Murder in Montparnasse, Kerry Greenwood

Reading this a second time, I liked it more; I think my theory the first time I read it that it’d lost some of its freshness because I’d been reading too many Phryne books in a row was probably true. It gives us a glimpse of a different Phryne, and the experiences that made her the person she was, covering her life in Paris just after the war, and that’s pretty interesting — you can see it informing the way she chooses her lovers in the present-day of the books, and how she really became tough as nails.

It’s also nice because the book gives us a little more focus on Bert and Cec — a little more of a glimpse at their history and their bond, and some of their friends.

Against that, the plot with the girl who was going to marry a chef feels very light, almost inconsequential. It does help keep the book moving along when there’s a lot of other emotions that could make it heavy-going, but it’s not memorable or especially interesting in itself.

Rating: 4/5

Away with the Fairies, Kerry Greenwood

Phryne’s answer to Murder Must Advertise, and loaded with references to Sayers’ work (Nutrax Nerve Food, you say? smuggling clues in magazine copy, really?) — but also very much a novel in its own right, as Phryne goes above and beyond any of the on-screen heroism displayed by Lord Peter by rescuing her lover, Lin Chung, from pirates. Yep, pirates. As ever, it’s the usual mix for a Miss Fisher novel: a bit of mystery, some very fashionable clothing, some sex, a murder or so, and daring rescues featuring guns and requiring Phryne to get her kit off.

It kind of sounds formulaic when I put it that way, but it doesn’t feel that way when reading. It remains a ‘cosy’ mystery despite the guns and murder, even when it’s not a reread, because you know Phryne’s going to fix things in the end, with only minor damage to those around her. (Though I admit to being sceptical that Lin Chung’s replacement rubber ear is that realistic.)

The mystery part of it is fairly staid in comparison, though I do love the engagement with then-current politics (i.e. the mild background commentary on Mussolini).

Rating: 4/5

Death Before Wicket, Kerry Greenwood

Death Before Wicket takes Phryne away from her home turf of Melbourne, bringing her instead to Sydney — where despite her promises to Dot, several mysteries await. This isn’t one of my favourites, as I found it rather slow and over-sensational; the whole mysticism angle didn’t work for me, particularly not when it actually helped solve the mystery. I did enjoy Dot’s subplot, involving finding her sister and reuniting her family. It shows that she’s a good soul at heart, despite her judgementalness: she’s ready to accept her sister no matter what (although she’s relieved to find that her sister seems to be relatively innocent).

A skippable story, but entertaining all the same. It’s Phryne — it’s rarely boring.

Rating: 3/5

Blood and Circuses, Kerry Greenwood

In this installment, Phryne leaves behind her safe and comfortable house to do some slumming with the circus. She’s implausibly great at everything, of course, so it’s no surprise she learns how to do some trick riding. It’s also no surprise that her lovers are a clown and a carnie — and neither of them mind.

I was tempted to drop my rating from four stars to three this time when I think about how dramatic this one gets. There’s a lot of violence, with a whole gang situation. And there’s also attempted rape and personal danger for Phryne herself. For a series I normally view as relatively cosy, that felt like a bit much. But then, if you think about it, it’s not much more over the top than the anarchists of Death at Victoria Dock or some of the later stuff Phryne does for Lin Chung.

Also, there’s a bit where the clown is almost violent with Phryne, against her will — sorry, no, not having had sex for a long time is no excuse for that.

On the other hand, I enjoy Jack’s half of the story. An intersex individual is always a bit of an invitation for an author to mess up. Greenwood mostly does not, and Jack is satisfyingly brusque in ordering his subordinates to refer to the individual by their chosen name and pronouns. There’s also a fun friendship developing between unlikely characters in the form of Lizard Elsie and a former acrobat. So a tentative four stars it remains.

Rating: 4/5

The Green Mill Murder, Kerry Greenwood

This book wins for the wombat ex machina alone.

Other than that, on a reread this felt a bit all over the place. There are two overlapping mysteries: one a murder, and one a disappearance. There’s two romances, one of which actually makes me feel kind of squicky inside now I think about it — it’s not often Phryne makes a judgement about who to sleep with that I really disagree with (heck, that’s the point of Phryne; she makes her own decisions)… but one of the two is certainly twisted in his morality, and Phryne does suspect that from the start. I don’t really get the appeal of him, either.

All the same, the book features Phryne being the delight she always is. She protects a queer friend-of-a-friend from the attentions of the vice squad, flies a plane solo to find someone, makes her own decisions and puts her foot down when she has to. The found family are more in the background in this one, given that the high point (ha) of the book is Phryne’s solo flight and her time with a man who has made himself almost a hermit — but of course, they do feature.

I’m left a bit befuddled by the way that the nastiness of people and their squiggly morality seems to be somewhat justified by the fact that it gives Nerine, a blues singer, some real blues to sing about. But I would like to hear her singing, from the descriptions…

Rating: 3/5

Death at Victoria Dock, Kerry Greenwood

Another fun outing with Phryne, this one opening with a young man dying in Phryne’s arms. That gives us a driven, cold, angry Phryne. It’s always fun to see Phryne shocked right out of her comfort zone and realising that death can touch those around her, and this book gives us a Phryne who is almost (but not quite) out of her depth, with the kidnap of Dot and… well, everything else that happens.

I did find it a little too dramatic this time around, though. Anarchy! Guns! Seances! It’s all a bit sensational, and while I know that’s what I’m likely to get with a Phryne novel, still… this one definitely doesn’t have the cosy feel of some of the others, and there’s a real sense of peril in places which is at odds with the pretty clothes, sexual liberation and epic spreads at lunch and dinner.

Rating: 3/5