The title is a bit of a mouthful, but once you think about the rhythm of it, it does work. I don’t get it wrong much anymore. Anyway…
I think this novella is the sort of story which actually works perfectly well as a novella. I seem to recall feeling more or less the same about Every Heart A Doorway; it fits within the shape and size of the novella, delivering a resolution at the right time. It’s not so sprawling that it doesn’t fit, but there’s lore and background which keeps you aware that there’s a world outside the story. Which is, of course, just the way I like it.
The central idea, of a ghost being able to give or take time from people as a way of working towards their own originally destined time of death is an interesting one. Then McGuire complicates it with all kinds of witches and a whole interconnected world which makes it into a story, instead of a neat concept. Ghosts can do this — someone can exploit it. Some people will exploit it — some people oppose doing that. Nobody’s quite sure on the ethics of any of it, but everyone stumbles along doing the best they can. Taking years from tired people on the street to revitalise them, for example, and then bleeding them off onto a criminal who took someone’s life, pushing him that bit closer to death.
For a novella, the characters are pretty distinct too. The main character has a moral code, has a purpose, has regrets and wishes. All of this plays into how she deals with the situation she finds herself in. And while she’s not that great at making connections with those around her (keeping the cast list down), there’s enough that she feels like a person. Obviously, we don’t get a huge amount of depth. But what we do have is enough.