Batgirl: A Knight Alone, Kelley Puckett, Damion Scott, Robert Campanella, Coy Turnbull, Dan Davis

I found this second volume of Cassandra Cain as Batgirl a lot easier to digest, somehow, than the first one. Unfortunately for the character concept, it probably helps that she’s now able to express herself in words and understand the words of people around her. There were still some issues for me in understanding the backstory — for example, wtf is Batman’s relationship to the assassin who trained Cassandra? Why did he ever train under an assassin himself? Also, a couple of aspects were skimmed over — like the training Cassandra received from Lady Shiva.

Sometimes, reading this, I felt like the panels were badly ordered; sometimes it seemed to make more sense to read the page right to left. Which is fine, but it’s really not the convention in Western comics, so it throws me every time. Or maybe it’s just experimentation with layout — either way, it didn’t work very well for me, alas. The whole train of events feels unhinged sometimes. I just can’t see how we get from A to B, how the stories relate to each other. It feels like a much less defined arc of events.

Again, I’m still not a great fan of the art, though some of the expressions are great. I’m a little leery of the attention given to highlighting Cassandra’s breasts and butt; come on, she’s practically a kid, let’s maybe not sexualise her.

Still, Oracle continues to play a part, Cassandra proves her worth, and we see her being desperate to do justice. It’s a solid volume, and if I used half-stars, I’d give it 3.5 to show that it improved from the first volume for me.

Rating: 3/5

Batgirl: Silent Running, Kelley Puckett, Scott Peterson, Damion Scott, Robert Campanella

I’ve been intrigued by the idea of Cassandra Cain as Batgirl ever since I heard about this series; I love the idea of a girl trained so intensively to be an assassin that she knows no language, but can interpret vast amounts from movement, even from tiny cues in body language. It’s fascinating because it’s to some degree possible; “feral children” without language who weren’t exposed to language during their critical period for learning it have existed, and who knows? Maybe they do learn to pay attention to other cues, appropriate to the environment they live in, which would be missed by those who rely on words to communicate.

In practice, though, Silent Running is kind of an awkward place to jump in. It’s not so bad for me because I know Barbara Gordon’s story, why she became Oracle, who she is — and everyone knows at least a little about Batman. But it feels like jumping into the middle of a run, not the beginning of one. The art style doesn’t greatly appeal to me either, and the storytelling is appropriately visual, which is never going to work that well for me (I just don’t and can’t think visually).

It’s also a little awkward because that uniqueness about this Batgirl is wiped out almost immediately: a psychic man rearranges her thoughts and gives her language, taking away her preternatural combat abilities by changing the way she experiences the world. It makes sense, but it does lose the thing that intrigued me about the character.

Also, Batman being paternalistic and judgemental, all the time. Gah. He should have some idea of how Cassandra was raised, you’d think, but somehow he spends the book denying it, and having a really weird tension with Cassandra when they’re working together.

I’m going to read the second volume, since I have it, but at the moment I’m not greatly enthused about following this version of Batgirl, which is a shame. (But might save me some money, since wow the TPBs can get expensive!)

Rating: 2/5