Cinder House

by Freya Marske

Genres: Fantasy, Romance
Pages: 144
Rating:

Synopsis:

Sparks fly and lovers dance in this gorgeous, yearning Cinderella retelling from bestselling author Freya Marske—a queer Gothic romance perfect for fans of Naomi Novik and T. Kingfisher.

Ella is a haunting.

Murdered at sixteen, her ghost is furiously trapped in her father's house, invisible to everyone except her stepmother and stepsisters.

Even when she discovers how to untether herself from her prison, there are limits. She cannot be seen or heard by the living people who surround her. Her family must never learn she is able to leave. And at the stroke of every midnight, she finds herself back on the staircase where she died.

Until she forges a wary friendship with a fairy charm-seller, and makes a bargain for three nights of almost-living freedom. Freedom that means she can finally be seen. Danced with. Touched.

You think you know Ella's story: the ball, the magical shoes, the handsome prince.

You're halfway right, and all-the-way wrong.

Rediscover a classic fairy tale in this debut novella from "the queen of romantic fantasy" (Polygon).

I received a copy of this book for free in exchange for an honest review. This does not affect my opinion of the book or the content of my review.

I found Freya Marske’s Cinder House a little slower to get started than I’d expected from a novella: it felt like more than half the book was setup (though important things did happen!) and then the ending had to happen at an absolute gallop. A little more time in the second half for a good head of longing to build up would have really helped the ending, though I’m trying not to say too much about that.

The bones of the story are Cinderella, but it’s also much more than that, with quite a bit of worldbuilding woven in. The politics of the world were a bit difficult to grasp from the vantage point we have, which honestly makes sense since, well, Ella’s a house. Kind of. Interestingly, from the buildup I guessed two possible endings, and in the end they were both sort of right (and both sort of wrong).

I did enjoy the world-building, and the way the story works out — the way Ella’s sisters torture her into compliance was very well thought out and described, for instance, it’s all very thoughtful — it just felt like the pacing was a touch off.

Rating: 3/5 (“liked it”)