Tag: crime

Review – The Woman in the Wardrobe

Posted August 18, 2020 by Nicky in Reviews / 0 Comments

Cover of The Woman in the Wardrobe by Peter ShafferThe Woman in the Wardrobe, Peter Shaffer

The Woman in the Wardrobe features a few elements I usually find myself disliking, to wit an amateur detective full of bombast, wit and ego, and a locked-room mystery. There are some definite similarities with Gideon Fell… but the writing style is so breezy — and the included caricatures of various characters so full of life — that it swept me right through my usual objections. It’s one of those with a clever trick ending (as most locked-room mysteries are) and it worked reasonably well.

I can’t say I like the amateur detective, but at least the narration knows he’s a bit of an ass. It doesn’t push too hard on his genius, though there is a very Sherlockian scene with a reverie over a pipe just as the case is reaching its conclusion… It’s all contrived, of course, but it’s fun. It mostly helps that it doesn’t take itself too seriously.

Rating: 3/5

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Review – The Green Mill Murder

Posted August 10, 2020 by Nicky in Reviews / 4 Comments

Cover of Green Mill Murder by Kerry GreenwoodThe Green Mill Murder, Kerry Greenwood

The Green Mill Murder is one of the books of this series which really sticks in my head, mostly because of the descriptions of the flight over the mountains, and then the silence and space of the mountains. That part is so vividly imagined — including Phryne’s dislike of it — that it can’t help but stick in my head… that and the sheer awfulness of both Charles and Mrs Freeman. The mystery itself feels a little unfair… I knew how it was done and still couldn’t piece it together until Phryne, like magic, pulled it out of the hat. I don’t always mind that, myself, but it does rankle with some mystery readers, so it’s worth knowing.

Ostensibly the main mystery of the book is the murder which happens in its opening page, when one of the dancers in a marathon dancing session suddenly collapses, and seems to have been killed with a very slim knife. Something’s changed about the corpse when Phryne next looks at it, but she can’t put her finger on what… and in the meantime her date has vanished off to be copiously sick. Or just vanished: the policeman who goes to look for him finds no trace.

I find the main mystery oddly forgettable, though, despite the power of Nerine’s voice and Tintagel’s alleged charms. I didn’t really see it myself, for Tintagel’s case, though of course Phryne is susceptible to a pretty face… it’s just that he’s also a bit of an amoral bastard, and that always colours my reading of his character. In any case, the bit that sticks in my head is Vic Freeman and his lonely hut. Or not lonely, really, given he has a horse (actually a donkey or mule, I think? I am too lazy to get up and check), a dog, and a wombat (who proves instrumental). The rest of it is full of awful people, but Vic is just happy to be alone, to have some silence and healing away from the city.

It’s an enjoyable read, but sometimes feels a little lopsided to me, because of the bits of the plot I prefer.

Rating: 4/5

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Review – A Scream in Soho

Posted August 8, 2020 by Nicky in Reviews / 0 Comments

Cover of A Scream in Soho by John G. BrandonA Scream in Soho, John G. Brandon

Ooookay this one is just somehow really not my thing. It’s all Italian mobsters and German spies, slathered on thick with a side of racial determinism. The policeman at the centre of the story, McCarthy, is prone to violence to get his way — and has a rather Holmes-ian moves-in-mysterious-ways air about him, along with various sidekicks pulled off the streets and a disguise or two. It’s fairly obvious whodunnit, from pretty early on, and whydunnit comes pretty quickly after as well. After that, McCarthy just knocks some heads together and does some casual breaking and entering.

The joy of Golden Age crime fiction is often the sense of order, the sense that things in Britain are fundamentally good and just. It’s a total nostalgic lie, and always was, and the noble policeman as much as any of it… and this doesn’t have to be everybody’s thing, but I do think it’s a big part of what calls to me about E.C.R. Lorac’s series detective, or John Bude’s: they are decent men, doing a job which they believe to be serving justice, and doing it for the right reasons.

Needless to say, then, I did not enjoy McCarthy, even though he’s probably more realistic in many ways — particularly not since we’re supposed to be entirely on his side. Nope, nope, nope.

Not one for me. 1/5 stars feels kind of unfair, but… no, I can’t honestly point to anything I liked.

Rating: 1/5

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Review – Head On

Posted August 6, 2020 by Nicky in Reviews / 5 Comments

Cover of Head On by John ScalziHead On, John Scalzi

I don’t know why it took me so long to read this sequel to Lock In; I really liked the first book, and Scalzi’s work is always breezy in the best way. Unsurprisingly, when I got to this I steamed through it in two days (and I’d gladly have finished it in just one day, but bedtime is a thing that has to happen now I’m getting to the ripe old age of 31). Head On is set a year later than Lock In, and to some extent, I think you can read it without the previous book; it catches you up pretty well on the most pertinent information.

The investigation centres around the death of an athlete during a game in which people piloting robot bodies try to tear each other’s heads off. Something about what happens during play when one of them gets his head torn off causes him to die… and the league pull his details from the live feed, arousing the suspicions of Chris Shane. It gets worse: right before Vann and Shane go to interview him, one of the bigwigs apparently kills himself.

Curiouser and curiouser, as they say. Everything spirals from there, with Scalzi’s usual pace and wit. Some aspects of the mystery were obvious to me pretty early on, but it’s fun to watch Scalzi spin it out and complicate it before bringing it home.

It feels maybe a little less urgent than the first book, somehow, and I probably still prefer Lock In… but it’s a worthy sequel, and I’d love to spend more time following Shane and Vann around as Vann bulldozes her way through all opposition to solve the case.

Rating: 4/5

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Review – Lock In

Posted August 3, 2020 by Nicky in Reviews / 4 Comments

Cover of Lock In by John ScalziLock In, John Scalzi

My review is going to discuss a certain aspect of this book that you might like to make your mind up about yourself, in case you haven’t read it. It’s not a spoiler per se, but it’s something you might like to bring a fresh perspective to!

So that said, Lock In follows Chris Shane, a brand new FBI agent… who happens to have had “Haden’s syndrome” as a child, leaving Chris “locked in”. It’s pretty much how it sounds: some people who get Haden’s syndrome after a bout of a particular pandemic strain of flu find themselves unable to communicate, unable to move their own bodies, but awake and aware. Back when it happened, Chris was just a child… and all kinds of funding and research was thrown at the situation to render Hadens (people who were locked in) to communicate, and eventually to pilot robot bodies around and interact with society in much the same way as anyone else.

Chris joins the team that deals with Haden-related crimes. The first week… does not go smoothly. Therein lies the story of a conspiracy, some real nastiness, and some familiar-feeling events and issues.

The first time I read this book, I read Chris as male; I’ve since experienced the narrator as female, having listened to the Amber Benson version of the audio (there’s a version with Wil Wheaton as well, a clever gimmick). This time… I didn’t really bother either way? Having realised that it wasn’t part of the narrative, I read Shane as being more like myself… but only now I know about the gimmick. Before that, even I couldn’t help myself!

Anyway, Lock In is a pacy and entertaining mystery, with some thrilling action scenes, banter and clever quips, and moderately high stakes. The characters are likeable enough, inasfar as you’re meant to like Vann, and in retrospect it’s an obvious set-up for a series (now with a follow-up, Head On). I’ve read it before, so I steamed through it knowing all the twists and turns, and just kind of enjoying watching Scalzi experiment with this narrator and with a near-future world.

He missed some tricks with his portrayal of the pandemic and its aftermath, in some ways; it’s surprising that Haden’s is caused by an influenza and there’s no reference to vaccines or anything… and somehow that same strain of flu is still burning on, still causing the same disease, when someone who caught it as a child is old enough to be an FBI agent. Other stuff is pretty on point, and one can only hope the funding and government initiatives that help Hadens in the book are coming for “long COVID” and vaccine research. I won’t hold my breath; I think Scalzi’s vision was really optimistic here (though I suspect partly based on initiatives like the March of Dimes for polio).

Enjoyable, even on a reread when it couldn’t spring surprises on me and I’d read all Shane’s lines before.

Rating: 4/5

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Review – Mystery at Olympia

Posted August 3, 2020 by Nicky in Reviews / 0 Comments

Cover of Mystery at Olympia by John RhodeMystery at Olympia, John Rhode

I enjoyed John Rhode’s work under the name of Miles Burton, so I snapped this and two others up when I spotted them. Rhode is a fairly workmanlike writer, without the exquisite turns of phrase of Cox or Sayers, or the deep sense of place and character of someone like E.C.R. Lorac. They’re puzzles to be solved, with an ingenious method of murder and all kinds of twists in the tale (four separate attempts to harm the victim, any of which could have killed him… and not all by the same culprit, for instance). There are some nice little character sketches (primarily Mrs Markle, but with neat little impressions of several other characters and how they think).

The way it works out is surprising, mostly because I think there are really insufficient clues; it’s one of the school where the detective is utterly reasonable in his suspicions, but hopelessly wrong, and the big man of the story (Sherlock in some, Dr Priestley in this) has it all figured out in actuality… and it’s so Machiavellian and labyrinthine that you can’t guess. That’s not something I enjoy greatly in too big a dose, but it was nice to settle back and let the story carry me to its conclusion in this case. I knew I probably wouldn’t work it out and that there’d be a surprise, so thus prepared, I just passively followed the process.

Probably I’ll avoid reading Death at Breakfast or Invisible Weapons too soon, and come back when I’m ready to be told what the non-obvious “obvious” solution is.

Oh, and if you’re just picking it up and wondering if you need to follow all that explanation about how the fancy new transmission works in the cars at the Olympia show… the answer is no. You can skip that whole spiel. Someone got too pleased with his own idea there.

Rating: 3/5

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Review – The Murder of a Quack

Posted July 10, 2020 by Nicky in Reviews / 0 Comments

Cover of The Dead Shall Be Raised & Death of a Quack by Goerge BellairsThe Murder of a Quack, George Bellairs

The Murder of a Quack is another murder mystery in much the same vein as Bellairs’ others: for all that Inspector Littlejohn is chasing murderers, there’s something gentle about the whole thing. I suppose it’s the tenderness and affection with which Bellairs draws some of the characters, even as he makes them funny. The feud between the two oldest men in the village, the village bobby and his squeaky shoes, the foibles of the postmistress and her love of France and all things French… There are some more ugly characters, of course, but even those show glimmers of humanity.

In this particular instalment, Scotland Yard in the shape of Inspector Littlejohn is called in to investigate the death of a local bonesetter, highly respected by most of his community, though hated by the local properly qualified doctor for being trusted and preferred when it comes to minor ailments by most of the villagers. Though he’s a “quack”, that mostly refers to his lack of official qualifications: the story makes it very clear he was an experienced and careful healer, and worthy of trust. Littlejohn has to really poke around to get hold of the murderer in this case, but once he finds the right thread and gives it a good pull, his conscientious work pays off, as always.

Littlejohn isn’t a flashy detective, but that makes him the more enjoyable in a quiet, methodical way. Bellairs’ books lack the drama of some of the other Golden Age writers, but I think more highly of his warmth and ability to draw characters with each book. And this one even made me laugh a few times!

Rating: 4/5

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Review – The Dead Shall Be Raised

Posted July 9, 2020 by Nicky in Reviews / 0 Comments

Cover of The Dead Shall Be Raised & Death of a Quack by Goerge BellairsThe Dead Shall Be Raised, George Bellairs

George Bellairs is one of the writers in the British Library Crime Classics series who is reliably entertaining: perhaps not the literary heights of Sayers’ best, or the memorable twists of Christie’s work, but solid and enjoyable, rooted in places and people that feel familiar. It’s well-worn without being tired; the literary equivalent of a duvet day.

This particular mystery features the discovery, over the Christmas season, of the body of a murdered man… a man who was himself suspected of being a murderer twenty years before. Obviously his discovery — just metres from where they found the body of the man he was alleged to have killed — sheds new light on the old mystery, and requires that murder too to be investigated again. Inspector Littlejohn is just spending Christmas away from his usual beat, but he agrees to help investigate, being a Scotland Yard man.

Through patient work and a little insight into human nature, and his willingness to depend on local knowledge rather than think himself above, he… well, it’s a Golden Age mystery, so you won’t be surprised to know that the killer is found, and all is made comfortable again. The killer became obvious to me fairly quickly, and the twist in the tale as well, but I enjoyed the journey nonetheless. Bellairs may not be a particularly fine prose stylist, but he evokes the village and the people within it beautifully. Mrs Myles is rather good, and the Inspector Emeritus as well. Not stunningly original, perhaps, but there’s enough of their speech patterns and gestures and thoughts that they feel just real enough.

Definitely a worthwhile one.

(The Murder of a Quack is a separate book, unrelated apart from the shared detective, so I’ll review that later, separately, even though it’s reissued in the same volume.)

Rating: 4/5

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Review – Murder in the Mill-Race

Posted June 22, 2020 by Nicky in Reviews / 3 Comments

Cover of Murder in the Mill-Race by E.C.R. LoracMurder in the Mill-Race, E.C.R. Lorac

Lorac starts this book by setting the scene, with a young doctor and his wife moving to an idyllic little village on the moor, self-contained and insular. They’re quickly accepted because of the doctor’s skills, of course, but there’s a little friction with a staple of the place: Sister Monica, a rather severe woman who rules over a little children’s home with an iron fist. Everyone says she’s “wonderful”, and yet there’s something forced about the superlative.

Since it’s a Golden Age crime novel, no surprises that Sister Monica is the one found dead, and that it unravels a whole snarl of issues in the little village. Lorac’s series detective, Macdonald, comes in to take a look — understanding the ways of a small village, but not bound by then, and able to cut some of the knots with plain-speaking and an inability to be rattled.

As always, Lorac is great with a sense of atmosphere: you can practically hear the sounds of the village, smell the scrubbed barren children’s home, feel the spray of the water in the mill race. The killer was the person I guessed, but Lorac avoided tying things up in too neat a bow: there are a couple of questions unresolved, and there’s no “sit all the culprits together in a room” moment. You do get a sense for how her detective works and how she likes to shape a mystery, after reading a few of her books — there are commonalities between this and her other books that felt a bit fresher the first time you read them.

Overall, though, Lorac’s ability to portray a place and a bunch of complicated characters remains a big draw, and I think her books are among the finer ones in the British Library Crime Classics collection (contrast Bude, for example, who I find entertaining but unremarkable as far as style goes).

Rating: 4/5

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Review – The Sussex Downs Murder

Posted June 19, 2020 by Nicky in Reviews / 0 Comments

Cover of The Sussex Downs Murder by John BudeThe Sussex Downs Murder, John Bude

The Sussex Downs Murder is the third book I’ve read by John Bude from the British Library Crime Classics series, featuring the same detective as the previous two. Meredith is a policeman, and much of the story involves careful police work: cross-checking, putting a man on this and a man on that, and slowly amassing more evidence — so much that at first it’s hard to sort out what’s relevant and what isn’t, and which of the herrings are a suspiciously ruddy colour.

Bude’s writing is like that: methodical, thorough, a little slow, but ultimately assembling a pretty fascinating picture, with some nice set-pieces along the way. I don’t visualise things easily, but Bude brought to life the chalky cliff and the grassy downs of the setting, as his characters walk through them — a sketch, perhaps, but one that suggests just enough to contextualise what the artist wants to show.

I’ll admit that I find John Bude’s plots a trifle obvious, though Martin Edwards’ introductions don’t always help with that. He dropped a clue that raised my eyebrow right at the start, so I figured out where we were going. Still, I didn’t know quite how we’d get there, and with Golden Age crime fiction that’s usually the main thing.

In all, it’s a solid story, I didn’t spot any major holes, and it has its moments for characterisation, setting and humour. Not perhaps the best of the series, but an enjoyable specimen of the species.

Rating: 3/5

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