Reread this for my SF/F class on Coursera. I loved it more, this time: read it slowly, appreciated the details, just as the professor suggested. Partially because, of course, I knew it would be rewarding with Ursula Le Guin. I don’t think I was ready for this book when I read it before: the fierce joy and love in some parts of it, the devastation, the making-strange of familiar things and the making familiar of strange things.
Some parts were… maybe less subtle than I thought Le Guin would be. All the stuff about Orgoreyn seemed fairly obviously a commentary on the relations between the US and Russia; the portrayal of Karhide was more subtle, but the Voluntary Farm seems a fairly naked commentary on the gulags. I expected more subtlety, really.
I do love the world Le Guin builds. I was impatient with it last time, but having experienced more of her work, all the detail and background is part of the picture, part of the creativity, not ancillary to the plot.
Don’t read this if you’re not ready to be shaken up about gender, but really, that isn’t the important thing about it. The real importance of it is not the way Le Guin plays with and reflects on gender (Tehanu would be equally important for that, I think), but the way she thinks about dualism/wholeness, the imagery of Yin and Yang which her whole story invokes.