Category: Reviews

Review – The Importance of Being Earnest

Posted March 18, 2015 by in Reviews / 4 Comments

Cover of The Importance of Being Earnest by Oscar WIldeThe Importance of Being Earnest, Oscar Wilde

I don’t think there’s much I have to say about this that hasn’t been said. Like, gee, did you know Wilde was really witty and satirical? I know, it shocked me too… But in all seriousness, even reading this rather than seeing it performed, it has a wonderful flow and wit, and it’s really funny. I don’t normally have much patience with plays, because they’re so much flatter on the page, and you don’t get the fun of watching actors/directors interpreting them, but I really enjoyed this anyway.

And yes, yes, I know; it’s disgraceful I have two English Lit degrees and this is the first time I’ve ever read The Importance of Being Earnest. I can only say that Wilde was a bit too recent for me…

Rating: 4/5

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Review – The Tale of the Duelling Neurosurgeons

Posted March 17, 2015 by in Reviews / 4 Comments

Cover of The Tale of the Duelling Neurosurgeons by Sam KeanThe Tale of the Duelling Neurosurgeons, Sam Kean

I’d been eyeing this for a while, but Robert really convinced me to read it. I was worried with that title it would be a bit too silly, but I shouldn’t have worried. The tone can be light, and there are a few jokes cracked and some wry asides, but it’s more scientific than the title suggests, while still being accessible to the general reader. A lot of the cases it discusses were ones I was already aware of, but it added depth and colour. I really need to get round to reading Permanent Present Tense, a book about “H.M.”, or Henry Molaison, which I’ve already got, and I’m curious about Clive Wearing’s wife’s book about his condition (though this youtube video gives you some idea).

It also added information about scientists who’ve studied the brain, though I kept muddling up my timelines and getting confused about who discovered what and when, and how it impacted everyone else. It’s arranged more thematically than chronologically, although there is a certain chronological element too (throughout the book, it moves toward more recent incidents and discoveries), so the timeline doesn’t matter incredibly.

Altogether, I found it a good primer on the science and history of neurology, for a casual reader, and the notes and such at the back offer plenty more places to dig for interesting information. (Where the library has any of these rather specialised books might be another matter, alas.) Best of all, it never feels like a lecture: the tone is warm, and the author finds the best in people and theories rather than mocking previous insights that turned out to be wrong. Which is wise, since we don’t understand the brain yet, and all of this may yet be overturned again…

Rating: 5/5

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Review – Clouds of Witness

Posted March 16, 2015 by in Reviews / 1 Comment

Cover of Clouds of Witness by Dorothy L. SayersClouds of Witness, Dorothy L. Sayers
Featuring Ian Carmichael as Lord Peter Wimsey, Peter Jones as Bunter, and Gabriel Woolf as Inspector Parker

This is the second of the Lord Peter radioplays, at least going chronologically by the order of the books. It’s longer than Whose Body? and a bit more personal: Lord Peter has to defend his own brother, the Duke of Denver, against a charge of murder. As usual with the Wimsey radioplays, the cast is excellent, and the parts chosen directly from the novels for dramatisation are great. I think only Ian Carmichael could get exactly the right tone for me in the part where Wimsey climbs on Parker’s back, looks over the wall, and then announces that it’s a marvellous ditch which he is going to proceed to fall into.

And of course, the ending with everyone drunk is pretty funny…

The main thing that doesn’t really work for me is, unfortunately, the sound effects. The gun sounds are more like party poppers — hardly the dramatic scenes needed. And I could maybe wish that Ian Carmichael wouldn’t sing — it’s in character, but something about it grates.

Rating: 5/5

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Review – Impossible

Posted March 15, 2015 by in Reviews / 4 Comments

Cover of Impossible by Nancy WerlinImpossible, Nancy Werlin

It’s difficult to say how I feel about this book. There are a lot of things I liked: the supportiveness of Lucy’s adoptive family, the relatively sex-positive attitudes and the emphasis on women’s autonomy and right to choose what’s right for them, the very fact that it’s built on a folk song (there are so many stories in those). The part that worried me somewhat was the fluctuating attitude to abortion: at times it’s suggested as a natural solution (which it is in the situation described here), and at others there’s very much a “no, every life is sacred” thing. There’s a risk of glorifying teen pregnancy, and glorifying martyrdom-by-having-your-rapist’s-baby which I’m very uncomfortable with.

And yet, as I said, free choice is emphasised so often; several positively portrayed characters express their support for abortion… I think it’s just a factor of the story’s set-up: if Lucy has an abortion, there’s no story, and there’s hints that the adversary in the story is manipulating things.

One thing it does glorify that I’m not sure about is very hasty marriage. The characters don’t seem mature enough for it, and it’s so immediate upon their realisation. She’s having a baby -> we must get married. And then, of course, there’s the fact that the whole plot of the story hinges upon centuries of rapes.

I’m not entirely sure what that comes to, overall. The writing is fairly simple and functional, though once or twice it does capture some moments perfectly — particularly Zach and Lucy’s relationship, and Lucy and Sarah’s friendship. I did feel a push to finish the book; I had to know how the mystery/riddle/curse worked out. I’m not sure I’d recommend it, but I found it interesting.

Rating: 3/5

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Review – Pompeii

Posted March 13, 2015 by in Reviews / 4 Comments

Cover of Pompeii by Mary BeardPompeii: The Life of a Roman Town, Mary Beard
Review from August 7th, 2012

I’ve been meaning to get hold of and read this since my visit to Pompeii last September. I was worried it might be quite dry and spoil the fun, since it’s billed as being very sceptical and as cutting things down to the facts, but I needn’t have worried. It’s an easy enough read despite all the detail, and Mary Beard’s speculations are as interesting as anything she refutes.

I actually recommend you read it before visiting Pompeii, because you’ll have a much clearer understanding of what you’re seeing. (And you won’t need a tour guide, which considering the urban myths they propagate, is all to the good.) It might even be useful to carry around Pompeii with you to help identify and understand some of what you’re seeing — it’s not a guide book, it is a narrative, but if you’ve read it already, you could flip through to refresh your memory on details.

But reading it after a visit to Pompeii works, too, or even if you don’t plan to go to Pompeii at all. Remembering or imagining the hot and dusty streets is easy: Mary Beard is always careful to keep in touch with what Pompeii looks like now (even if that is sometimes disenchanting, for example when she points out that some of the paintings have been totally restored, not always perfectly accurately, by modern work), as well as trying to imagine a time when it was a living town.

Actually, that’s the part I find hardest: imagining Pompeii as a living town. Maybe it’s partially because my memories of Pompeii are often without context: a random house with tumbled-down walls, grass growing in the remains of an oven, the partial remains of mosaics and paintings. I’m not a visual person anyway, so the images of Pompeii that stay in my head are the ones I saw myself. Pompeii is a hushed town, in my mind, with wind and hot sun and pumice sand in your shoes.

Mary Beard does very well at speculating what it might really have been like, nonetheless, and I definitely recommend this if you have any interest in the site.

Rating: 5/5

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Review – Whose Body?

Posted March 12, 2015 by in Reviews / 5 Comments

Cover of Whose Body? by Dorothy L. Sayers, audio editionWhose Body?, Dorothy L. Sayers
Featuring Ian Carmichael as Lord Peter Wimsey, Peter Jones as Bunter, and Gabriel Woolf as Inspector Parker

I think the casting for the BBC radioplay adaptations of Dorothy L. Sayers was nigh on perfect. Ian Carmichael might’ve been too old to play Peter, but it doesn’t show in his voice, and he perfectly conveys the warmth and humour, the silliness, and the underlying strength. I can never get used to the new voice actor for Parker in the later episodes, either: Gabriel Woolf sounds just perfect as Inspector Parker.

It might not be a high octane crime novel (rather more toward the cosy side), but I still found the adaptation to be a good one, bringing across moments of confusion, embarrassment, discovery and conflict. It does a pretty good job with narration (weaving some of it into Peter’s character) and in choosing which scenes to represent, and how. One thing I do miss is the Dowager Duchess’ rambles. There’s more sense in them than you’d think at first blush, but of course it would cause anyone to tune right out in audio form.

These are all now available on Audible, which is certainly more convenient than having all the CDs, and definitely worth trading a credit a month for. Needless to say, given my affection for both Sayers and these radioplays, I’ve sped that process up rather and have (I think) all of them.

Rating: 5/5

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Review – H is for Hawk

Posted March 11, 2015 by in Reviews / 0 Comments

Cover of H is for Hawk by Helen MacdonaldH is for Hawk, Helen Macdonald
Received to review via Netgalley

This is one of those quiet books that links nature and human grief… without really sentimentalising it. Macdonald trains Mabel (the goshawk) as a way of reconnecting with herself, of dealing with grief about her father’s death, and she writes about that beautifully without ever reducing it to a picture-perfect moment of “nature healing” or something. I actually found it pretty painful to read: recognising some of the grief, the depression; knowing all about that disconnection.

I can see why people don’t enjoy it. It’s had good press, and won awards, but it’s not an exciting triumph against adversity or a horror story written to wring the heart, something like A Child Called It. It’s a meandering through grief and back to the world, with literary allusions, glances back over the shoulder at history, at T.H. White. In a way, it’s a biography of T.H. White, as encapsulated in his own battles with his hawk — I feel like I understand him more now through Macdonald than I ever did through reading his work.

It’s not an uplifting story. It’s not a triumph. It’s uncompromising and lovely, like the hawk herself, and you have to accept the beauty as it comes, with the raw meat and grim struggles it entails as well.

Rating: 5/5

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Review – The Very Best of Kate Elliott

Posted March 10, 2015 by in Reviews / 0 Comments

Cover of The Very Best of Kate ElliottThe Very Best of Kate Elliott, Kate Elliott
Received to review via Netgalley

I should’ve got round to this sooner; my apologies to the author and Tachyon Publications. My ARCs have piled up rather, but I requested this one anyway because I’ve been meaning to try Elliott’s work for a long time. I keep picking up her books in the library, eyeing her post about where to start, eyeing the books on Kobo… So I decided to start here: she mentions in her post that short stories are not her favourite form, her usual thing, but this collection does introduce you to some of her worlds, and to her ways of thinking.

I’m still a little bit on the fence, to be honest. I enjoyed these stories, but some of them felt a little too long — which may just be that Kate Elliott is more of a novel writer, and I’m very sensitive to the natural end for a story, the degree of baggage it can carry. I enjoyed the detail, the world-building, and especially the perspectives she writes from (the essay included at the end about writing with a female gaze rang very true), but… I’m still not convinced, or something.

I think it does make a great taster for what Kate Elliott’s work is like, but I have a feeling I’m going to enjoy her novels more.

Rating: 4/5

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Review – Ancestors in Our Genome

Posted March 9, 2015 by in Reviews / 0 Comments

Cover of Ancestors in Our GenomeAncestors in Our Genome, Eugene E. Harris
Received to review via Netgalley

I got this as an ARC a while ago, but never got round to reviewing it, which probably isn’t going to do me any good with the OUP approving future requests. Ah, well. This one is, if you know anything about me, obviously right up my street: so much so that most of it wasn’t new to me, whether because I read about it in New Scientist, heard about it in one of the MOOCs I’ve taken part in, or read about it in another book somewhere. So for me this was more of a review than anything: a clearly written overview of what we currently know about human evolution.

So it was almost inevitably interesting for me, but I think I would recommend it for other people too. Harris’ explanations are clear, without going into so much depth that it doesn’t fit in, say, the popular science section. It’s pretty up to date, as one would hope from such a recent publication, and it’s more or less uncontroversial (to my mind, anyway; you may disagree if the very fact that chimpanzees are our close cousins is a subject of doubt for you). So: not revelatory, but solid and easy to read, a good way to update your knowledge and brush up on where the field is now.

Rating: 4/5

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Review – The Strange Library

Posted March 8, 2015 by in Reviews / 2 Comments

Cover of The Strange Library by Haruki MurakamiThe Strange Library, Haruki Murakami

This book seems more design than story, really. It’s presented beautifully, intriguingly. But I don’t get the story at all (which is not a new thing when it comes to me and Murakami, it’s true). The idea of the library with the weird hidden basement, the starling-girl… the creepiness is interesting, the uncanniness.

But in the end, it’s not much of a story, and that’s what I really read for. I’m not averse to weirdness (hello, Jeff VanderMeer), but Murakami’s weirdness never seems to work for me in the same way. I’m glad I borrowed this and didn’t pay full price.

Rating: 2/5

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