The City in Glass

by Nghi Vo

Synopsis:

The demon Vitrine—immortal, powerful, and capricious—loves the dazzling city of Azril. She has mothered, married, and maddened the city and its people for generations, and built it into a place of joy and desire, revelry and riot.

And then the angels come, and the city falls.

Vitrine is left with nothing but memories and a book containing the names of those she has lost—and an angel, now bound by her mad, grief-stricken curse to haunt the city he burned.

She mourns her dead and rages against the angel she longs to destroy. Made to be each other’s devastation, angel and demon are destined for eternal battle. Instead, they find themselves locked in a devouring fascination that will change them both forever.

Together, they unearth the past of the lost city and begin to shape its future. But when war threatens Azril and everything they have built, Vitrine and her angel must decide whether they will let the city fall again.

The City in Glass is both a brilliantly constructed history and an epic love story, of death and resurrection, memory and transformation, redemption and desire strong enough to reduce a world to ashes and remake it anew.

I received a copy of this book for free in exchange for an honest review. This does not affect my opinion of the book or the content of my review.

I really liked Nghi Vo’s The City in Glass, but I can imagine that some people loathed it, for exactly the same reason: it’s more of a mood than a story. There’s a story, yes: angels destroy the city the demon Vitrine loves, and she curses one of them in retaliation. Cast out from his people, he watches her try to rebuild, and she slowly heals — and draws him closer to her, eventually — and learns to love the new shape of her city, of herself, and of him.

As you see, it’s possible to summarise a plot arc here, but most of it feels like a dream, glimpses of Vitrine’s life, a few moments of something that could go on forever without real beginning or end. If you’re looking for a beginning, an ending, and a journey in the middle… you’ll probably not be satisfied. It’s beautifully written and atmospheric, and there are moments of fraught emotion and of joy, but very little actually happens. It’s Vitrine’s daily meddling, Vitrine’s anger, Vitrine’s grief.

To be clear: I really, really enjoyed it, and read it really fast. But if you’re looking for a solid plot, for character development, in other words for a traditional story, it’s probably not entirely for you.

Rating: 4/5