Tag: book reviews

Review – Age of Ultron Prelude

Posted February 11, 2016 by Nicky in Reviews / 2 Comments

Cover of Avengers: Age of Ultron PreludeAvengers: Age of Ultron Prelude, Will Pilgrim, Joe Bennett

This is probably the most disappointing of all the prelude books. If you know a little about the Avengers and you’ve seen all the other films, you’re covered. Don’t bother with this. It becomes especially pointless once you’ve actually seen the film, because it includes background on the Vision and Ultron which doesn’t apply so much anymore. Okay, it’s kind of cool to see a much more diverse team, including Jessica and Carol, but nearly all of this stuff is available elsewhere, and a big chunk of the book is just a retelling of the first Avengers film. Only it makes it a lot flatter and just lacks everything that made that a great spectacle: dialogue, fight scenes, team scenes… it’s all condensed down and drained.

Just… don’t waste your time.

Rating: 2/5

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Review – Song for the Basilisk

Posted February 10, 2016 by Nicky in Reviews / 0 Comments

Cover of Song for the Basilisk by Patricia McKillipSong for the Basilisk, Patricia A. McKillip

I’ve mentioned before that I had a somewhat difficult time getting into Patricia McKillip’s books, and Song for the Basilisk is definitely one of the more difficult ones, in my opinion. I wouldn’t suggest starting with it. It contains many characteristics that the other books share — Ombria in Shadow, the tyrant ruling the city; The Bards of Bone Plain, the bards of Luly; the lyrical, reflective prose. I have to be in the right mood to read McKillip’s books, I think: The Changeling Sea was the gateway for me, where I really learnt to appreciate her work.

Song for the Basilisk is rather more abstruse than that one, though it is — as you might expect if you like McKillip’s work — beautiful and entirely worth spending the time with, at least by my lights. Somebody wrote a review which makes a comparison between this and Guy Gavriel Kay’s Tigana, and that’s apt: there are similar themes and even images. I disagree that Song for the Basilisk goes deeper than Tigana, though: they’re different in that in Basilisk the vendetta is more targeted and personal, against a single family, rather than erasing the culture and identity of a whole people. Your response may vary depending on personal taste and experience, but for me the denial of Tigana as a wellspring for identity hits pretty hard — harder than “tyrant hated powerful family because power”, which is more what I got from Basilisk.

Some things about this book I was unsure about: I’m used to feeling some ambivalence about McKillip’s characters, but Luna Pellior threw me for a loop. I was sort of expecting the ending, but I find it difficult to connect the dots. There’s a kind of opaqueness about the book, about Luna, that made it difficult to see things from her perspective — or anyone’s. I felt like more of an observer than a participant.

If you already know what you’re getting into with McKillip’s work, I don’t think this will disappoint. It wouldn’t be my choice of starting point, though.

Rating: 4/5

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Review – The Midnight Queen

Posted February 9, 2016 by Nicky in Reviews / 6 Comments

Cover of The Midnight Queen by Sylvia Izzo HunterThe Midnight Queen, Sylvia Izzo Hunter

I can’t remember exactly when or why I picked up The Midnight Queen, but I think I was attracted by the references to the scholarship of magic. After Susanna Clarke’s Jonathan Strange & Mr Norrell, that’s proven to be something I enjoy reading about, particularly in alternate-history settings. This book reminded me of that, and of Zen Cho’s Sorcerer to the Crown in the sort of approach to integrating magic and history, while being on the lighter side — more Heyer than Dickens, if you want an idea of tone and style.

The Midnight Queen moves between London, Oxford and Brittany, and delighted my heart in a small, unobtrusive way by referring to the Welsh language as Cymric, and the country as Cymru, rather than Wales. (It’s a small touch, I know, but “wealas” in Saxon meant “foreigner”, so it’s nice to see a book using our word for ourselves as a matter of course.) It does the same with Breton, too, which proved interesting — there’s quite a few references to Breton customs and settings which is a little different in fantasy, I think.

The characters are likeable enough: the awkward Gray, and the lovely but trapped Sophia; lively Joanna, and Gray’s kind sister… they all work well as a cast you can root for, or in the case of the antagonists, hate. The magic is interesting, featuring various different types of magic — including Sophia’s own magic, wrapped in the power of song, like a Siren. It requires exploration on both Gray and Sophia’s part, though Gray starts off with a good grounding in it which allows him to guide Sophia and the reader.

I can see some readers finding it rather slow paced, particularly at the beginning; aside from a quick burst of initial action, there’s a longish section where not much seems to happen except Gray and Sophia talking to each other. I quite liked it anyway: it builds the relationship, which you do need for the later chapters to really work. The romance is sweet, without too many stupid setbacks due to lack of communication. Hurrah!

This is listed on Goodreads as a series, and I’ll be interested to see where it goes next — whether it follows the same characters, or perhaps takes a little detour into Joanna’s doings, or perhaps into the past with Laora. Personally, I’m up for it!

Rating: 4/5

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Review – Arrows of the Queen

Posted February 8, 2016 by Nicky in Reviews / 4 Comments

Cover of Arrows of the Queen by Mercedes LackeyArrows of the Queen, Mercedes Lackey

I’ve always vaguely known about Mercedes Lackey’s work, but rarely read any, so this was my first experience with Valdemar. I’m aware that there are tons of problematic things about Mercedes Lackey’s body of work, though I haven’t looked at details. Still, Arrows of the Queen is a book I wish I’d had when I was younger. It has a couple of queer characters, who are treated pretty much like the other characters — okay, things aren’t all rosy for them, but not for other characters, either. And the main character is a young girl who loves books, and turns out to belong to something bigger than herself — that scullery maid to (almost) princess sort of transition which can be so fun (and which so often brings forth cries of “Mary Sue” when the character is female, and yet no such complaint is made if the character is male).

It’s fun, and Talia is capable and compassionate, while also learning and growing throughout the book. There are some things which jar a little now, for example her casual use of corporal punishment with the spoilt young princess, even after coming from a rather abusive background herself. It’s pretty commonly agreed now that corporal punishment doesn’t really go any good, but here it’s treated as a valuable tool in the arsenal of unspoiling a child. I’m dubious, and I’m sure there are people who would hate that section, but at least Talia has a general common sense approach to dealing with the Brat.

On the less positive side, the writing seriously falls down in places. Large chunks of time fly by, without any real framing, so that you think she’s been at the school for a month and it turns out it’s been a year, and such things. Worse, Lackey is — at least at this point in her career — very prone to “telling, not showing”. This sometimes wrecks the pacing and makes sections seem rather dry and didactic.

Still, I read it in one go and did enjoy it, and I’m planning to read more in the Valdemar universe. And I still wish I’d actually picked this up as a kid, and given it to my sister too. It might have made us feel less alone.

Rating: 3/5

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Review – The Collectors

Posted February 7, 2016 by Nicky in Reviews / 2 Comments

Cover of The Collectors by Philip PullmanThe Collectors, Philip Pullman, read by Bill Nighy

I don’t think I knew when I picked this up that it was part of the His Dark Materials world, but it doesn’t really matter that it is. It does add another dimension if you can identify why certain things go together, but it works as an atmospheric creepy story, too. Especially as read by Bill Nighy — I don’t often read something only as an audiobook, but this seems very much designed to be an audiobook. The action is almost entirely in dialogue.

The feeling of the story… it’s something like Neil Gaiman’s style, now I think about it. And it feels more like Clockwork, of Pullman’s work, than His Dark Materials. That’s not a criticism, despite the fact that Clockwork is aimed at a younger audience. I think both capture something creepy and bring it across in just the right number of words.

For an audiobook I got for free, this is definitely worth the half hour’s listening. Especially if you are a fan of Pullman in general.

Rating: 4/5

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Review – Rose Cottage

Posted February 6, 2016 by Nicky in Reviews / 0 Comments

Cover of Rose Cottage by Mary StewartRose Cottage, Mary Stewart

Rose Cottage is a quiet mystery/romance, not too heavy on either, with no dramatics of the sort you find in The Gabriel Hounds or Touch Not the Cat. It’s all fairly quiet and peaceful; a restful sort of book, with only brief moments of unease, no madly evil people (though one at least who is very flawed), no great tragedy, and an ending that brings everyone neatly together in a perfect reunion.

Given that I’d definitely choose the word “gentle” to describe it, and the romance is just barely there in the last half, this isn’t the most pacey, exciting story. It’s a cosy one, of homecoming and heart-healing and family, needing and wanting no heroics. It’s a post-war story, but the war is just a shadow in the background; it’s a family mystery, but the important thing is not so much the mystery, the not-knowing, but almost the end of the story, when people come together.

This all might sound like faint praise, and it’s true that Rose Cottage isn’t one of my favourite of Stewart’s books. But it’s enjoyable, and especially good if you don’t want high drama, just some village life and a happy ending.

Rating: 3/5

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Review – Camelot’s Honour

Posted February 5, 2016 by Nicky in Reviews / 0 Comments

Cover of Camelot's Honour by Sarah ZettelCamelot’s Honour, Sarah Zettel

Originally reviewed in February 2010

The first time I read this series, I wasn’t all that impressed. There are still things I’m not so keen on — the love at first sight, for one thing, doesn’t ring very true, and also the books could do with better proofreading. There’s punctuation missing, and I’m pretty sure “grieves” and “greaves” don’t mean the same thing. But, this time, I found myself a lot more interested. I preferred Geraint to Gawain, I think, and I was interested in him and his feelings about his relationship to Morgaine, and his way of dealing with his legacy from his father — and his love for Elen.

I don’t know if the story of Elen and Geraint is based on any legend, Arthurian or otherwise, although I suspect that the story of Gwiffert, at least, has some kind of link to existing mythology. Still, it’s nice to see a lot of mythology together and coupled to the Arthurian mythology, to make something new. The ongoing story of Morgaine is interesting, too: I can’t actually remember very well how that’s resolved, and I forgot that she seemed genuinely in love with Urien.

I originally didn’t like Elen much, but there is something compelling about her, too, and her struggle, and Collanau. I wished the book had more about the Lord, the Lady, and Elen’s family. As far as I remember, the Lord and the Lady don’t come into it again, which is a shame.

(Erec and Enide is, of course, where I think this comes from. It doesn’t follow it directly in plot, but I think the idea of the bird came from there.)

[Note in 2016: I know much more about the various sources now — The Mabinogion is a big one.]

Rating: 4/5

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Review – The Unpleasantness at the Bellona Club

Posted February 4, 2016 by Nicky in Reviews / 0 Comments

Cover of The Unpleasantness at the Bellona Club by Dorothy SayersThe Unpleasantness at the Bellona Club, Dorothy L. Sayers

Featuring Ian Carmichael as Lord Peter Wimsey, Peter Jones as Bunter, and Gabriel Woolf as Inspector Parker

This has never been my favourite of the books, though it does touch on some of the horrors of war (in the figure of George Fentiman) and there are some interesting moral issues — particularly because this is one of those books in which Peter chooses to offer someone a “gentlemanly way out”. On the one hand, it bothers me because the guy is basically painted into a corner: his guilt has been figured out, and now here comes Lord Peter to make him write a full confession and then gently hint that he should shoot himself, rather than face due process and be condemned by a jury. Of course, the death penalty is probably his ultimate destination, and yet… who is Lord Peter to decide? To offer a way round the law?

It’s one of those stories in which Peter is asked whether he’s a detective or a gentleman, and he pretty much dodges the issue.

The radioplay is a fun enough adaptation, though the pacing is bizarre. Just as you think it must be approaching the denouement, it turns out that no, there’s still half the story to go. It feels very odd, even when you know it’s coming.

As usual, the voice acting is pretty excellent, and there was no desperate overacting by extras in this one, either. Hurrah.

Rating: 3/5

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Review – Signal to Noise

Posted February 3, 2016 by Nicky in Reviews / 2 Comments

Cover of Signal to Noise by Sylvia Moreno-GarciaSignal to Noise, Sylvia Moreno-Garcia

Someone in my book club in Cardiff mentioned Signal to Noise to me with some enthusiasm, and I’d already looked at it speculatively a few times, so I was quite eager to give it a go. Music and magic being linked is hardly a revolutionary idea for me: Orpheus, the enchantment of a good song, the Pied Piper… But this uses music like Bowie and Nina Simone; songs like ‘A Whiter Shade of Pale’. Popular music, recent music. It’s an accessible sort of magic, and the perfect kind of magic for a teenager to use.

The characters are very teenage: a mismatched group who don’t get along with other people so well, at least as teens; who grow apart, as adults, so that the first moment of recognition is a strange one. The pushy prickly leader and the gentle follower, the bond between a boy and a girl of understanding, of seeing a future… The teenage versions of the characters definitely work well, though as adults there’s still something so teenage about them — or at least about Meche, Mercedes, the main character.

The two plots run parallel: Meche, Daniela and Sebastian as teens, casting spells using vinyl, and then the same characters as adults, grown far apart — wrenched far apart, it turns out, by what happened when they were teens. That plot is kind of interesting, though I didn’t really feel Meche’s power trip. It got way too menacing too fast, and after that I couldn’t understand Sebastian and Daniela still wanting to be anywhere near Meche. Sure, the spells she wanted to cast were understandable — but also manipulative, and in one case, really dangerous. It doesn’t feel like Meche deserves Daniela and Sebastian’s patience and forgiveness, however close Sebastian and Meche were before.

I found it an overall entertaining story, but not as great as I’d hoped. I liked the fact that it was set in Mexico City, and the little flavours of food and stories which reminded you, every now and again, where the characters were and what shaped and constrained their lives — those subtle differences from the typical American teenagers. It’s not a hugely marked thing, though, now I think about it in retrospect — the story could be the same without the setting, I think.

Rating: 3/5

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Review – Dreamsnake

Posted February 2, 2016 by Nicky in Reviews / 0 Comments

Cover of Dreamsnake by Vonda N. McIntyreDreamsnake, Vonda N. McIntyre

Received to review via Netgalley

It’s been quite a while since I read this, and I remembered it fondly enough, so when it came up on Netgalley, I decided to request it and do a reread. I only gave it three stars the first time, which surprised me when I looked it up and saw the raft of awards it got: Nebula, Hugo, Tiptree nomination, National Book Award finalist… I remembered it being quite like The Steerswoman in the narrative style, in the capable heroine; I remembered that the background of the story including queer and polyamorous characters in a casual, natural way — as well as plenty of capable women who knew what they were doing, who talked to each other (about things other than men!), who worked together.

Happily, all of that is still there, especially Snake’s care for others: for Melissa, and also for Gabriel, for Arevin, for the people she treats as a healer. Even for her snakes, though that’s not so surprising given that her livelihood relies upon them. And there are some quite lovely tender moments between Snake and the people she helps and becomes friends with.

The background of the story is fascinating too, and I don’t seem to have thought much about it before. It’s basically Earth, post-apocalypse, but exactly what that apocalypse was and how the aliens might have been involved, or even how long ago it was, are all shrouded and mysterious. And that background just lies behind the story, mostly not even used except in little bits — like the solution to breeding dreamsnakes. And there’s the whole issue of the healers using snake venom, how and why they would have begun that, how it all works. There’s room for half a dozen other stories here, though the one we’re told is a fairly straightforward redemption/quest story.

It’s still not quite a five star read for me: there’s something rather detached about it, emotionally, despite the tender moments. Sometimes the background feels a little too much like painted scenery. But for the most part, it was enjoyable to revisit Dreamsnake, and worth the time.

Rating: 4/5

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