The Weather Wheel

by Mimi Khalvati

Synopsis:

In these new poems, each of them written in couplets and contained within the space of 16 lines, Mimi Khalvati takes the weather, the seasons, and the passage of night and day as the ground on which she draws her emblems of human life and love. An extended elegy for her mother, the book is also a series of meditations on the small details of animals' lives and on the vulnerable animal within the human being.

I didn’t enjoy The Weather Wheel as much as I enjoyed the other collection I’ve read by Mimi Khalvati, though there were a few images and poems that struck me and will probably stick with me, mostly surrounding her grief for her mother, like this couplet:

I measured distances by her. My mother my compass,
my almanac and sundial, drawing me arcs in space.

Overall, not a favourite collection, but all the same, my feeling when I finished it was fairly positive, if that makes sense! Something I’m glad to have read, more for the overall impression than for individual poems.

I liked the Afterwardness collection quite a bit more, though.

Rating: 3/5 (“liked it”)

Afterwardness

by Mimi Khalvati

Synopsis:

A 2019 Poetry Book Society Winter Wild Card. A Sunday Times Book of the Year 2019. Ever since her first Carcanet book, In White Ink (1991), Mimi Khalvati has been drawn to the sonnet form. In Afterwardness its pull became irresistible. She has created in this unprogrammatic series, mixing memory, history, daily life, all her intersecting geographies and cultures, a self-portrait in all her moods, anxieties and delights. The sonnet form is stretched in all sorts of fruitful directions. Just as she adapted the ghazal form to English use, here she puts the Petrarchan sonnet to striking, unfamiliar use, widening the possibilities of the form. The poems are rich with Khalvati's personal history, her Iranian origins, her long years in Great Britain. The poems play between cultures, ancestral and acquired.