Somehow, I’d never read this one! Well, I have now. This showcases all Sayers’ usual eloquence and flair, and also her tendency to become enamoured of a set-piece that encapsulates a character and carry it on for pages at a time. Jack Munting’s letters to his fiancée are sweet, but they could probably been edited down a smidgeon, and some of the key scenes are likewise rather over-elaborated.
It’s a fascinating format, particularly when it sticks to the letters — it’s a little disappointing when it switches to a long statement, narrative-style, as if anybody ever actually remembers dialogue in such detail. It feels like she got tired of the format and had to round it off with a good long section of narrative just to make life easier. Still, I do love the way she teases out the conclusion, and the fact that it is based on an understanding of chemistry and right/left-handed molecules. Brilliant.
I do have questions about some of the characters: mostly lots to side-eye when it comes to Agatha Milsom, whose institutionalisation is never shown to us directly. It’s hard to judge if she’s actually mentally ill to a great degree, or (more likely) mostly just inconvenient to everyone. Sayers is rather harsh on her — as is Libby Purves, who wrote an introduction to this edition — but it seems to me that she is commenting on something real in the relationship between Mr and Mrs Harrison that other people don’t see. It isn’t the whole story, but the whole idea of her developing a monomania is so very Golden Age and so very irritating as an explanation.
In any case, it’s entertaining and clever, and there are some great character studies. Worth a read, even though it’s not an absolute resounding success on all fronts — it’s pretty darn entertaining despite that.