The Gospel of Loki, Joanne Harris
I love Loki’s voice in this. I promised Joanne Harris I wouldn’t mention A Certain Actor, but actually, I think she makes her Loki pretty distinct anyway. It’s recognisably her writing, her way of getting into a character’s head — I think I could recognise the style somehow without ever knowing the author — and she makes it work very well. I’ve actually found over time that I prefer her other work, like Chocolat, to Runemarks, Runelight and The Gospel of Loki, which are ostensibly closer to my usual genre, but I still liked this a lot.
It sticks fairly close to the source texts of the Eddas, while also linking fairly closely with Runemarks and Runelight, from what I can recall of those books. But you don’t need to read any of those to enjoy Loki’s version of his own story — though it would probably help you appreciate the wry asides and the neat little twists to the tale.
If I was going to compare this to anything, I’d actually talk about Sassafrass’ ‘My Brother, My Enemy’, which gives Loki a voice to justify what he did in a similar way. The main difference is that the song gives both Loki and Odin justification for their actions, while Joanne Harris’ version shows that neither of them are really justified, and left me wanting to bang the heads of both sides together.
Anyway, definitely fun and compulsively readable, as all Joanne Harris’ work has been for me. I love some of her descriptions of Ragnarok — she nailed it, even if I couldn’t stop seeing Chris Hemsworth smashing Bifrost. (Sorry. I didn’t promise not to mention that actor.)