Crossed Skis, Carol Carnac

Carol Carnac is perhaps better known (at least since the British Library Crime Classics started coming out) as E.C.R. Lorac — one of my preferred writers from that series of reissues. It’s not that her plots are particularly original or different, and in fact they’re usually easy to work out, but it’s the way she writes about people and places, bringing out the atmosphere of place and writing well about ordinary, decent people (for the most part — aside from the criminal).

All in all, her books epitomise the sense of things being set to rights that’s common to a lot of Golden Age crime fiction, and that can be rather comforting if that’s your thing. They’re a reasonable puzzle, and the detectives are generally likeable (unlike, say, John Dickson Carr’s); more Agatha Christie than Dorothy Sayers on the scale of literary pretension. This book is exactly what you’d expect, as a consequence: a decent sense of place, a series of thumbnail portraits about decent, pretty ordinary people in a pretty ordinary situation, and a couple of red herrings.

I found this one a tad obvious, because I very quickly narrowed the field down to two possibles, from all the descriptions and actions of the characters. The setting, though, is lovely — you get the sense of the crowded trains, the cold air, the bubbly enthusiasm of the group of Brits getting away on a skiing holiday together, slightly lacking in inhibitions because it’s not Britain and they don’t all know each other well. The characters are mostly sketched in because the group is so large (16 characters in the traveling party), so I didn’t find it quite as good at bringing characters to life, here.

It all sounds a bit like I’m damning Lorac’s books with faint praise, but I genuinely pounce upon each one that gets reissued, and enjoyed this one too — but it’s like enjoying food from the fish and chip shop rather than a fancy restaurant. Solid and satisfying, but usually not surprising.

Rating: 3/5

These Names Make Clues, E.C.R. Lorac

In some ways, this doesn’t really feel like one of Lorac’s books. It’s not quite a John Dickson Carr, but there’s something overly convoluted about it, and a bit less of the good-heartedness I think of when I think about Lorac. Her characterisation of Macdonald feels slightly different — he’s still a solid, good man, but he feels more stereotypical as a Scotsman, and it just… feels very typically of that era.

Which is not necessarily a bad thing, because I enjoy books of that era — that’s how I even discovered E.C.R. Lorac in the first place, of course. But it feels like she hasn’t quite found her voice, maybe, in this one… and I’m not too surprised that this is one which seems to no longer be available anywhere, even second hand, as Martin Edwards says in the introduction.

It remains an enjoyable little puzzle, though it withholds some key information to make the puzzle difficult to solve. I do not have a mind for anagrams, but even if I did, I don’t think you get all the information you need about a particular character in order to figure out whodunnit and why.

Rating: 3/5

Two-Way Murder, E.C.R. Lorac

Unusually for the British Library Crime Classics series, this is a book that was never published before, lightly edited and prepared for publication now given the popularity of Lorac’s books within the series of reissues. It features not one of her usual detectives, but a new group of characters — and on the detection side of things, I have to say I prefer her actually-published books. This felt like it was missing a bit of the warmth and humanity that you feel (however muted) from her usual solid and decent detectives.

I do wonder if I’d have preferred it if Lorac had actually prepared it for publication herself, rather than it being pulled out of the archives and published for the first time. I think she’s likely to have had some changes to make, at least.

That said, it works as a story, shuffling the puzzle pieces around until — click! You’ve completed the puzzle. You have most of the info you need to solve it, but there are a few surprises lurking. I suspect I was partially surprised because this is Lorac, and I’d expected certain things of her characters, too.

I can’t say it’s one of my favourites, but it was enjoyable, and features her usual attention to place and how a place can affect a crime and those all around it.

Rating: 4/5