Archaeology is not some exact science, with answers to give to every question if we only look hard enough. It’s partly our own fault: we’re overpopulating the Earth, and in the meantime we’re destroying great swathes of the archaeological record. We only have fragments of the past, some larger than others — Seahenge being one of the latter, far ahead of potsherds but perhaps more mysterious — and while archaeology has some light to shed, I find it best to accept up front that no one can offer a complete answer, and that if anyone claims to be certain, they’re speaking beyond the evidence in almost every case.

Francis Pryor’s book handles this pretty well, in my books, though I have no doubt there’s people out there who wish he’d stop equivocating. Much of this book involves setting this in context, linking modern and ancient lives and landscapes, and then using what evidence that offers to spin theories — theories that could be upset by the next find out of the ground, in some obscure peaty corner or air-tight chamber stumbled upon by chance.

Bearing all that in mind, I found this book fascinating. I have no personal expertise to say yay or nay to any of this — my own research interests lie in a later period, with the dawning of literature, which is in conversation with archaeology more than you’d think — so I took Pryor’s words more or less at face value. Some of his ideas seemed too sketchy, too much based on a gut reaction, but even so his description of the excavations, his impressions of them, the way they came together to synthesise an understanding of the anicent landscape… it’s all fascinating, and I would happily read more.

If you’re looking to learn specifically and solely about the place we’ve dubbed Seahenge (which was not actually built on the beach, and wasn’t in such close proximity to the sea) then only a couple of chapters of this book are of direct interest. But why you would want to look at something like this in isolation when it’s clearly part of a larger story and can only be understood in those terms, I don’t know.

One thing you may feel is that Francis Pryor has too much to say about himself and his team, particularly his wife. I enjoyed it, given that his thought processes were influenced by everything around him. A bare-bones description of the sites and the endless work of extraction and preservation would seem terribly boring to me.

Rating: 4/5

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Review – The Miniaturist

Posted October 2, 2014 by in Reviews / 0 Comments

Cover of The Miniaturist by Jessie BurtonThe Miniaturist, Jessie Burton
Received to review via NetGalley

I was pretty excited about The Miniaturist when I was approved for it. It’s received a lot of good reviews, good press, and a lot of buzz around the publishing squabbles over it, and it’s had comparisons to a lot of books I have enjoyed, including Sarah Waters’ work. Unfortunately, I really didn’t get into it. My only real interest was the story of the little miniature house: the bits of mystery and so on actually just… got on my nerves, really. That’s why I took so long to review it — that feeling that I wasn’t ‘getting’ the hype.

It’s not egregiously bad in any way I could put my finger on. I can see why the comparisons to Sarah Waters, etc. The writing is fine, and flows reasonably well. It’s not a bad idea for a story, though it perhaps doesn’t fit together the way I’d like. All in all, I’m just… underwhelmed. Sorry!

Rating: 2/5

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Review – Life

Posted October 1, 2014 by in Reviews / 0 Comments

Cover of Life: An Unauthorised Biography by Richard ForteyLife, Richard Fortey

This isn’t my favourite of Fortey’s books, possibly because I’ve read similar types of books by other writers before, so he isn’t bringing me a new subject I don’t expect to like in the same way as he was in his books about geology, or a key passion of his as in his book about trilobites (though trilobites have their place here, too, as you’d expect with Fortey). Still, I enjoy the way he writes and the way he draws together his themes, and this isn’t a bad book — it’s just that he and others have covered a lot of this ground before.

Actually, my favourite history-of-evolution type book is Richard Dawkins’ The Ancestor’s Tale. (When Dawkins sticks to science, he’s great. When he decides to comment on twitter, rarely so.) That’s just a quirk of the way he organises it, though, while Fortey’s method is a little less organised, lingering on things of special interest to him. Which is fine, but didn’t work so well for me in this case. That, and he doesn’t deal with DNA as much as I’d like, because that’s my special interest and not his.

Nonetheless, Fortey knows his stuff and how to make it enjoyable, though I think I can understand people who complain about his writing style not being easy — I tend to take it slow and savour it, myself.

Rating: 3/5

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Review – Gambit: Once A Thief

Posted September 30, 2014 by in Reviews / 2 Comments

Cover of Gambit: Once A ThiefGambit: Once A Thief, James Asmus, Clay Mann, Diogenes Neves

I vaguely remember Gambit from watching X-men cartoons as a kid, I think. But I don’t remember him well enough to just jump in like this and actually care about Gambit’s inconsequential adventures that’re his own damn fault for messing with stuff he doesn’t understand for the heck of stealing something. I mean, sure, if that’s Remy’s character, then… okay? But I know he has fans, and surely they’re for something more substantial than this? Right?

So yeah, not impressed with this. The art is great, but the stories are just… I had difficulty, honestly, remembering the names of the two dimensional characters he was running into.

Not one for me, I think.

Rating: 1/5

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Review – Reaching Down The Rabbit Hole

Posted September 29, 2014 by in Reviews / 3 Comments

Cover of Down the Rabbit Hole by Allan H RopperReaching Down the Rabbit Hole, Brian Burrell, Dr. Allan Ropper
Received to review via NetGalley

Reaching Down the Rabbit Hole is a really fascinating book. It’s a little fictionalised, so we get dialogues and little portraits of character, enough that we can care about the cases discussed. Dr Ropper is pretty much everything an ideal doctor should be: knowledgeable, capable of acting fast, capable of explaining complex processes clearly, intuitive, willing to listen, willing to admit he’s wrong… At every stage, he emphasises to the reader and to the residents he’s teaching that each case is individual, that the right answer for one person isn’t the right one for the next, and so on.

There are a couple of very good chapters on Parkinson’s and ALS, some fascinating things like the fact that an ovarian teratoma can cause seizures and all sorts of neurological symptoms, etc. At every turn, it demonstrates the complexity of the brain, the limits of our understanding.

What nearly spoiled it all for me was the fact that Ropper really does revert to talking about hysteria. When I quoted a section to my mother, a psychiatrist, she texted back to ask if the book was written in 1899 — that’s how out of date that section seems. For the most part, he even seems sympathetic to these patients, which is more than I can say for a lot of people who dismiss hysteria/psychosomatic illnesses/conversion disorder, etc. But in this case there seems to be a barrier in his thinking: he sees a young woman with a teddy bear, and he immediately chalks it up to hysteria. Whatever her symptoms: hysteria is the answer. Sure, he dresses it up as “conversion disorder”, but what he means is still pretty much the Victorian hysteria. He uses that term as a direct synonym for conversion disorder, psychosomatic problems, etc.

And it’s exactly that attitude that makes life difficult for people who have mental illnesses, insight and even a glimpse of the way that people are going to look at them. If I’m going into a doctor’s office with some problem, I prepare myself for the inevitable questions about my levels of anxiety, my depression during the last few weeks, is there anything at home I’m struggling with… Because there’s a diagnosis of GAD and depression right there in my file, I know that nine out of ten doctors will listen to my symptoms and hear only psychosomatic. And some of those will even blame me for that — me, the thinking rational person — even though I could no more help it than I could pick the stars out of the sky.

I started having horrible stomach pains in 2010, my second year of university, at the same time as I started a pretty steep descent into anxiety. Doctors were reasonably sympathetic, but continually told me that what was happening to me, whatever it was, just happened because of my anxiety. Here’s a pill, take it and everything will go away. And I believed them: the pain had to be in my head, because I have an anxiety disorder. I knew they wouldn’t believe in the pain and so I didn’t either.

Even at the point where my physical symptoms were completely blatant, when you could do a physical exam and precisely locate the source of the pain, my GP was reluctant to send me for an ultrasound because, in his opinion, I was probably just stressed about my master’s degree. He repeatedly asked if I was happy, if I was sure I was doing the right thing in my career, while I was trying to ask for pain relief. When eventually I pushed hard enough, he sent me for an ultrasound, warning me that I was wasting everyone’s time.

My gallbladder was packed with stones, and the only option was to remove it.

At one point in this book, Ropper discusses signs and symptoms. Symptoms are what the patient reports; signs are what the physician observes. Don’t stop listening to the symptoms just because you think you can see the signs. Don’t get blinded to one thing because another has already been diagnosed.

Rating: 4/5

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Review – Cosmocopia

Posted September 29, 2014 by in Reviews / 0 Comments

Cover of Cosmocopia by Paul Di FilippoCosmocopia, Paul Di Filippo
Received to review via Netgalley

I have no earthly idea of what to compare this novel to, apart from China Miéville’s New Crobuzon books. There’s something akin in the worldbuilding, in the weirdnesses. But where other people are comparing this to an acid trip and whatever, well, I’ve never taken drugs in my life and even feverish dreams aren’t this bizarre but at the same time carefully drawn.

I wasn’t particularly engaged by the first third of the story, but I loved the second part. The world created was so different from almost anything I know of, and yet still Di Filippo managed to create characters and stakes that you could care about.

The last part was… almost an anticlimax. It was still weird, but I didn’t care so much for it, and despite covering more time/space, it paled compared to the second part. I don’t know how I wanted the story to end, but perhaps I wanted it to surprise me again — and this didn’t, somehow. It seemed almost half-hearted, really, like the important part of the story was the central part and the rest, eh.

Despite all that, it’s not difficult to read at all, and is straight-forward to follow. It’s the ideas that are bizarre, not the execution. Still, if you prefer a good solid novel that goes from A to B — more Neil Gaiman than China Miéville — then it probably won’t be for you. On the other hand, I’d have said that before reading this, and it got under my skin.

Rating: 4/5

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