There’s a lot going on in this book: it sweeps past swathes of history, touching on some of the important questions and critiques of colonialism and empire, dwelling on how they were represented by artists and how art of different cultures met and mingled. It doesn’t linger, speeding past the Benin Bronzes and cramming in the Eiffel Tower as well, and I found it a little vague and unfocused. It was unclear what the argument was meant to be until the afterword, where he mentions the idea that all human art comes from “the same imagination”.
Hmm. A little insipid, really; that’s my final conclusion on this. It’s nice to have a quick guide to some of the art and its context, but it really is the most glancing look at most of it. It’s nice to have a degree of breadth, but then I wouldn’t say it has that much by way of breadth — it’s all so lightly touched on. There are some artworks I didn’t know about, and interesting facts, like the portraits painted by Lindauer of Maori people (and the fact that they would choose to be painted in a combination of Western and traditional clothing, to show they knew how to move in both worlds).
I feel like there are several books here and this is just a not very focused amalgamation of all of them. It didn’t work for me, though perhaps people who saw the series they accompany will get more out of it.