Tag: non-fiction

Review – Standard Deviations

Posted August 5, 2024 by Nicky in Reviews / 4 Comments

Review – Standard Deviations

Standard Deviations: Flawed Assumptions, Tortured Data, and Other Ways To Lie With Statistics

by Gary Smith

Genres: Non-fiction, Science
Pages: 304
Rating: two-stars
Synopsis:

Did you know that having a messy room will make you racist? Or that human beings possess the ability to postpone death until after important ceremonial occasions? Or that people live three to five years longer if they have positive initials, like ACE?

All of these 'facts' have been argued with a straight face by researchers and backed up with reams of data and convincing statistics. As Nobel Prize-winning economist Ronald Coase once cynically observed, 'If you torture data long enough, it will confess.' Lying with statistics is a time-honoured con.

In Standard Deviations, economics professor Gary Smith walks us through the various tricks and traps that people use to back up their own crackpot theories. Sometimes, the unscrupulous deliberately try to mislead us. Other times, the well-intentioned are blissfully unaware of the mischief they are committing. Today, data is so plentiful that researchers spend precious little time distinguishing between good, meaningful deductions and total rubbish. Not only do others use data to fool us, we fool ourselves.

Gary Smith’s Standard Deviations is basically a primer on how to notice when data is being manipulated in some way. Some of it is obvious (omitting zero from a graph’s axes can obliterate scale; reporting only some of the data from an experiment means likely the effect disappears when using the full data; p = 0.05 still means the result is a coincidence 5% of the time), and some of it less so — though to some extent I likely find it familiar/obvious because some grounding in statistics is required to study biology and especially infectious diseases.

For me, the book was far longer than it needed to be, with some principles repeated in multiple places (even without counting the final summing-up chapter). I can imagine that others would find multiple examples and reinforcement of the ideas helpful, though.

Overall, it felt surprisingly dated for a book published in 2014. I think that’s down to the examples used, and some difficult-to-put-one’s-finger-on attitude on the part of the author — it feels like you could mention sexism, racism, etc, etc, and he’d go look at the data with his initial starting point being “you’re wrong”. That may be unfair, it’s a very personal reaction to not-very-much actual evidence.

And admittedly, he got my back up immediately by opining on cephalopod intelligence in a way that demonstrated he clearly didn’t know the first thing about cephalopod intelligence. Stay in your lane and write about what you understand, Mr Smith.

Rating: 2/5

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Review – The Brutish Museums

Posted August 2, 2024 by Nicky in Reviews / 0 Comments

Review – The Brutish Museums

The Brutish Museums: The Benin Bronzes, Colonial Violence and Cultural Restitution

by Dan Hicks

Genres: History, Non-fiction
Pages: 336
Rating: three-stars
Synopsis:

Walk into any European museum today and you will see the curated spoils of Empire. They sit behind plate glass: dignified, tastefully lit. Accompanying pieces of card offer a name, date and place of origin. They do not mention that the objects are all stolen. Few artefacts embody this history of rapacious and extractive colonialism better than the Benin Bronzes - a collection of thousands of metal plaques and sculptures depicting the history of the Royal Court of the Obas of Benin City, Nigeria. Pillaged during a British naval attack in 1897, the loot was passed on to Queen Victoria, the British Museum and countless private collections. The story of the Benin Bronzes sits at the heart of a heated debate about cultural restitution, repatriation and the decolonisation of museums. In The Brutish Museum, Dan Hicks makes a powerful case for the urgent return of such objects, as part of a wider project of addressing the outstanding debt of colonialism.

It’s difficult for me to evaluate Dan Hicks’ The Brutish Museums, since it’s not really my field and at times he gets quite technical and academic. It feels like the audience for this isn’t really clear: is it those who visit museums? Is it activists? It doesn’t quite feel like it’s other curators… As a result, that makes it a bit of an uneven read.

I’d been hoping for more detail about the actual Benin bronzes and how they’ve been displayed and discussed, but really this is about the wrong that’s been done — it could be about any kind of object displayed in a museum, it’s just an exemplar of a particularly egregious episode of looting, slaughter, and display of spoils.

It’s an interesting read, though it’s hard to know what to do with the information. It’s definitely a viewpoint worthy of thought, though: those who visit museums can be helping to perpetuate harm.

Rating: 3/5

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Review – The Subversive Stitch

Posted July 26, 2024 by Nicky in Reviews / 0 Comments

Review – The Subversive Stitch

The Subversive Stitch: Embroidery and the Making of the Feminine

by Rozsika Parker

Genres: History, Non-fiction
Pages: 256
Rating: four-stars
Synopsis:

Rozsika Parker's now classic re-evaluation of the reciprocal relationship between women and embroidery has brought stitchery out from the private world of female domesticity into the fine arts, created a major breakthrough in art history and criticism, and fostered the emergence of today's dynamic and expanding crafts movements.

The Subversive Stitch is now available again with a new Introduction that brings the book up to date with exploration of the stitched art of Louise Bourgeois and Tracey Emin, as well as the work of new young female and male embroiderers. Rozsika Parker uses household accounts, women's magazines, letters, novels and the works of art themselves to trace through history how the separation of the craft of embroidery from the fine arts came to be a major force in the marginalisation of women's work. Beautifully illustrated, her book also discusses the contradictory nature of women's experience of embroidery: how it has inculcated female subservience while providing an immensely pleasurable source of creativity, forging links between women.

Rozsika Parker’s The Subversive Stitch is a pretty academic work, illustrated with lots of plates (though these are in black and white and not really of the greatest quality, at least in the edition I have. Parker’s thesis is basically that embroidery was a huge part of how femininity was constructed, particularly in the Victorian era, and we’ve seen a lot of things both deeper in the past and now through that lens.

No doubt there’s more up to date work now, but I’m under the impression this is a bit of a classic. It can be dry, especially if you’re not interested in the subject — as I mentioned, it really is pretty academic. But there are some fascinating insights here, and also some correctives to received wisdom about what exactly the history of embroidery has been like. Solid lesson: don’t believe a Victorian source, possibly not even about Victorian norms.

Perhaps more of interest to those interested in feminist and women’s history than to those interested in embroidery per se.

Rating: 4/5

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Review – Written in Bone

Posted July 22, 2024 by Nicky in Reviews / 2 Comments

Review – Written in Bone

Written in Bone: Hidden Stories in What We Leave Behind

by Sue Black

Genres: Non-fiction, Science
Pages: 360
Rating: four-stars
Synopsis:

Our bones are the silent witnesses to the lives we lead. Our stories are marbled into their marrow.

Drawing upon her years of research and a wealth of remarkable experience, the world-renowned forensic anthropologist Professor Dame Sue Black takes us on a journey of revelation. From skull to feet, via the face, spine, chest, arms, hands, pelvis and legs, she shows that each part of us has a tale to tell. What we eat, where we go, everything we do leaves a trace, a message that waits patiently for months, years, sometimes centuries, until a forensic anthropologist is called upon to decipher it.

Some of this information is easily understood, some holds its secrets tight and needs scientific cajoling to be released. But by carefully piecing together the evidence, the facts of a life can be rebuilt. Limb by limb, case by case – some criminal, some historical, some unaccountably bizarre – Sue Black reconstructs with intimate sensitivity and compassion the hidden stories in what we leave behind.

Sue Black’s Written in Bone is, unsurprisingly, all about bones — the things bones can tell us, even when we lack any other evidence of someone’s life. It covers the effects of injuries, congenital differences, causes of death, post-mortem traumas, and the way someone has lived their life, illustrated with examples of cases Black has dealt with.

It’s worth realising going in that some of those are pretty harrowing: there are clinical but nonetheless thorough descriptions of horrific violence and the damage it can cause, reconstructing the series of attacks during a deadly assault. Black also worked on identifying paedophiles from their characteristics in images and film (though the acts in these films and images are mercifully not described). She also describes her own rape, when she was young. She has a distance from it, at least in the telling, but overall if this is something you’d find very difficult, I’d recommend not reading this (or skipping that chapter).

It’s a fascinating way to think about the body, to imagine what things might be written into my bones. At times it’s discomforting, because the violence described is very vivid, literally blow-by-blow of whole assaults and murders. But Sue Black writes with compassion for victims and a careful clinical distance, so I found it relatively easy to just focus on the mechanics of the thing and not on the horror, and understand Black’s points.

Rating: 4/5

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Review – Hands of Time

Posted July 19, 2024 by Nicky in Reviews / 2 Comments

Review – Hands of Time

Hands of Time: A Watchmaker's History

by Rebecca Struthers

Genres: History, Non-fiction
Pages: 288
Rating: four-stars
Synopsis:

Hands of Time is a journey through watchmaking history, from the earliest attempts at time-keeping, to the breakthrough in engineering that gave us the first watch, to today - where the timepieces hold cultural and historical significance beyond what its first creators could have imagined. Acclaimed watchmaker Rebecca Struthers uses the most important watches throughout history to explore their attendant paradigm shifts in how we think about time, indeed how we think about our own humanity. From an up-close look at the birth of the fakes and forgeries industry which marked the watch as a valuable commodity, to the watches that helped us navigate trade expeditions, she reveals how these instruments have shaped how we build and then consequently make our way through the world.

A fusion of art and science, history and social commentary, this fascinating work, told in Struthers's lively voice and illustrated with custom line drawings by her husband and fellow watchmaker Craig, is filled with her personal observations as an expert watchmaker--one of the few remaining at work in the world today. Horology is a vast subject--the "study of time." This compelling history offers a fresh take, exploring not only these watches within their time, but the role they played in human development and the impact they had on the people who treasured them.

Timepieces have long accompanied us on our travels, from the depths of the oceans to the summit of Everest, the ice of the arctic to the sands of the deserts, outer space to the surface of the moon. The watch has sculpted the social and economic development of modern society; it is an object that, when disassembled, can give us new insights both into the motivations of inventors and craftsmen of the past, and, into the lives of the people who treasured them.

An award-winning watchmaker--one of the few practicing the art in the world today--chronicles the invention of time through the centuries-long story of one of mankind's most profound technological achievements: the watch.

Rebecca Struthers is a watchmaker in the traditional mould, and The Hands of Time is a history of time (or at least, timekeeping) from that point of view. It’s not just about watches, but also about the things that shaped our need to keep time, and the times when watches have been showpieces, groundbreaking inventions, solutions to problems, etc.

It’s the kind of book I really love, focusing in on one object (a watch) to tell us about wider society, using the theme to discuss people and events of the past. I don’t know anything about watchmaking, I’m not personally very interested in it, and I don’t wear a watch — but I found Struthers’ reflections on watches and watchmaking fascinating nonetheless.

There was something focused and meditative about it, like spending all day carefully adding details to a very small model: I know real watchmaking is much more painstaking, but one can recognise the feeling, at least. It was very satisfying, even though I’m sure I’ve retained nothing about the actual process of building a watch.

Rating: 4/5

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Review – Nefertiti’s Face

Posted July 18, 2024 by Nicky in Reviews / 0 Comments

Review – Nefertiti’s Face

Nefertiti's Face: The Creation of an Icon

by Joyce Tyldesley

Genres: History, Non-fiction
Pages: 240
Rating: four-stars
Synopsis:

Little is known about Nefertiti, the Egyptian queen whose name means "a beautiful woman has come." She was the wife of Akhenaten, the pharaoh who ushered in the dramatic Amarna Age, and she bore him at least six children. She played a prominent role in political and religious affairs, but after Akhenaten's death she apparently vanished and was soon forgotten.

Yet Nefertiti remains one of the most famous and enigmatic women who ever lived. Her instantly recognizable face adorns a variety of modern artifacts, from expensive jewelry to cheap postcards, t-shirts, and bags, all over the world. She has appeared on page, stage, screen, and opera. In Britain, one woman has spent hundreds of thousands of pounds on plastic surgery in hope of resembling the long-dead royal. This enduring obsession is the result of just one object: the lovely and mysterious Nefertiti bust, created by the sculptor Thutmose and housed in Berlin's Neues Museum since before World War II.

In Nefertiti's Face, Egyptologist Joyce Tyldesley tells the story of the bust, from its origins in a busy workshop of the late Bronze Age to its rediscovery and controversial removal to Europe in 1912 and its present status as one of the world's most treasured artifacts. This wide-ranging history takes us from the temples and tombs of ancient Egypt to wartime Berlin and engages the latest in Pharaonic scholarship. Tyldesley sheds light on both Nefertiti's life and her improbable afterlife, in which she became famous simply for being famous.

Joyce Tyldesley’s Nefertiti’s Face tackles not (as I think some other readers have hoped) who Nefertiti was, where she came from, what she might have been like, and how she died — though some of that is discussed as well — but the specifics of the famous limestone and gypsum plaster bust of her, currently on display in the Egyptian Museum of Berlin. It accepts the attribution to the artisan Thutmose (or at least to his workshop in Amarna), and has a guess at aspects of the life of Thutmose and his workmen as well as at the purpose and meaning of the bust.

That does of course involve some contextualisation for people who might be coming to this fresh, so it includes a chapter about Akhenaten and the establishment of Amarna. Tyldesley rather squashes the hope that Nefertiti was equal to Akhenaten in some way, pointing out her position in the art is usually subordinate to his, and her exceptional actions like smiting enemies are always in the context of his absence — disappointing, but a good analysis.

Obviously there’s always the conjectures about where her tomb might lay (or have lain), and about who might’ve been related to whom and how among the Amarna family.

There is also inevitably discussion about repatriation, which Tyldesley seems somewhat against (claiming that the exhibition of the bust in Berlin benefits Cairo by encouraging people in their love of Egyptian archaeology, and thus boosting tourism). Ho-hum.

Overall, I found this one enjoyable, though obviously aimed at a popular audience. It does have footnotes and a fairly detailed bibliography; always a good sign.

Rating: 4/5

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Review – Out of the Depths

Posted July 15, 2024 by Nicky in Reviews / 2 Comments

Review – Out of the Depths

Out of the Depths: A History of Shipwrecks

by Alan G. Jamieson

Genres: History, Non-fiction
Pages: 320
Rating: three-stars
Synopsis:

Out of the Depths explores all aspects of shipwrecks across four thousand years, examining their historical context and significance, showing how shipwrecks can be time capsules, and shedding new light on long-departed societies and civilizations. Alan G. Jamieson not only informs readers of the technological developments over the last sixty years that have made the true appreciation of shipwrecks possible, but he also covers shipwrecks in culture and maritime archaeology, their appeal to treasure hunters, and their environmental impacts. Although shipwrecks have become less common in recent decades, their implications have become more wide-ranging: since the 1960s, foundering supertankers have caused massive environmental disasters, and in 2021, the blocking of the Suez Canal by the giant container ship Ever Given had a serious effect on global trade.

A highly illustrated voyage through shipwrecks ancient and contemporary.

There are parts of Alan G. Jamieson’s Out of the Depths which are fascinating, particularly in the last few chapters where he begins to talk in a bit more detail about excavation and ownership of wrecks. It does feel like the first chunk of the book — and the majority of it — is a long list with some scant details about as many wrecks as he could think of. There are some interesting examples, but it can get samey.

It did get more interesting as he got onto more modern wrecks, where we know more about the causes and the human factors, and can say more about survivors, who might be at fault, etc. At least, that’s how I feel, of course: if what fascinates you are the ships themselves, then this might be right up your alley. It’s hard to judge.

It felt a bit uneven, ultimately, and it wasn’t helped by the fact that it isn’t one of my particular interests. (I’m fascinated by underwater archaeology, but less fascinated by how things got underwater, I suppose.) But I can imagine it being a fascinating read and a good resource.

Rating: 3/5

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Review – The Garden Jungle

Posted July 11, 2024 by Nicky in Reviews / 1 Comment

Review – The Garden Jungle

The Garden Jungle

by Dave Goulson

Genres: Non-fiction, Science
Pages: 288
Rating: three-stars
Synopsis:

The Garden Jungle is about the wildlife that lives right under our noses, in our gardens and parks, between the gaps in the pavement, and in the soil beneath our feet. Wherever you are right now, the chances are that there are worms, woodlice, centipedes, flies, silverfish, wasps, beetles, mice, shrews and much, much more, quietly living within just a few paces of you.

Dave Goulson gives us an insight into the fascinating and sometimes weird lives of these creatures, taking us burrowing into the compost heap, digging under the lawn and diving into the garden pond. He explains how our lives and ultimately the fate of humankind are inextricably intertwined with that of earwigs, bees, lacewings and hoverflies, unappreciated heroes of the natural world.

The Garden Jungle is at times an immensely serious book, exploring the environmental harm inadvertently done by gardeners who buy intensively reared plants in disposable plastic pots, sprayed with pesticides and grown in peat cut from the ground. Goulson argues that gardens could become places where we can reconnect with nature and rediscover where food comes from.

For anyone who has a garden, and cares about our planet, this book is essential reading.

The Garden Jungle is Dave Goulson’s paean to the richness and diversity we can create within our own gardens. Some of what he describes feels beyond out of touch — I have no idea if he realises how unlikely it is for other people to own enough land for a whole orchard, but you couldn’t tell from reading it — but his enthusiasm is genuine. He’s mostly interested in the insects, to be honest, with only brief mentions of other wildlife (like hedgehogs) that can thrive in our “garden jungles”. I’m pretty certain one thing our own tiny wildflower meadow is doing is providing shelter to the local hedgehogs as they forage, and that’s great.

It’s a fun read, and some of his footnotes made me smile. I was a bit less enraptured than I was by his book about bees, to be honest; I couldn’t say what would’ve made it better, but perhaps a little more attention to continuity between chapters. It’s a bit funny to read him in one chapter telling you that garden centres are selling plants laden with pesticides that will kill the insects in your garden, and in the next suggesting that you can go to buy plants at a garden centre and just look at the ones the insects land on… I’m certain that both are good suggestions in their way, but, hmmm.

I was interested by his stance on non-native plants. I personally feel that in some cases we’d be merely closing the barn door, and also that if we want anything to grow and thrive at all, we may need to bend with the conditions. The way humans ferry seeds about has been a part of how nature works for a very long time — it’s hard to draw a line now and say “this plant is a native, even though it was brought to the UK by the Romans” and “this plant is non-native, because Victorians brought it”. In the end, we need to focus on what thrives, and nurture as much biodiversity as we can — wherever it will grow. Goulson is rightly cautious about that, but not as preachy as some can be, accepting that some non-natives fill a valuable niche here.

Rating: 3/5

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Review – Petra: The Rose-Red City

Posted July 8, 2024 by Nicky in Reviews / 0 Comments

Review – Petra: The Rose-Red City

Petra: The Rose-Red City

by Jean-Marie Dentzer, Christian Auge

Genres: History, Non-fiction
Pages: 128
Rating: three-stars
Synopsis:

Deep in the desert of Jordan lies the hidden city of Petra, one of the greatest marvels of the ancient world. Carved from rose-red rock, Petra’s monuments, dwellings and temples were for centuries the centre of a splendid civilization.

Later the city fell into ruin and its location was lost, until the Swiss explorer Johann Burckhardt rediscovered it in 1812. Petra’s mysterious beauty and dramatic story have long captivated the imaginations of historians and art lovers. Excavations by the authors Christian Augé and Jean-Marie Dentzer provide new information about this unique city.

Before reading this, I knew very little about Petra — I’d seen a few images of it, knew roughly where it was, etc, but I didn’t know anything about the Nabateans and their lives in their city. Christian Auge and Jean-Marie Dentzer’s Petra: The Rose-Red City is a pretty slim volume, but richly illustrated, and carefully contextualises the images in terms of what we know.

Which is less than I expected, to be honest. Not much archaeological work had been completed in and around Petra relative to the size of the ruins at around the time of writing, and preservation work had barely begun, if at all. I’d love to find something more up-to-date about Petra, but it was fascinating to get this glimpse.

That said, sometimes the organisation of text, images and captions left something to be desired. The pages are very busy, and the flow is unintuitive sometimes.

Rating: 3/5

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Review – The History of the World in 100 Animals

Posted July 5, 2024 by Nicky in Reviews / 0 Comments

Review – The History of the World in 100 Animals

The History of the World in 100 Animals

by Simon Barnes

Genres: History, Non-fiction, Science
Pages: 416
Rating: three-stars
Synopsis:

We are not alone. We are not alone on the planet. We are not alone in the countryside. We are not alone in cities. We are not alone in our homes. We are humans and we love the idea of our uniqueness. But the fact is that we humans are as much members of the animal kingdom as the cats and dogs we surround ourselves with, the cows and the fish we eat, and the bees who pollinate so many of our food-plants.

In The History of the World in 100 Animals, award-winning author Simon Barnes selects the 100 animals who have had the greatest impact on humanity and on whom humanity has had the greatest effect. He shows how we have domesticated animals for food and for transport, and how animals powered agriculture, making civilisation possible. A species of flea came close to destroying human civilisation in Europe, while the slaughter of a species of bovines was used to create one civilisation and destroy another. He explains how pigeons made possible the biggest single breakthrough in the history of human thought. In short, he charts the close relationship between humans and animals, finding examples from around the planet that bring the story of life on earth vividly to life, with great insight and understanding.

The heresy of human uniqueness has led us across the millennia along the path of destruction. This book, beautifully illustrated throughout, helps us to understand our place in the world better, so that we might do a better job of looking after it. That might save the polar bears, the modern emblem of impending loss and destruction. It might even save ourselves.

I really enjoy books that try to tell a history through a number of objects or people or, in this case, animals. Simon Barnes’ A History of the World in 100 Animals is more or less that, but it was marred for me by the fact that I couldn’t actually determine any governing organisation here, not even alphabetical. The stories did all pick up on the theme of how humans have interacted with animals, of course, but they didn’t lead into each other — animals which shared a similar theme could be separated by most of the book. They weren’t organised by type of animal, or location, or type of interaction… any organising principle that I could think of.

As such, it felt like a bit of a weird read, whipping from one topic to another. There are certainly ways to organise this kind of book (chronologically, for instance), which would’ve made it flow better.

That said, there are certainly some fascinating stories of human interaction with animals (and it is pretty much all about human interaction with animals in one way or another). Where I know my stuff, it’s accurate, though the utter lack of footnotes or bibliography is worrisome.

It’s beautifully presented, with matte colour images accompanying many (if not all) of the stories).

Rating: 3/5

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