I might’ve enjoyed this a bit more the second time than I did the first time, though it’s by no means one of my favourites. It does introduce Lin Chung, but I don’t really enjoy Phryne’s attitude to female characters like Leila Esperance. It’s that slightly bemusing attitude that all actors are the same, and all musicians, even to the extent that all trombonists are a pain in the neck and inclined to murder (see: The Green Mill Murder), and following that attitude, the consequent assumption that all actresses are fluttery and silly and not very smart.
Still, the puzzle comes together well, and it is the book that introduces Lin Chung and all the connections his family will bring. There’s a nice social awareness to the way Lin and Phryne are treated in society, making it more than just wishful thinking — even if Phryne herself is over-the-top liberal. Or perhaps that’s not the term for Phryne, just… “permissive”, maybe.