Category: Reviews

Review – The Dark Arts of Blood

Posted January 2, 2016 by Nicky in Reviews / 0 Comments

Cover of The Dark Arts of Blood by Freda WarringtonThe Dark Arts of Blood, Freda Warrington

The Dark Arts of Blood is much like the other books in this series: lush, sexy, gothic, and unapologetic about that. The plot and such are more or less the same sort of fare: mythology shaping the world, the world shaping the mythology, the vampires trying to live in peace but being fundamentally at odds with the world because of their need for blood… For the most part, this belated addition to the series works seamlessly with the earlier books; it also doesn’t descend into any kind of nostalgia for the older books. There are consequences. Things happen to characters who we wished were safe. The mythology and magic of the world — and the tumultuous period of history the books are set in — continues to intensify.

One thing which didn’t work for me was the sub-plot with Charlotte and the lamia. It’s much the same kind of conflict she’s already faced, which was resolved in The Dark Blood of PoppiesI didn’t buy that it would resurface like this, especially when other vampires didn’t face similar problems at all with the same stimulus.

Still, the addition of more vampires to the world, going further afield and seeing other countries, is definitely welcome. And despite the fact that they got together in the first book, the relationship between Charlotte and Karl still has the same intensity now. It’s also good that despite the fact that they disagree, there is rarely high drama about it — the second book showed the biggest threat of that, but they worked on it. That is always great to see in romance fiction.

Bottom line? If you like morally ambiguous, often amoral vampires who are actually scary and otherworldly and not just humans with stick-on fangs and extra sex appeal, I do recommend this series. I’m thinking of acquiring the books for myself (I read them all from the library) for later rereading. I never expected to get so caught up, from reading the first book — there’s something so deliciously self-indulgent about them.

Rating: 4/5

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Review – The Ocean at the End of the Lane

Posted January 1, 2016 by Nicky in Reviews / 6 Comments

Cover of The Ocean at the End of the Lane by Neil GaimanThe Ocean at the End of the Lane, Neil Gaiman
Originally reviewed 8th September, 2013

I don’t know how to review this. Skimming other people’s reviews there’s a lot of debate over whether it’s adult/young adult fiction (haven’t seen anyone advocating for “new adult”, or whatever the term is — that is one genre it certainly isn’t, even saying that as someone in my mid-twenties), or about the length. Or people just enthuse (or don’t). It’s certainly a very quick read. As for who it’s suitable for — there’s a quote somewhere in it about myths, about how they’re stories that just are. “I liked myths. They weren’t adult stories and they weren’t children’s stories. They were better than that. They just were.” That’s how this felt to me.

It certainly has points best appreciated by different audiences. I don’t know if Diana Wynne Jones was alive to read it in any form, but she would have been an ideal reader for it, I think. There’s something on the mythic level that would appeal to a child (at least one like the narrator, which I think I was — certainly you could say of me that “I lived in books more than I lived anywhere else”). And there’s an adult level, about memory, and forgetting, and nostalgia for childhood. Some of which I think Gaiman is very wise about. For example…:

I do not miss childhood, but I do miss the way I took pleasure in small things, even as greater things crumbled. I could not control the world I was in, could not walk away from the things or people or moments that hurt, but I took joy in the things that made me happy.

A lot of people think they miss childhood, but they’re looking back at a utopian fantasy. But here Gaiman’s narrator (which people to some extent seem to identify with him himself) is picking out something about childhood that we really do lose: the ability to live in the moment. Or at least, he gets nearer the heart of it than many people do.

Despite that, just as a story… I don’t know how much I enjoyed this. I suspect I’m the wrong age for it, in a way. I’m still a bookish kid at heart in enough ways that I appreciated the mythic aspects, but I think the adult aspects, the question of memory… I think that’ll be more meaningful when I’m older. If it helps to pin down my reaction, I will certainly read this again someday. Right now I do resonate with the brief image we get of the narrator at twenty-four, uncertain and unhappy, searching for reassurance.

The mythic aspect of Gaiman’s world is fascinating: ultimately unknowable, somehow, even as it focuses on mundane things like broken child’s toys and mending clothes. That leaves you with little to get hold of — and, as with many things about this book, I’m ambivalent about that, too.

Rating: 3/5

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Review – The Blade Itself

Posted December 31, 2015 by Nicky in Reviews / 4 Comments

Cover of The Blade Itself by Joe AbercrombieThe Blade Itself, Joe Abercrombie

I read this trilogy a few years ago, around the same time as I read Scott Lynch, and I was totally excited about the new voices in fantasy at the time. I remembered that much, and also that this was very much “grimdark” and gritty and portrayed a not-so-pleasant world. But I knew I’d have to reread it, at least for my own personal satisfaction, before I finally get round to other works in the same world. With the vague memories I have of the first time I read this trilogy, it’s apparent just from reading The Blade Itself that this is better crafted than I realised at the time. Things I didn’t notice before are popping up and demanding my attention.

The whole world is… not very pleasant. And every character seems to have their flaws — battle rage, abusive tendencies, the simple fact that they take joy in their work of torturing people, the fact that they’re spoilt, drinking, anger issues… And yet at the same time, they’re very compelling to me. They’re real, because Major West (one example) is a good man who works hard and wants the best for his sister, as well as being the guy that lashes out at her because she doesn’t act the way he wants. Jezal dan Luthar learns to care about people other than himself, to see women as more than decoration, because of his interest in Ardee. They’re flawed and yet they’re changing, growing; there’s hope. You can even find moments of sympathy with the torturer Glokta, because he’s been twisted and broken by other people. Because his anger and pain are justified and honest.

The world is also interesting, because it feels lived in. There are ruins, monuments, old places where no one has gone. There are things each country doesn’t know about the others.

You do have to read the whole trilogy to get the real satisfaction of this book, I think; the ending isn’t a cliffhanger, but it also isn’t a resolution, either.

Rating: 4/5

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Review – The Cutting Room

Posted December 30, 2015 by Nicky in Reviews / 0 Comments

Cover of The Cutting Room ed. Ellen DatlowThe Cutting Room, ed. Ellen Datlow

Received to review via Netgalley

I mostly requested The Cutting Room because I know Ellen Datlow is a majorly respected editor of anthologies, and the idea of a themed anthology based on the silver screen… well, it did appeal, even if horror isn’t really my thing. Unfortunately, that turned out to be only too true, and also I didn’t really understand the point of some of the stories. There are definitely some standouts, though, and some amazingly written ones, and clever ones which turn things around.

‘Cuts’ was pretty good, even if I kind of expected the twist at the end; ‘Onlookers’, also. Genevieve Valentine’s story is interesting, and though I thought Peter Straub’s story was too self-conscious, it was well written. ‘Tenderiser’ was tense and breathless, though I wasn’t always following the reasoning 100%.

On the other hand, ‘Ardor’ for example just read as one big mess to me. Others just cut off, or just weren’t memorable, or just went for this big gory image for kicks. Just not what I connect to or am interested in.

Still, it was interesting to explore some stories like this, and look into some new authors. I don’t think I’ll pick any of them up on the strength of these stories, but it is nice to get a bit of variety.

Rating: 2/5

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Review – The Masked City

Posted December 29, 2015 by Nicky in Reviews / 8 Comments

Cover of The Masked City by Genevieve CogmanThe Masked City, Genevieve Cogman

The Masked City is a sequel to The Invisible Library, following the same characters… With possibly even less time in the actual library, which is my only real disappointment here. Technically, I received it to review — but only the day after I’d already bought a copy. I was eager to get my hands on it; the first book was a lot of fun, even if I didn’t enjoy it as much as, say, Bastian’s Book Reviews did. (Trivia: a quotation from his review appears on the back cover, and in the first couple of pages!) I’m actually thinking that based on reading The Masked City, I might have judged The Invisible Library too harshly — I think it quite likely deserved four stars, rather than the three I gave at the time.

The Masked City is a worthy sequel, with all the same intriguing worldbuilding, interplay between characters, and the sense of fun. It’s fast-paced and plays with all kinds of tropes along the way — the master spy, the great detective, the enemy operative… and even fairytales. And dragons; non-conventional dragons, but dragons nonetheless.

And let’s pause for a second to appreciate once again that Irene, the main character, is an undercover Librarian who is protected from deceitful Fae magic by her Library brand, who is tasked with stealing books to strengthen the connections between worlds and stabilise them, and whose magic and ways of travelling and understanding the world all revolve around books.

Sign me the heck up.

Plus, of course, the main character is a woman who knows what she’s doing, who rescues her (male) apprentice and generally plays the hero’s role with aplomb, and knows the power of words — and a good book. Hurrah, say I.

My only quibble is that the extra material at the back isn’t that interesting. If you’re going to give me Irene’s best heists, I need at at least a short story. Not a paragraph!

Rating: 4/5

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Review – Word Puppets

Posted December 28, 2015 by Nicky in Reviews / 4 Comments

Cover of Word Puppets by Mary Robinette KowalWord Puppets, Mary Robinette Kowal

Received to review via Netgalley

Word Puppets is a collection of short stories written by Mary Robinette Kowal, arranged — if we can trust the alleged Patrick Rothfuss’ introduction — in the order they were written. I always think that’s a fascinating way to read an author’s work, because you get to watch their skills develop, their interests change, etc. This particular collection comes with an introduction written by Pat Rothfuss… which is a little suspect because in a little game they had on twitter, Kowal was better at being Rothfuss than Rothfuss was.

If that confused you, don’t worry; I think it bent more than a few brains.

As a whole, in any case, it’s an entertaining collection. There were one or two weaker points, where by my personal lights the twist was just a little… I saw it coming. ‘For Solo Cello, op. 12’, for example. And looking at the list of titles, there’s some where I can’t figure out which story they were, which you can attribute either to my terrible naming or perhaps less than memorable/well-matched titles/stories. ‘For Want of a Nail’, what was that one… ah, the one with the conflicted AI.

Still, for the most part I think Word Puppets is a strong collection, solidly entertaining, and what’s also nice, it has a wide range. Fantasy, various kinds of spec-fic, different settings, older protagonists… And it’s definitely quite different to her Regency/fantasy novels (which I do enjoy, but it’s nice to see Kowal taking on other frontiers). I enjoyed most of the stories, and I think particularly ‘Chrysalis’, ‘Body Language’, ‘The Lady Astronaut of Mars’ and ‘The Consciousness Problem’. Some of them really are sticking in my head, to be thought about later — so that’s a good sign.

Rating: 4/5

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Review – Charm

Posted December 27, 2015 by Nicky in Reviews / 4 Comments

Cover of Charm by Sarah PinboroughCharm, Sarah Pinborough

I liked Charm more than the first book, but I’m still somewhat wondering exactly what to think about this. There’s less of a focus on sex in this book than in Poison, and what there is ends up feeling less exploitative and like power-play. Indeed, two of the scenes include a lot of tenderness, for quite different reasons. I can appreciate the world created, in which sex isn’t a huge deal but can be a way to share joy.

It’s also an interesting set-up world-wise, with Robin Hood making an appearance and more references to Hansel and Gretel, etc. It’s all a bit too wildly promiscuous about the stories mingling for my taste — there seems little rhyme or reason behind it — but it’s kind of fun to figure the references out, anyway.

As with the first book, the narration remains fairytale-like, and the twists on the original story are quite fun. For example, the ‘ugly’ step-sisters aren’t really ugly at all, and Cinderella’s hatred of her step-mother is rather unjust… but she is lower class than them and she does work around the house, and she doesn’t go to the balls. And her sister, Rose, tries to cut off her own toes to fit the shoe… because she believes it’s what her mother would want. The characters aren’t necessarily likeable, but for me that isn’t so much an issue with the clever sort of tale chosen here. I think you’re only meant to be able to sympathise with Rose, and not so much Cinderella. It’s showing up the selfishness of pursuing a dream to others’ cost.

I’m definitely going to read the third book, Beauty; the three aren’t that closely linked together, I think, but thematically they compliment each other — and the Fairy Godmother is someone you’ll recognise if you’ve read Poison

Rating: 3/5

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Review – Greenwitch

Posted December 26, 2015 by Nicky in Reviews / 0 Comments

061329971X.01._SX450_SY635_SCLZZZZZZZ_Greenwitch, Susan Cooper

Greenwitch is the shortest book of the sequence, and yet that doesn’t mean that little happens. It’s perhaps the most densely packed with symbolism and meaning and mythology that you just can’t get a handle on: the drowned man, the ship going inland, Roger Toms, the Wild Magic… This book, to me, emphasises the aspects of this sequence which are otherworldly and quite beyond the human characters, even while the humanity of those characters plays a huge part. It is Jane’s human kindness which wins the day, in the end. But she’s meeting a world which is wild and amoral and strange to her, with rules that make no sense to her.

It’s also, once again, great on human interaction: the pettiness of Barney and Simon toward the intruder, Will, and Jane’s attempts to bridge the two worlds. More out of a sense that that’s the girl’s job, perhaps, than because she has any genuine interest in Will for himself. Jane is the most reluctant of the Six — right now I’m wondering a little if that’s because she’s the only female character. I hope not, but there are so many scenes where she’s timid, more afraid than the boys… But at the same time, she also has a different understanding of the world, and a deeper view on things. She’s the one who can see the Greenwitch for the lonely creature it is, the one who can see Will for the strange being he has become. Which might, again, be rooted in gender, but I don’t think it’s any kind of simple binary. Which is a relief.

The writing is, as with the other books, very fine: there are some excellent set-pieces, for example when Will and Merriman travel beneath the sea to meet Tethys, or Jane looking out over the harbour — even the descriptions of the caravan.

I’m probably way ahead of the TDiR Readathon now. Always happens! And it means you still have the opportunity to join in…

Rating: 5/5

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Review – Tigana

Posted December 25, 2015 by Nicky in Reviews / 0 Comments

Cover of Tigana by Guy Gavriel KayTigana, Guy Gavriel Kay

This week’s Flashback Friday is a bit of a special one, because it turns out I’ve written a full review for Tigana every time I’ve read it, from my first encounter with it. All of these are here, dated, in chronological order. I hope you find it as interesting as I did!

August 2008.

The very last paragraph makes me want to kill Guy Gavriel Kay. The impact was somewhat spoilt by my mum spoilering me beforehand, but… on the other hand, knowing it was coming hurt more, too.

One thing I definitely have to say is that Guy Gavriel Kay’s romance was much better in this book. I never really saw Catriana and Alessan coming, but at the same time, it was understandable and it didn’t make me come over all “…no” like Paul and Jaelle in Fionavar did. Dianora and Brandin were delightfully star-crossed. I loved the little references to Fionavar, too. The characters I got to love very, very much. Maybe not quite as much as I grew to love the characters in Fionavar. He wasn’t quite as ruthless with his characters in Tigana, though, so I didn’t test my love of the characters in tears!

Guy Gavriel Kay is one of my favourite authors right now. Really. I don’t see that changing any time soon, either.

Rating: 5/5

August 2009.

This is still such a beautiful, beautiful book. This is my first reread, but I can tell you already that it won’t be my last. The writing is gorgeous, and the imagery and the politics and the characters are all amazing. The careful laying of the plot, with the different subplots that weave in, like the Carlozzini and Dianora’s own plans, is amazing. There are so many points in the book where I found tears coming to my eyes that I don’t even know how many times it happened. It’s an amazing, amazing book.

One of the things I noticed most this time round is the backstory, the creation of a mythology that hangs around the edges of the story — provides sanctuary, or is important to one subplot or another, without taking centre stage. Backstory that both enriches the world, the worldbuilding, and serves a purpose, without being pointless or entirely utilitarian.

I also noticed the moral ambiguity that he builds up. Especially in the figure of Brandin, of course, who has done such cruel, terrible things, but has reasons and a kind of nobility of his own and can actually be liked, in some ways. But not just him. Alessan himself isn’t amazing either — although one difference between him and the tyrants is, of course, that though he does use his special power to bind someone to his cause, he does release them to their own free will and does feel a lot of remorse.

The last line of all means that Guy Gavriel Kay probably deserves to go and live in his own special circle of hell. It’s an amazing, beautiful ending, and it’s so, so cruel.

Rating: 5/5

February 2013.

I found Tigana annoying me so much this time around. Kay’s overly ornate way of writing, the way he makes even the simplest of events sound So Deeply Important by the formal way he’s writing… But it all came together for me again when I sat down and just read. I fell in awkward, torn love with Alessan, with Brandin, with Catriana, with Dianora, with Baerd. I loved the way people came together, willingly and unwillingly, against the other halves of their hearts. I love how people became whole again, or didn’t, and found healing and/or revenge, or…

It’s a complex plot, full of complex people, and I love it so much. I’m rereading all of GGK’s work in chronological order, to watch his development as a novelist (and for the sheer love of his work, of course), and up to now this has always been my favourite. Right now, I’m not sure where it ranks exactly — but oh, I do love it.

Reading Kay’s afterword and seeing what his influences were is also pretty fascinating. It doesn’t surprise me, in retrospect, that Brian Friel’s Translations influenced him, even though it seems like a leap from a literary play about language to a fantasy novel that is, on the surface, about the fight against tyranny (but then, those two don’t seem so very far apart if you think in Colonial terms).

Rating: 5/5

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Review – Shadow Memories

Posted December 24, 2015 by Nicky in Reviews / 0 Comments

Cover of Shadow Memories by Nicholas ErikShadow Memories, Nicholas Erik
Received to review via Netgalley

Shadow Memories isn’t a chore to read, because it has very short chapters and constant action. Unfortunately, it has very short chapters and constant action… so it’s hard to connect to the characters, and the plot comes across as very confused. Some major stuff is just skimmed right past, while an undue amount of time is spent on a guy who thinks his wife is cheating on him.

It takes too long to get to the conspiracy/alien stuff — at least in any detail — and the main POV character is just infuriating in his complaints about sleeping on the couch like his partner owes him sex just because he exists and hasn’t actively done anything annoying that day.

So, not for me. It’s pacey enough though. Some people might enjoy it.

Rating: 1/5

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